April Gornik

April Gornik

Author: Danese (Gallery : New York, N.Y.)

Publisher: Figureground Press

Published: 2014

Total Pages: 0

ISBN-13: 9781938922558

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April Gornik: Drawings is an extensive compilation of charcoal drawings done by Gornik (born 1953) since 1984. Lush and wide-ranging in scope and subject, these landscapes call out the wild and the cultivated, from the desert to the forest to the sea, and show both the progress and consistency in her evocative approach to drawing. As she has said, "Charcoal drawings look so unlike anything else in the world, they have their own light, their own density." Contributions include essays by Steve Martin and artist Archie Rand; a fascinating interview with the artist, conducted by Lawrence Weschler, about her approach to her studio practice and her life; and a musical offering by composer Bruce Wolosoff, who has written a stunning work for piano and cello inspired by one of Gornik's drawings (available with purchase through iTunes). Gornik's art has been the subject of solo exhibitions at the Pennsylvania Academy of the Fine Arts (1998); Guild Hall Museum (1994); the Frederick R. Weisman Museum of Art (1993); and the Parrish Art Museum (1988). She received a Lifetime Achievement Award from Guild Hall Museum in 2003. A mid-career retrospective began at the Neuberger Museum of Art in Purchase, NY, in fall 2004, and traveled to the Art Gallery of Nova Scotia, the Sheldon Memorial Art Gallery in Nebraska and the Allen Memorial Art Museum in Oberlin, Ohio.


April Gornik

April Gornik

Author: Donald Kuspit

Publisher:

Published: 2005-09-13

Total Pages: 0

ISBN-13: 9781555952297

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This visual delight chronicles renowned American artist, April Gornik's luminous paintings and drawings, and its impact on the contemporary art world.


Bad Boy

Bad Boy

Author: Eric Fischl

Publisher: Crown

Published: 2013-05-07

Total Pages: 370

ISBN-13: 0770435580

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In Bad Boy, renowned American artist Eric Fischl has written a penetrating, often searing exploration of his coming of age as an artist, and his search for a fresh narrative style in the highly charged and competitive New York art world in the 1970s and 1980s. With such notorious and controversial paintings as Bad Boy and Sleepwalker, Fischl joined the front ranks of America artists, in a high-octane downtown art scene that included Andy Warhol, David Salle, Julian Schnabel, and others. It was a world of fashion, fame, cocaine and alcohol that for a time threatened to undermine all that Fischl had achieved. In an extraordinarily candid and revealing memoir, Fischl discusses the impact of his dysfunctional family on his art—his mother, an imaginative and tragic woman, was an alcoholic who ultimately took her own life. Following his years as a student at Cal Arts and teaching in Nova Scotia, he describes his early years in New York with the artist April Gornik, just as Wall Street money begins to encroach on the old gallery system and change the economics of the art world. Fischl rebelled against the conceptual and minimalist art that was in fashion at the time to paint compelling portraits of everyday people that captured the unspoken tensions in their lives. Still in his thirties, Eric became the subject of a major Vanity Fair interview, his canvases sold for as much as a million dollars, and The Whitney Museum mounted a major retrospective of his paintings. Bad Boy follows Fischl’s maturation both as an artist and sculptor, and his inevitable fall from grace as a new generation of artists takes center stage, and he is forced to grapple with his legacy and place among museums and collectors. Beautifully written, and as courageously revealing as his most provocative paintings, Bad Boy takes the reader on a roller coaster ride through the passion and politics of the art world as it has rarely been seen before.


Boom

Boom

Author: Michael Shnayerson

Publisher: PublicAffairs

Published: 2019-05-21

Total Pages: 484

ISBN-13: 1610398416

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The meteoric rise of the largest unregulated financial market in the world -- for contemporary art -- is driven by a few passionate, guileful, and very hard-nosed dealers. They can make and break careers and fortunes. The contemporary art market is an international juggernaut, throwing off multimillion-dollar deals as wealthy buyers move from fair to fair, auction to auction, party to glittering party. But none of it would happen without the dealers-the tastemakers who back emerging artists and steer them to success, often to see them picked off by a rival. Dealers operate within a private world of handshake agreements, negotiating for the highest commissions. Michael Shnayerson, a longtime contributing editor to Vanity Fair, writes the first ever definitive history of their activities. He has spoken to all of today's so-called mega dealers -- Larry Gagosian, David Zwirner, Arne and Marc Glimcher, and Iwan Wirth -- along with dozens of other dealers -- from Irving Blum to Gavin Brown -- who worked with the greatest artists of their times: Jackson Pollock, Andy Warhol, Cy Twombly, and more. This kaleidoscopic history begins in the mid-1940s in genteel poverty with a scattering of galleries in midtown Manhattan, takes us through the ramshackle 1950s studios of Coenties Slip, the hipster locations in SoHo and Chelsea, London's Bond Street, and across the terraces of Art Basel until today. Now, dealers and auctioneers are seeking the first billion-dollar painting. It hasn't happened yet, but they are confident they can push the price there soon.


