Approaching the Theater of Antonio Buero Vallejo

Approaching the Theater of Antonio Buero Vallejo

Author: Eric Wayne Pennington

Publisher: Peter Lang

Published: 2010

Total Pages: 396

ISBN-13: 9780820488400

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"Eric W. Pennington's book, the latest and one of the best on Buero Vallejo's theater, thoughtfully frames careful analyses with the major theoretical approaches of the last half century. Pennington's knowledge of those theories and his insights into the various artistic influences on Buero's plays are remarkably thorough. Of particular note also is his intelligent, even literary prose---the perfect vehicle for evoking the artistic nuance, historical detail, and human impact of Buero's compelling dramatic achievements." Dr. Robert L. Nicholas, Professor Emeritus of Spanish, University of Wisconsin-Madison --


Cross-cultural Approaches to Theatre

Cross-cultural Approaches to Theatre

Author: Phyllis Zatlin

Publisher: Scarecrow Press

Published: 1994

Total Pages: 274

ISBN-13: 9780810827295

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Provides a comprehensive view of the interrelationship between Spain and France, with emphasis on the 1970s and 1980s.


The Theatre of Antonio Buero Vallejo

The Theatre of Antonio Buero Vallejo

Author: Catherine O'Leary

Publisher: Tamesis Books

Published: 2005

Total Pages: 346

ISBN-13: 9781855661110

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This monograph examines the complex relationship between Antonio Buero Vallejo [1916 - 2000] and the ideologies of Francoist and post-Franco Spain. This monograph examines the complex relationship between Antonio Buero Vallejo [1916 - 2000] and the ideologies of Francoist and post-Franco Spain. The central focus of the study is Buero's political theatre and his employment ofmyth and history to challenge the notion of an España eterna. It also considers Buero's creation of his own myths and his revision of history in order to rationalize and justify his own stance. In his determination towrite and stage committed drama in a repressive society, Buero's choice, with its inherent contradictions and ambiguities, was posibilismo. This book looks at this pragmatic employment of language and silence, both in his art and in his dealings with the censors and with other representatives of the hegemony and analyses how posibilismo both aided and limited him. The monograph also considers Buero's neglected post-Franco theatre, examining the reasons for its initial negative reception and its renewed importance in today's Spain. In these days of digging up the past, Buero's post-Franco insistence on rejecting the pacto de olvido is perhaps more relevantthan ever before. CATHERINE O'LEARY lectures in Spanish at the National University of Ireland, Maynooth


Performing the Transition to Democracy

Performing the Transition to Democracy

Author: David Rodríguez-Solás

Publisher: Taylor & Francis

Published: 2024-08-08

Total Pages: 196

ISBN-13: 1040109098

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This book examines troupes, plays, festivals, performative practices, and audiences active during the final years of the Franco dictatorship and the beginning of the transition to democracy. This period, spanning 1968 to 1982, is considered the historical moment that most directly shaped contemporary Spanish politics and society. The dominant narrative of the Transition has long portrayed it as a normalized, non-confrontational, and consensual process steered by political elites. But the world of Spanish theater tells a very different story - one in which ordinary Spaniards played a vital role in the transition to democracy. The chapters of this book draw on censorship files, photographs, audiovisual and textual material, and the author’s own interviews with more than a dozen audience and troupe members. Using these sources, David Rodriguez-Solas examines the notable experimentation during this period with theatrical performance and music; the establishment of performing spaces and festivals; the development of touring networks as a way to evade censorship; and the creation of networks of support that opposed diverse forms of violence and repression. This study will be of great interest to students and scholars interested in theater and the cultural and political history of Spain in the 1960s and 1970s.


Reception and Renewal in Modern Spanish Theatre, 1939-1963

Reception and Renewal in Modern Spanish Theatre, 1939-1963

Author: John London

Publisher: MHRA

Published: 1997

Total Pages: 300

ISBN-13: 9780901286833

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The book constitutes the first attempt to provide an overview of the reception of foreign drama in Spain during the Franco dictatorship. John London analyses performance, stage design, translation, censorship, and critical reviews in relation to the works of many authors, including Noel Coward, Arthur Miller, Eugene Ionesco, and Samuel Beckett. He compares the original reception of these dramatists with the treatment they were given in Spain. However, his study is also a reassessment of the Spanish drama of the period. Dr London argues that only by tracing the reception of non-Spanish drama can we understand the praise lavished on playwrights such as Antonio Buero Vallejo and Alfonso Sastre, alongside the simultaneous rejection of Spanish avant-garde styles. A concluding reinterpretation of the early plays of Fernando Arrabal indicates the richness of an alternative route largely ignored in histories of Spanish theatre.


Jaime Salom

Jaime Salom

Author: Phyllis Zatlin

Publisher: Boston : Twayne Publishers

Published: 1982

Total Pages: 174

ISBN-13:

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Stages of Desire

Stages of Desire

Author: Michael Kidd

Publisher: Penn State Press

Published: 1999-07-01

Total Pages: 284

ISBN-13: 9780271025087

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Within the rich tradition of Spanish theater lies an unexplored dimension reflecting themes from classical mythology. Through close readings of selected plays from early modern and twentieth-century Spanish literature with plots or characters derived from the Greco-Roman tradition, Michael Kidd shows that the concept of desire plays a pivotal role in adapting myth to the stage in each of several historical periods. In Stages of Desire, Kidd offers a new way of looking at the theater in Spain. Reviewing the work of playwrights from Juan del Encina to Luis Riaza, he suggests that desire constitutes a central element in a large number of Greco-Roman myths and shows how dramatists have exploited this to resituate ancient narratives within their own artistic and ideological horizons. Among the works he analyzes are Timoneda's Tragicomedia llamada Filomena, Castro's Dido y Eneas, and Unamuno's Fedra. Kidd explores how seventeenth-century playwrights were constrained by the conventions of the newly formed national theater, and how in the twentieth century mythological desire was exploited by playwrights engaged in upsetting the melodramatic conventions of the entrenched bourgeois theater. He also examines the role of desire both in the demythification of prominent classical heroes during the Franco regime and in the cultural critique of institutionalized discrimination in the current democratic period. Stages of Desire is an original and broad-ranging study that highlights both change and continuity in Spanish theater. By elegantly combining theory, literary history, and close textual analysis, Kidd demonstrates both the resilience of Greco-Roman myths and the continuing vitality of the Spanish stage.


European Theatre 1960-1990 (Routledge Revivals)

European Theatre 1960-1990 (Routledge Revivals)

Author: Ralph Yarrow

Publisher: Routledge

Published: 2014-10-14

Total Pages: 268

ISBN-13: 1317566726

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European theatre has been the site of enormous change and struggle since 1960. There have been radical shifts in the nature and understanding of performance, fuelled by increasing cross-cultural and international influence. Theatre has had to fight for its very existence, adapting its methods of operation to survive. European Theatre 1960-1990, first published in 1992, tells that story. The contributors - who in many cases have been theatre practitioners as well as critics - provide a wealth of fascinating information, covering Germany, France, Poland, Italy, Spain and Sweden, as well as Britain. The book offers an historical and descriptive overview of developments across national boundaries, enabling the reader to compare and contrast acting and directing styles, administrative strategies and the relationship between ideology and achievement. Chapters trace the evolution of theatre in all its aspects, including such elements as the end of censorship in many countries, the upsurge in political and personal awareness of the 1960s, shifting patterns of state artistic policy, and the effects on companies, directors, performers and audiences. This book should be of interest to undergraduates, postgraduates and academics of theatre studies.