The Duchess of Malfi
Author: John Webster
Publisher:
Published: 1850
Total Pages: 86
ISBN-13:
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Author: John Webster
Publisher:
Published: 1850
Total Pages: 86
ISBN-13:
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Publisher:
Published: 1858
Total Pages: 364
ISBN-13:
DOWNLOAD EBOOKAuthor: Dean Edward Dowling
Publisher:
Published: 1973
Total Pages: 1012
ISBN-13:
DOWNLOAD EBOOKAuthor: António Lobo Antunes
Publisher: Grove Press
Published: 2000
Total Pages: 326
ISBN-13: 9780802138132
DOWNLOAD EBOOK"He [the author] draws us into a labyrinth of disparate lives whose connections become clear only gradually ... a diabetic teenage girl in Lisbon, her father, an officer in the pre-revolutionary armey and a secret policeman."--Jacket.
Author: Francis Griffin Stokes
Publisher: Courier Corporation
Published: 2011-09-12
Total Pages: 386
ISBN-13: 048612178X
DOWNLOAD EBOOKDIVAn indispensable dictionary of characters and names with over 3,000 entries, this volume covers all 36 of the Bard's plays, in addition to his poems and sonnets. /div
Author: Paul Hammond
Publisher: Oxford University Press
Published: 2002
Total Pages: 308
ISBN-13: 9780198186922
DOWNLOAD EBOOKIncludes discussion of the Sonnets, Twelfth night, and The merchant of Venice.
Author: Library of Congress. Copyright Office
Publisher:
Published: 1977
Total Pages: 1256
ISBN-13:
DOWNLOAD EBOOKAuthor: Eric J. Hobsbawm
Publisher:
Published: 2001-05-01
Total Pages: 176
ISBN-13: 9781565846715
DOWNLOAD EBOOK"On the Edge of the New Century" is the sequel to Eric Hobsbawm's "The Age of Extremes", a serious and challenging historical analysis that became a bestseller. Hobsbawm's book continues his "magisterial" ("The New York Times Book Review") analysis of the 20th century, and asks crucial questions about our inheritance from a century of conflict and its meaning for our future.
Author: William Shakespeare
Publisher: Classic Books Company
Published: 2001-04
Total Pages: 496
ISBN-13: 074265298X
DOWNLOAD EBOOKThe First Folio of 1623 was prepared for print by two members of Shakespeare's acting troupe -- John Hemings and Henry Condell -- which included comic actor Will Kemp and the great tragedian Richard Burbage. In a fascinating and detailed introduction, Freeman points out that because Shakespeare and his colleagues wrote from a rhetorical tradition -- a society where the emphasis was on the spoken word -- he wrote with an eye to how he wanted his plays performed, giving as much direction as possible to his actors. Freeman looks at what is known of the printing of that First Folio and analyzes the variations between the First Folio, later Folios, Quarto editions (where available) and modern editions of the plays. He examines the "corrections" made by editors over the centuries that have shaped the way we perceive Shakespeare today -- from the regularization of verse, to the changes from prose to verse (and vice versa) and the standardization of character prefixes.