Apuleius speech Pro Se De Magia is a unique example of 2nd century Roman oratory and a literary masterpiece of the Second Sophistic. On this fascinating speech, no up-to-date commen-tary in English is available. The present publication aims at filling this gap. In the commentary, special attention is paid to the speakers rhetorical strategies and the rich literary texture of the speech.
Despite the growing interest in Apuleius’ Apologia or Pro se de magia, a speech he delivered in AD 158/159 to defend himself against the charge of being a magus, the only comprehensive study on this speech and magic to date is that by Adam Abt (1908). The aim of this volume is to shed new light on the extent to which Apuleius’ speech reveals his own knowledge of magic, and on the implications of the dangerous allegations brought against Apuleius. By analysing the Apologia sequentially, the author does not only reassess Abt’s analysis but proposes a new reconstruction of the prosecution’s case, arguing that it is heavily distorted by Apuleius. Since ancient magic is the main topic of this speech, an extensive discussion of the topic is provided, offering a new semantic taxonomy of magus and its cognates. Finally, this volume also explores Apuleius’ forensic techniques and the Platonic ideology underpinning his speech. It is proposed that a Platonising reasoning – distinguishing between higher and lower concepts – lies at the core of Apuleius’ rhetorical strategy, and that Apuleius aims to charm the judge, the audience and, ultimately, his readers with the irresistible power of his arguments.
In ancient Rome, where literacy was limited and speech was the main medium used to communicate status and identity face-to-face in daily life, an education in rhetoric was a valuable form of cultural capital and a key signifier of elite male identity. To lose the ability to speak would have caused one to be viewed as no longer elite, no longer a man, and perhaps even no longer human. We see such a fantasy horror story played out in the Metamorphoses or The Golden Ass, written by Roman North African author, orator, and philosopher Apuleius of Madauros—the only novel in Latin to survive in its entirety from antiquity. In the novel’s first-person narrative as well as its famous inset tales such as the Tale of Cupid and Psyche, the Metamorphoses is invested in questions of power and powerlessness, truth and knowledge, and communication and interpretation within the pluralistic but hierarchical world of the High Roman Empire (ca. 100–200 CE). Discourse, Knowledge, and Power presents a new approach to the Metamorphoses: it is the first in-depth investigation of the use of speech and discourse as tools of characterization in Apuleius’ novel. It argues that discourse, broadly defined to include speech, silence, written text, and nonverbal communication, is the primary tool for negotiating identity, status, and power in the Metamorphoses. Although it takes as its starting point the role of discourse in the characterization of literary figures, it contends that the process we see in the Metamorphoses reflects the real world of the second century CE Roman Empire. Previous scholarship on Apuleius’ novel has read it as either a literary puzzle or a source-text for social, philosophical, or religious history. In contrast, this book uses a framework of discourse analysis, an umbrella term for various methods of studying the social political functions of discourse, to bring Latin literary studies into dialogue with Roman rhetoric, social and cultural history, religion, and philosophy as well as approaches to language and power from the fields of sociology, linguistics, and linguistic anthropology. Discourse, Knowledge, and Power argues that a fictional account of a man who becomes an animal has much to tell us not only about ancient Roman society and culture, but also about the dynamics of human and gendered communication, the anxieties of the privileged, and their implications for swiftly shifting configurations of status and power whether in the second or twenty-first centuries.
Paidea, the yearning for, and display of knowledge, reached its height as a cultural concept in the works of the Second Sophistic, an elite literary and philosophical movement seeking to ape the style and achievements of the 5th and 4th centuries BC. A crucial element in the display of paidea was an ability to mix the witty and playful with the serious and instructive. The Second Sophistic is known as a Greek phenomenon, but these essays ask how the Latin author Apuleius fitted into this framework, and created a distinctively latin expression of paidea, focusing on the elements of playfulness at its heart.
Jewish Love Magic: From Late Antiquity to the Middle Ages is the first monograph dedicated to the supernatural methods employed by Jews in order to generate love, grace or hate. Examining hundreds of manuscripts, often unpublished, Ortal-Paz Saar skillfully illuminates a major aspect of the Jewish magical tradition. The book explores rituals, spells and important motifs of Jewish love magic, repeatedly comparing them to the Graeco-Roman and Christian traditions. In addition to recipes and amulets in Hebrew, Aramaic and Judaeo-Arabic, primarily originating in the Cairo Genizah, also rabbinic sources and responsa are analysed, resulting in a comprehensive and fascinating picture. “Due to the general neglect of the topic in previous scholarship, the richness of the research corpus and the scientific precision of the author, Saar’s Jewish Love Magic is an important volume that should be on the shelf of every scholar focusing on ancient Jewish magic, but also on Jewish culture and cultural history in general. Furthermore, the book is an enjoyable read also for a non-specialist audience thanks to its clarity and fluency.” - Alessia Belusci, Yale University, in: Journal of Semitic Studies 64.2 (2019) “This is a valuable foray into the relationship between institutionalised religion and magic and the complex question of ‘legitimacy’. Overall, the book presents a compelling case for the existence of Jewish ‘love magic’.” -Ann Jeffers, Journal for the Study of the Old Testament 43.5 (2019)
This volume reveals how Apuleius' Metamorphoses -- the only fully extant Roman novel and a classic of world literature -- works as a piece of literature, exploring its poetics and the way in which questions of production and reception are reflected in its text. Providing a roughly linear reading of key passages, the volume develops an original idea of Apuleius as an ambitious writer led by the literary tradition, rhetoric, and Platonism, and argues that he created what we could call a seriocomic 'philosophical novel' avant la lettre. The author focuses, in particular, on the ways in which Apuleius drew attention to his achievement and introduced the Greek ass story to Roman literature. Thus, the volume also sheds new light on the forms and the literary and intellectual potential of the genre of the ancient novel.
In the last decade or so, scholarship on the miracles of Jesus has shifted from reconstructions of the historical Jesus to the questions of why and to what end early Jesus-followers told stories about miracles. Myrick Shinall contends that Mark and Q contain two distinct ways of remembering Jesus’s miracles in relation to his proclamation of the kingdom of God. He compares three cases of Mark-Q overlaps which feature miracles: the Beelzebul controversy, the commissioning of the disciples, and the testing or “temptation” narratives, and finds that in Mark, the miracles and the kingdom of God both point to Jesus’ identity as a divine figure, whereas in Q, Jesus and the miracles point instead to the coming kingdom of God. Shinall further argues that these different views represent different strategies for creating group identities for Jesus’ followers, strategies that came into conflict as the movement’s identity coalesced. At length, he shows that the mix of “high” and “low” Christology in the Synoptic tradition requires reframing of the current debate over how early a “high” Christology developed in the nascent Jesus movement.
This new monograph on Apuleius' Isis Book not only brings together the striking diversity of opinions that continues to enliven the discussion about Book Eleven, but also sets new trends in reading the narrative in its literary, religious, archaeological and cultural context. Through a variety of approaches, including religious studies (ancient mystery cult), textual criticism, literary analysis, Greek philosophy, and archaeology, the volume sheds new light on important aspects of Book XI, such as the relation with Plutarch’s De Iside et Osiride; aspects of Lucius’ multifarious physical self-presentation as an Isiac convert; aspects of style and language (wordplay), textual problems in relation to problems of interpretation; the role of Providence and Platonic philosophy, and numerous metaliterary and intertextual aspects.
