A Reference Grammar of Modern Standard Arabic is a comprehensive handbook on the structure of Arabic. Keeping technical terminology to a minimum, it provides a detailed yet accessible overview of Modern Standard Arabic in which the essential aspects of its phonology, morphology and syntax can be readily looked up and understood. Accompanied by extensive carefully-chosen examples, it will prove invaluable as a practical guide for supporting students' textbooks, classroom work or self-study, and will also be a useful resource for scholars and professionals wishing to develop an understanding of the key features of the language. Grammar notes are numbered for ease of reference, and a section is included on how to use an Arabic dictionary, as well as helpful glossaries of Arabic and English linguistic terms and a useful bibliography. Clearly structured and systematically organised, this book is set to become the standard guide to the grammar of contemporary Arabic.
This volume explores Arab cultural life since World War II. Chapters cover topics such as radio/TV, the press, cinema, music, theatre, popular religion, belly dance, western consumerism, sport and the Arabic language.
A groundbreaking anthropological analysis of Islam as experienced by Muslims, By Noon Prayer builds a conceptual model of Islam as a whole, while travelling along a comparative path of biblical, Egyptological, ethnographic, poetic, scriptural and visual materials. Grounded in long-term observation of Arabo-Islamic culture and society, the study captures the rhythm of Islam weaving through the lives of Muslim women and men.Examples of the rhythmic nature of Islam can be seen in all aspects of Muslims' everyday lives. Muslims break their Ramadan fast upon the sun setting, and they receive Ramadan by sighting the new moon. Prayer for their dead is by noon and burial is before sunset. This is space and time in Islam - moon, sun, dawn and sunset are all part of a unique and unified rhythm, interweaving the sacred and the ordinary, nature and culture in a pattern that is characteristically Islamic.
The first book to explore how Arab pop culture has succeeded in helping forge a pan-Arab identity, where Arab nationalism has failed. Pop Culture Arab World! is the first volume to explore the full scope of Arab cultural life since World War II. The book reveals a homogeneous yet richly diverse culture across the Arab nations. In-depth chapters feature radio/TV (particularly the satellite revolution, which has fostered a shared Arab identity), the press (vibrant and controversial), cinema (once thriving, now in crisis), music (the beating heart of modern Arabness), theater (a largely assimilated Western import), popular religion, belly dance (originating in the Arab world), Western consumerism, sport, and the Arabic language (for Muslims, the tongue of God's final revelation). At a time when almost all we see of the Middle East is violence, oppressive nationalism, dangerous zealotry, and despair, this book is a vivid reminder of the humanity of the region's diverse people.
This book, first published in 1970, provides a description of the standard Arabic language used today as the universal means of written communication throughout the Arab world and in formal spoken communication (vernaculars differ both from each other and from the standard language). The principal emphasis is on syntax and morphology of which there exists no comprehensive account. Phonology and lexicon are treated briefly and there is a chapter on the script.
There is a great deal at stake for everyone in the future of Arab television. Political and social upheavals in this central but unsettled region are increasingly played out on television screens and in the tussles over programming that take place behind them. "Al-Jazeera" is of course only one player among a still-growing throng of satellite channels, which now include private terrestrial stations in some Arab states. It is an industry urgently needing to be made sense of; this book does exactly this in a very readable and authoritative way, through exploring and explaining the evolving structures and content choices in both entertainment and news of contemporary Arab television. It shows how owners, investors, journalists, presenters, production companies, advertisers, regulators and media freedom advocates influence each other in a geolinguistic marketplace that encompasses the Arab region itself and communities abroad. Probing internal and external interventions in the Arab television landscape, the book offers a timely and compelling sequel to Naomi Sakr's "Satellite Realms: Transnational Television, Globalization and the Middle East", which won the Middle Eastern Studies Book Prize in 2003.