Aquaman (2016-) #62

Aquaman (2016-) #62

Author: Jordan Clark

Publisher: DC Comics

Published: 2020-08-18

Total Pages: 30

ISBN-13:

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In order to save baby Andy, Jackson Hyde made a deal with the devil-his father, Black Manta! Now Jackson must find a way into Xebel while everyone celebrates Mera’s surprise nuptials. What he finds there, however, will be darker and deadlier than he ever imagined. Welcome writer Jordan Clark (Bitch Planet Triple Feature) for the start of this two-part adventure!


Aquaman Vol. 6: Kingslayer

Aquaman Vol. 6: Kingslayer

Author: Dan Abnett

Publisher: National Geographic Books

Published: 2018-12-18

Total Pages: 0

ISBN-13: 1401285430

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A new era for Aquaman continues here, as Arthur Curry battles the nefarious King Rath in Aquaman Vol. 6: Kingslayer! Even after a decisive victory is won by Aquaman and the resistance, King Rath tightens his grip on Atlantis by unleashing an ancient magic that has not been seen for thousands of years. But little is known about the true origin of the man who calls himself king... until now! Witness the shocking origin of the nefarious King Rath in this earth-shattering volume! The critically acclaimed creative team of Dan Abnett (Annihilation) and Stjepan Sejic (Sunstone, Death Vigil) continues remaking the mythology of Aquaman's world in this new saga mixing science fiction, fantasy and superheroics. Collects issues #34-40 and Annual #2.


No Joke

No Joke

Author: M. Keith Booker

Publisher: Liverpool University Press

Published: 2023-05-18

Total Pages: 280

ISBN-13: 1800855214

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No Joke is a detailed examination of Todd Phillips’s Joker, one of the biggest global box-office hits of 2019. While his success was no doubt partly because of the association of its title character with the Batman superhero franchise, Joker is anything but a flashy superhero romp. It does explore the pathologies of its central character and suggest ways in which his life experiences might have driven him to become a supervillain, the arch-enemy of Batman. At the same time, the film leaves open the possibility that its “Joker” is not, in fact, the same as the one conventionally associated with Batman. In fact, the film leaves open many interpretive possibilities, in keeping with the complex work of postmodern art that it turns out to be. Joker also engages in extensive dialogues with a range of works from modern American culture, especially the films of the 1970s and 1980s, the period in which the action of Joker is set. Moreover, Joker is a highly political film that comments in important ways on American political history from roughly the beginning of the presidency of Richard Nixon through the end of the Trump presidency, with a special focus on the Reagan years. It also comments in more general and fundamental ways on the very nature of American society and American capitalism. All this, and more, is covered in M. Keith Booker’s analysis of one of the most talked-about films of recent years.


Superman

Superman

Author: Ian Gordon

Publisher: Rutgers University Press

Published: 2017-02-13

Total Pages: 225

ISBN-13: 0813587549

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After debuting in 1938, Superman soon became an American icon. But why has he maintained his iconic status for nearly 80 years? And how can he still be an American icon when the country itself has undergone so much change? Superman: Persistence of an American Icon examines the many iterations of the character in comic books, comic strips, radio series, movie serials, feature films, television shows, animation, toys, and collectibles over the past eight decades. Demonstrating how Superman’s iconic popularity cannot be attributed to any single creator or text, comics expert Ian Gordon embarks on a deeper consideration of cultural mythmaking as a collective and dynamic process. He also outlines the often contentious relationships between the various parties who have contributed to the Superman mythos, including corporate executives, comics writers, artists, nostalgic commentators, and collectors. Armed with an encyclopedic knowledge of Superman’s appearances in comics and other media, Gordon also digs into comics archives to reveal the prominent role that fans have played in remembering, interpreting, and reimagining Superman’s iconography. Gordon considers how comics, film, and TV producers have taken advantage of fan engagement and nostalgia when selling Superman products. Investigating a character who is equally an icon of American culture, fan culture, and consumer culture, Superman thus offers a provocative analysis of mythmaking in the modern era.


Aquaman and the War Against Oceans

Aquaman and the War Against Oceans

Author: Ryan Poll

Publisher: U of Nebraska Press

Published: 2022-11

Total Pages: 275

ISBN-13: 1496233697

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The reimagining of Aquaman in The New 52 transformed the character from a joke to an important figure of ecological justice. In Aquaman and the War against Oceans, Ryan Poll argues that in this twenty-first-century iteration, Aquaman becomes an accessible figure for charting environmental violences endemic to global capitalism and for developing a progressive and popular ecological imagination. Poll contends that The New 52 Aquaman should be read as an allegory that responds to the crises of the Anthropocene, in which the oceans have become sites of warfare and mass death. The Aquaman series, which works to bridge the terrestrial and watery worlds, can be understood as a form of comics activism by its visualizing and verbalizing how the oceans are beyond the projects of the "human" and "humanism" and, simultaneously, are all-too-human geographies that are inextricable from the violent structures of capitalism, white supremacy, and patriarchy. The New 52 Aquaman, Poll demonstrates, proves an important form of ocean literacy in particular and ecological literacy more generally.


The Modern Superhero in Film and Television

The Modern Superhero in Film and Television

Author: Jeffrey A. Brown

Publisher: Taylor & Francis

Published: 2016-11-10

Total Pages: 190

ISBN-13: 1317484517

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Hollywood’s live-action superhero films currently dominate the worldwide box-office, with the characters enjoying more notoriety through their feature film and television depictions than they have ever before. This book argues that this immense popularity reveals deep cultural concerns about politics, gender, ethnicity, patriotism and consumerism after the events of 9/11. Superheroes have long been agents of hegemony, fighting for abstract ideals of justice while overall perpetuating the American status quo. Yet at the same time, the book explores how the genre has also been utilized to question and critique these dominant cultural assumptions.