This book provides a detailed introduction to the study of the Tsinghua Bamboo Slips, explaining the preservation and analysis of the artifacts and their significance in historical research of the pre-Qin period. The Tsinghua Bamboo Slips are a collection of Chinese texts inscribed on approximately 2,500 bamboo slips. They were excavated from a Warring States Period tomb and are now preserved at Tsinghua University. The book delves into the traditions and discoveries of bamboo manuscripts in China and discusses the preservation and research of the slips, covering the procedures of artifact processing, authentication, digitization, editing, and interpretation. The manuscripts are remarkable for their quantity, period of creation, and distinctive content coverage. They contain important historical documents that differ from or are missing from the extant literature. The analysis of these texts helps to unravel some of the unresolved mysteries in pre-Qin historical studies and illuminates scientific achievements of ancient China previously unknown to the world. This book is essential reading for scholars and students of Chinese studies, pre-Qin history, and early literacy. It will also appeal to general readers interested in ancient Chinese history and culture.
The Tsinghua University bamboo-strip manuscripts are among the most extraordinary collections of ancient texts discovered in China to date. In Introduction to the Tsinghua Bamboo-Strip Manuscripts, Liu Guozhong, one of the scholars intimately involved in editing the Tsinghua strips, offers a straightforward overview to the complexities inherent in researching this collection. Liu provides an invaluable glimpse into how these artifacts were cleaned, preserved, and prepared for publication, while also situating them within a history of similar finds. He moreover explores in detail a number of crucial questions raised by the Tsinghua strips, from the transmission of the Shangshu and the nature of the oft-neglected Yi Zhoushu, to the implications these texts have for our understanding of early Western Zhou history.
Since the beginning of the twentieth century, hundreds of thousands of documents of all sorts have been unearthed in China, opening whole new fields of study and transforming our modern understanding of ancient China. While these discoveries have necessarily taken place in China, Western scholars have also contributed to the study of these documents throughout this entire period. This book provides a comprehensive survey of the contributions of these Western scholars to the field of Chinese paleography, and especially to study of oracle-bone inscriptions, bronze and stone inscriptions, and manuscripts written on bamboo and silk. Each of these topics is provided with a comprehensive narrative history of studies by Western scholars, as well as an exhaustive bibliography and biographies of important scholars in the field. It is also supplied with a list of Chinese translations of these studies, as well as a complete index of authors and their works. Whether the reader is interested in the history of ancient China, ancient Chinese paleographic documents, or just in the history of the study of China as it has developed in the West, this book provides one of the most complete accounts available to date.
In July of 2008, Tsinghua University recovered a batch of Warring States bamboo slips from abroad. These were referred to as the Bamboo slips collected by Tsinghua University, i.e., the Tsinghua Manuscripts. A large part of the Tsinghua Manuscripts is comprised of early classical and historical texts. Among these, some can be compared with transmitted classics such as the Shang Shu or “Elevated Scriptures”, but many more are previously unseen texts that have been lost for over two-thousand years. These manuscripts have immense value for understanding the original state of pre-Qin classical texts and for reconstructing early Chinese history. A panel of experts convened to evaluate the manuscripts said of them: these Warring States bamboo slips are tremendously valuable historical artifacts, whose contents speak to the very core of traditional Chinese culture. This is an unprecedented discovery, one which will inevitably attract the attention of scholars both here and abroad. It promises to have a lasting impact in many different disciplines, including but not limited to Chinese history, archaeology, paleography and philology.In order to further develop the international impact of scholarship on the Tsinghua Manuscripts, and stimulate international academic exchange, the Tsinghua University Research and Conservation Center for Unearthed Texts and the University of Chicago Creel Center for Chinese Paleography entered into an agreement to work together on “An International Collaborative Project of Studying and Translating the Tsinghua Bamboo Manuscripts,” which had a planned scope of 18 volumes. Under the leadership of Professor Huang Dekuan of the Tsinghua University Research and Conservation Center for Unearthed Texts, a team was set up to bring together the latest research developments so as to reorganize and collate the Tsinghua Manuscripts. These collated interpretations form a solid basis for the translation work, and in close cooperation with the translation team, together the teams advance the compilation of The Tsinghua University Warring States Bamboo Manuscripts: Studies and Translations book series. Under the leadership of Professor Edward L. Shaughnessy of the University of Chicago Creel Center for Chinese Paleography, a team of scholars specializing in ancient Chinese culture trained at universities such as Harvard, Oxford, and Chicago, was set up to form an exceptional translation team and academic advisory committee, to advance the translation of the Tsinghua Manuscripts. The Tsinghua University Warring States Bamboo Manuscripts: Studies and Translations 1, The Yi Zhou Shu and Pseudo-Yi Zhou Shu Chapters, as the first volume of this series, written and translated by Edward L. Shaughnessy, provides an English translation, introduction, and study of the Tsinghua Manuscripts seen in or related to the Yi Zhou Shu or “Leftover Zhou Scriptures.” The book further provides several insights into the formation and transmission of the Yi Zhou Shu. International experts gave high praise in their review of the book, noting that the book reflects the highest standards of scholarship on ancient Chinese culture, adding that it is not just accessible to experts but presented in a format attractive to a broad readership.
