The Natural Order of Things

The Natural Order of Things

Author: António Lobo Antunes

Publisher: Grove Press

Published: 2000

Total Pages: 326

ISBN-13: 9780802138132

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"He [the author] draws us into a labyrinth of disparate lives whose connections become clear only gradually ... a diabetic teenage girl in Lisbon, her father, an officer in the pre-revolutionary armey and a secret policeman."--Jacket.


Who's Who in Shakespeare

Who's Who in Shakespeare

Author: Francis Griffin Stokes

Publisher: Courier Corporation

Published: 2011-09-12

Total Pages: 386

ISBN-13: 048612178X

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DIVAn indispensable dictionary of characters and names with over 3,000 entries, this volume covers all 36 of the Bard's plays, in addition to his poems and sonnets. /div


On the Edge of the New Century

On the Edge of the New Century

Author: Eric J. Hobsbawm

Publisher:

Published: 2001-05-01

Total Pages: 176

ISBN-13: 9781565846715

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"On the Edge of the New Century" is the sequel to Eric Hobsbawm's "The Age of Extremes", a serious and challenging historical analysis that became a bestseller. Hobsbawm's book continues his "magisterial" ("The New York Times Book Review") analysis of the 20th century, and asks crucial questions about our inheritance from a century of conflict and its meaning for our future.


The Tragedie of Julius Caesar

The Tragedie of Julius Caesar

Author: William Shakespeare

Publisher: Classic Books Company

Published: 2001-04

Total Pages: 496

ISBN-13: 074265298X

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The First Folio of 1623 was prepared for print by two members of Shakespeare's acting troupe -- John Hemings and Henry Condell -- which included comic actor Will Kemp and the great tragedian Richard Burbage. In a fascinating and detailed introduction, Freeman points out that because Shakespeare and his colleagues wrote from a rhetorical tradition -- a society where the emphasis was on the spoken word -- he wrote with an eye to how he wanted his plays performed, giving as much direction as possible to his actors. Freeman looks at what is known of the printing of that First Folio and analyzes the variations between the First Folio, later Folios, Quarto editions (where available) and modern editions of the plays. He examines the "corrections" made by editors over the centuries that have shaped the way we perceive Shakespeare today -- from the regularization of verse, to the changes from prose to verse (and vice versa) and the standardization of character prefixes.