Over 350 color and black-and-white photographs show the various architectural styles of old New England homes with special attention to the details. A supporting text explains the history and significance of the style. Architectural drawings provide close-up views of fireplaces, doorways, windows, stairs, and cupboards built in the 17th, 18th, and 19th centuries.
The doors are wide open and you're welcome to wander through. Don't worry about the carpets as you enter through stately doorways, cozy up to collosal fireplaces, and climb poetic staircases. For those who love the old homes of the New England area, this is a chance to enter and inspect the window sills and cupboards up close. Nearly 400 photographs and illustrations, along with helpful tips, are provided to guide the remodeller of Jacobean, Colonial, Georgian, and Federal homes toward duplicating these antique architectural features, plus there are architectural drawings from the Library of Congress and by Asher Benjamin, one of the leading New England builders and most influential designers of the late eighteenth and nineteenth centuries.
Q. What is the most-watched TV format in history, seen by about 100 million people weekly around the world? A. Wheel of Fortune, a game show. Without putdowns or pandering, the author looks at 260 such shows, concluding that culture has triumphed over technology. For despite our capacity to transmit the same content world-wide, McLuhan's global village has not come to pass. Technology has, however, encouraged already-existing "cultural continents" to coalesce. About one-third of the world's game shows have been licensed or adapted from another country, especially from the United States. Conversely, a single program can cross borders unchanged, such as Sabado Gigante, which appeals to Spanish speakers in 18 countries. The first truly global study of TV entertainment, this book includes interviews with producers, contestants, and licensers. With its tables, illustrations and appendices, the text provides details on content and audiences, as well as explanatory overviews.
Colonial, Georgian, Federal, and Victorian homes presented with an informative and readable text and 245 color photos. Various aspects and angles of the buildings are shown, in addition to the beautiful frontal views. Floor plans are given for many of the homes, making this new edition an important book for architects and potential home owners alike.
Old Homes of New England paints a stunning portrait of the charming and important old homes of the region, featuring storybook cottages in white clapboard as well ancient mansions in brick and stone. Cherished for its intimate, community-centered spirit, New England lays claim to some of the most wonderful architecture of the country—and, significantly, its buildings are among the nation’s very oldest. Featured here are twenty-five of the most beautiful examples, ranging from the storied House of the Seven Gables of 1668, in its magnificent colonial splendor, to the Corwin House of 1675, nicknamed the "Witch House" for its direct association to the infamous Salem witch trials, to the bucolic Cogswell farmhouse of 1728. Each house exemplifies its style, which range from early colonial Pilgrim, Puritan, and Shaker, to later Georgian, Federal, and Greek Revival. With richly crafted interiors formed from old woods, fine plasterwork, thoughtfully set beams, brick, and stonework, the houses return us to a more gracious time when the simple pleasures of staying at home were paramount, a time to which many of us, even now, long to return.
In the tradition of Rizzoli’s Historic Houses of the Hudson Valley and The Houses of McKim, Mead & White, Great Houses of New England features a stunning array of newly photographed houses that range over four centuries and are distinctive examples of the architecture of the region—from the mid-seventeenth-century New England Colonial Judge Corwin House (Witches House) in Salem, MA., and the eighteenth-century Jeremiah Lee Mansion in Marblehead, MA., to the late-nineteenth-century McKim, Mead & White Shingle-Style Isaac Bell House in Newport, R.I. With lavish photography of sumptuously appointed interiors including many rarely seen rooms, wonderfully detailed house exteriors and gardens, and authoritative text by architectural historian Roderic H. Blackburn, Great Houses of New England comprehensively considers the magnificent building styles of the region—including Early New England Colonial, Georgian, Federal, Greek Revival, Gothic Revival, Italianate, Shingle Style, Colonial Revival, and Tudor. Great Houses of New England is a landmark work of enduring interest to homeowners, architects, architecture historians, and all those who love fine architecture and interiors.
Excerpt from Historic Homes of New England Tm: study of Old houses grows in interest with each additional discovery of good material, such as can be found in the old New England towns and cities, more especially those along the seacoast. The preservation Of these Old houses has done much to give us correct ideas' of the interiors, though many of these, with the change of owners, have been stripped of their colonial furnishings. Most of the houses that are shown in this book are private homes which have been opened by the owners to allow pictured representations of correct ancestral furnishing. Houses such as these possess the great est charm - ancestral homes that have descended from generation to generation in the same family since their founding. It has been a great pleasure to be allowed to visit these old mansions, which show wonderful staircases, richly carved mantels, and colonial windows, each one of which is an architectural gem. Through pictured homes like these one is given a deeper interest in the early life of our country and realizes more than ever before what the colonial period stood for in home building. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