Thirty-five Years at Crown Point Press

Thirty-five Years at Crown Point Press

Author: Karin Breuer

Publisher: Univ of California Press

Published: 1997-01-01

Total Pages: 220

ISBN-13: 9780520210615

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Crown Point Press in San Francisco, founded in 1962 by Kathan Brown, is a world-renowned center of contemporary printmaking. It has published work by such major figures as Richard Diebenkorn, Helen Frankenthaler, Sol LeWitt, and Wayne Thiebaud, while bringing to attention prints by many younger artists, including April Gornik, Anish Kapoor, Eric Fischl, and Francesco Clemente. Crown Point Press is known for presenting social and political issues in a range of printmaking media, from hard- and soft-ground etching to drypoint, aquatint, and mezzotint. The Fine Arts Museums of San Francisco acquired the Crown Point Press archive in 1991. This collection of nearly 800 works contains one impression of every print the Press has ever produced. Also included are over 2000 working proofs and preparatory sketches. Now, in collaboration with the National Gallery of Art, the Fine Arts Museums of San Francisco has organized an exhibition of these distinctive prints. Chronicling Crown Point Press's dedication to artistic quality and commitment to innovation in printmaking technique and subject matter, this book also presents Kathan Brown's notable contributions in transforming the printmaking landscape of the twentieth century. Published in association with The Fine Arts Museums of San Francisco


Inside the Painter's Studio

Inside the Painter's Studio

Author: Joe Fig

Publisher: Chronicle Books

Published: 2012-06-19

Total Pages: 240

ISBN-13: 1616891173

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Inside an art gallery, it is easy to forget that the paintings there are the end products of a process involving not only creative inspiration, but also plenty of physical and logistical details. It is these "cruder," more mundane aspects of a painter's daily routine that motivated Brooklyn artist Joe Fig to embark almost ten years ago on a highly unorthodox, multilayered exploration of the working life of the professional artist. Determined to ground his research in the physical world, Fig began constructing a series of diorama-like miniature reproductions of the studios of modern art's most legendary painters, such as Jackson Pollock and Willem de Kooning. A desire for firsthand references led Fig to approach contemporary artists for access to their studios. Armed with a camera and a self-made "Artist's Questionnaire," Fig began a journey through the workspaces of some of today's most exciting contemporary artists.


Kiefer-Rodin

Kiefer-Rodin

Author: Véronique Mattiussi

Publisher: Gallimard/Musée Rodin/The Barnes Foundation

Published: 2017

Total Pages: 285

ISBN-13: 9782072730023

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An exceptional title developed in partnership with Rodin Museum, for the centenary of Rodin's death. The museum gave carte blanche to Anselm Kiefer, a renowned artist with an international career. Their aim was to highlight the similarity between these two men and their artistic journeys. Anselm Kiefer has been collaborating on this project for four years and will offer new works specially created for this exhibition - a mix of original large scale paintings, windows with sculptures/installations and large size book pages made of plaster and painted over. This book accompanies the Kiefer/Rodin: Cathedrals exhibition at Musee Rodin from March 2017 - October 2017 and Philadelphia: Barnes Foundation from mid November 2017 to end March 2018. There is a Rodin retrospective at Grand Palais, Paris, in October 2017. All three authors are curators at Musee Rodin. Their work is dedicated to preserving and publicising Rodin's art. SELLING POINTS: * Never before seen works by Anlsem Kiefer, created in homage to Rodin's work, to mark the centenary of his death * Published in conjunction with the centenary of Rodin's death * Many international celebrations have been planned: a 2 euro coin with Rodin's Thinker will be issued, as well as a stamp, a retrospective of Rodin at the Grand Palais in October 2017, and a film coming out in May - among many more 350 colour


Artists Living with Art

Artists Living with Art

Author: Stacey Goergen

Publisher: Harry N. Abrams

Published: 2015-09-22

Total Pages: 0

ISBN-13: 9781419717826

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"Artists living with art" is full of fascinating and often surprising revelations about the artworks a select group of the world's most influential contemporary artists choose to collect and display in the intimacy of their own homes. (Just as Andy Warhol famously collected cookie jars, so do these 25 artists, all living in New York, collect art and in some cases, mundane objects they cherish as art.) The works they display reflect remarkably diverse, eclectic and often unexpected tastes. Many of these homes, some of which also function as studios, have never been seen and offer unique insight into each artists' personal life, creative process, and artistic practices, as well as what inspires them and who their friends are (many swap art with one another). Readers will learn about the pieces most treasured by each artist, as well as their favourite period in art (a surprising number have a preference for pre-twentieth-century art). Authors Stacey Goergen and Amanda Benchley gained unprecedented access into each home for the photography and interviews, and highly acclaimed photographer Oberto Gili was commissioned to shoot the these homes especially for the book.


Why Draw a Landscape?

Why Draw a Landscape?

Author: Kathan Brown

Publisher:

Published: 1999

Total Pages: 112

ISBN-13:

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Cultural Writing. Art. WHY DRAW A LANDSCAPE talks about the relationship of the self to the real world, and looks at different approaches to landscape by eleven painters and sculptors whose styles ranges from Realist to Conceptual. This book follows Kathan Brown's well-received WHY DRAW A LIVE MODEL? (also available from SPD) about which Artforum's Bookforum commented The next best thing to being there. And from Contemporary Impressions: Brown's style feels like a conversation with a friend. Includes 83 color plates.


A Country Year

A Country Year

Author: Sue Hubbell

Publisher: Houghton Mifflin Harcourt

Published: 1999

Total Pages: 244

ISBN-13: 9780395967010

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When her 30-year marriage broke up, Hubbell retreated to the country where she found solace in the natural world.