Bone, Bronze, and Bamboo explores the tremendous wealth of newly unearthed artifacts and manuscripts that have been revolutionizing the study of early China. Leading scholars from China and abroad lend their expertise in archaeology, art history, paleography, intellectual history, and many other disciplines to show how these fascinating finds change our understanding of China's past. Organized in a chronological progression from the Shang to Han periods, and treating bone, bronze, and bamboo-strip artifacts in turn, the book treats a wide breadth of topics, from the status of owls in Shang religion to the Zhou court's economic interest in managing salt resources, and from the conceptual evolution of de 德 in Spring and Autumn covenants to the interplay between materiality and text in Han scribal primers. Bone, Bronze, and Bamboo exemplifies the exciting energy and sense of discovery inspired by these sources in recent years, while surveying the latest debates and developments shaping early China as a field.
In Metaphor and Meaning, scholars from China, the United States, and Europe draw on Sarah Allan's groundbreaking application of conceptual metaphor theory to the study of early Chinese philosophy and material culture. Conceptual metaphor theory treats metaphors not just as linguistic expressions but as fundamental structures of thought that define one's conceptual system and perception of reality. To understand another culture's worldview, then, hinges upon identifying the right metaphors, through which it then becomes possible to navigate between shared and unshared experiences. The contributors pursue lines of argument that complement, enhance, or challenge Allan's prior investigations into these root metaphors of early Chinese philosophy, whether by explicitly engaging with conceptual metaphor theory or, more indirectly, by addressing meaning construction in a broader sense. Like Allan's interpretative works, Metaphor and Meaning interrogates both transmitted traditions and newly unearthed archaeological finds to understand how people in early China thought about the cosmos, society, and themselves.
"Chinese philosophy has long recognized the importance of the body and emotions in extensive and diverse self-cultivation traditions. Philosophical debates about the relationship between mind and body are often described in terms of mind-body dualism and its opposite, monism or some kind of "holism." Monist or holist views agree on the unity of mind and body, but with much debate about what kind, whereas mind-body dualists take body and mind to be metaphysically distinct entities. The question is important for several reasons. Several humanistic and scientific disciplines recognize embodiment as an important dimension of the human condition. One version, the problem of mind-body dualism, is central to the history of both philosophy and religion. Some account of relations between body and mind, spirit or soul is also central to any understanding of the self. Recent work in cognitive and neuroscience underscores the importance of our somatic experience for how we think and feel"--
Fakes and forgeries are objects of fascination. This volume contains a series of thirteen articles devoted to fakes and forgeries of written artefacts from the beginnings of writing in Mesopotamia to modern China. The studies emphasise the subtle distinctions conveyed by an established vocabulary relating to the reproduction of ancient artefacts and production of artefacts claiming to be ancient: from copies, replicas and imitations to fakes and forgeries. Fakes are often a response to a demand from the public or scholarly milieu, or even both. The motives behind their production may be economic, political, religious or personal – aspiring to fame or simply playing a joke. Fakes may be revealed by combining the study of their contents, codicological, epigraphic and palaeographic analyses, and scientific investigations. However, certain famous unsolved cases still continue to defy technology today, no matter how advanced it is. Nowadays, one can find fakes in museums and private collections alike; they abound on the antique market, mixed with real artefacts that have often been looted. The scientific community’s attitude to such objects calls for ethical reflection.
This book places Li Ji (the Book of Rites) back in the overall context of “books,” “rites” and its research history, drawing on the interrelations between myth, ritual and “materialized” symbols to do so. Further, it employs the double perspectives of “books” and “rites” to explore the sources and symbols of the capping ceremony (rites of passage), decode the prototypes of Miao and Ming Tang, and restore the discourse patterns of “people of five directions.” The book subsequently investigates the formation and function of the Yue Ling calendar and disaster ritual, so as to reveal the human cognitive encoding and metalanguage of ritual behavior involved. In the process, it demonstrates that Li Ji, its textual memories, archaeological remains and “traditional ceremony” narratives are all subject to the latent myth coding mechanism in China’s cultural system, while the “compilation” and “materialized” remains are merely forms of ritual refactoring, interpretation and exhibition, used when authority seeks the aid of ritual civilization to strengthen its legitimacy and maintain the social order.
