Mervelous Signals
Mervelous Signals

Author: Eugene Vance

Publisher: U of Nebraska Press

Published: 1989-01-01

Total Pages: 388

ISBN-13: 9780803296084

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The investigation of language, of how (and what and why) signifiers signify, is prominent in modern critical work, but the questions being asked are by no means new. In Mervelous Signals, Eugene Vance asserts that "there is scarcely a term, practice, or concept in contemporary theory that does not have some rich antecedent in medieval thought." He goes on to illustrate the complexity and depth of medieval speculations about language and literature. Vance's study of the link between the poetics and semiotics of the Middle Ages takes both a critical and a historical view as he brings today's insights to bear on the contemporary perspectives of such works as St. Augustine's Confessions, the Chanson de Roland, Chrätien's Yvain, Aucassin and Nicolette, Spenser's The Faerie Queen, and certain aspects of the works of Dante and Chaucer and of French medieval theater.

Compendium of the Study of Theology
Compendium of the Study of Theology

Author: Rogerus Bacon

Publisher: Brill Archive

Published: 1988

Total Pages: 216

ISBN-13: 9789004085107

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In Part I the author draws on classical authors to illustrate three causes of error in his time and underscores the need for an integral understanding of the signification of terms. In Part II he proposes six themes: a new classification of signs; a theory that common terms signify principally objects, not concepts; connotation as natural signification; common terms signifying an entity and a nonentity are equivocal; terms can lose their signification; a non-Aristotelian classification of equivocation in six modes. Bacon was a very original semanticist and some of his theories helped pave the way for Ockham a few decades later. This treatise opens many windows on to the debate on semantics in the late 13th century.

The Language of Thought in Late Medieval Philosophy
The Language of Thought in Late Medieval Philosophy

Author: Jenny Pelletier

Publisher: Springer

Published: 2018-01-02

Total Pages: 463

ISBN-13: 3319666347

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This edited volume presents new lines of research dealing with the language of thought and its philosophical implications in the time of Ockham. It features more than 20 essays that also serve as a tribute to the ground-breaking work of a leading expert in late medieval philosophy: Claude Panaccio. Coverage addresses topics in the philosophy of mind and cognition (externalism, mental causation, resemblance, habits, sensory awareness, the psychology, illusion, representationalism), concepts (universal, transcendental, identity, syncategorematic), logic and language (definitions, syllogisms, modality, supposition, obligationes, etc.), action theory (belief, will, action), and more. A distinctive feature of this work is that it brings together contributions in both French and English, the two major research languages today on the main theme in question. It unites the most renowned specialists in the field as well as many of Claude Panaccio’s former students who have engaged with his work over the years. In furthering this dialogue, the essays render key topics in fourteenth-century thought accessible to the contemporary philosophical community without being anachronistic or insensitive to the particularities of the medieval context. As a result, this book will appeal to a general population of philosophers and historians of philosophy with an interest in logic, philosophy of language, philosophy of mind, and metaphysics.

Les mises en scène du patrimoine : savoir, fiction et médiation (Collection Communication, Médiation et Construits Sociaux)
Les mises en scène du patrimoine : savoir, fiction et médiation (Collection Communication, Médiation et Construits Sociaux)

Author: FLON Émilie

Publisher: Lavoisier

Published: 2012-06-01

Total Pages: 226

ISBN-13: 2746288184

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L'accès au passé, par l'archéologie, l'histoire ou l'exposition, se fonde sur des médiations. Parmi elles, les reconstitutions ou décors d'exposition sont des mises en scène du patrimoine qui font souvent l'objet de critiques. Par leurs aspects spectaculaire et théâtral, elles ne donneraient qu'une illusion de la présence du passé. Elles seraient superficielles, sinon fausses en regard des objets patrimoniaux qu'elles mettent en scène. La fiction n'est-elle pas antinomique du patrimoine et des savoirs garants de son authenticité ? Cet ouvrage montre que les mises en scène sont aussi un moyen de soutenir la force symbolique et l'authenticité du patrimoine. L'analyse d'expositions concrètes de patrimoine archéologique permet de comprendre comment elles construisent une expérience du temps pour le visiteur et un type de médiation original. La construction du discours spatial et l'articulation des éléments fictionnels et des éléments authentiques deviennent alors déterminantes.