(Jazz Play Along). For use with all Bb, Eb, C and bass clef instruments, the Jazz Play-Along Series is the ultimate learning tool for all jazz musicians. With musician-friendly lead sheets, melody cues and other split-track choices on the included CD, this first-of-its-kind package helps you master improvisation while playing some of the greatest tunes of all time. FOR STUDY, each tune includes a split track with: * Melody cue with proper style and inflection * Professional rhythm tracks * Choruses for soloing * Removable bass part * Removable piano part. FOR PERFORMANCE, each tune also has: * An additional full stereo accompaniment track (no melody) * Additional choruses for soloing. 10 songs: Aguas De Marco (Waters of March) * If You Never Come to Me (Inutil paisagem) * Look to the Sky * O Grande Amor * O Morro Nao Tem Vez (Favela) (Somewhere in the Hills) * Outra Vez * She's a Carioca * Someone to Light up My Life (Se Todos Fossem Iguais a Voce) * Vivo Sonhando (Dreamer) * Retrato Em Branco E Preto.
(Book). Charlie Byrd, Herbie Mann, and others brought in bags full of discs from a trip to Brazil in 1961. Stan Getz listened to them and recorded "Desafinado," which stayed for 70 weeks on the Billboard charts. Since then, no one can deny bossa nova's global appeal and influence upon jazz and world music. While celebrating bossa nova's 50-year presence in the United States, we can learn more about the movement's champion, Jobim, through poet and novelist Helena Jobim's Antonio Carlos Jobim: An Illuminated Man . His personal, intellectual, and professional history comes alive. With a vast, intimate, and revealing set of photographs, and an engaging, elegant and unique prose, this is the story of a true 20th-century's genius. Helena Jobim does justice to her brother's poetic voice. The composer of "Waters of March" read, questioned, and re-created the world he lived in not only through mesmerizing melodies, but also through down-to-earth poetry. The biography also reveals Antonio Carlos Jobim's serious ecological concerns. To his 400 songs of inexplicable grace he has added his own epigraph in An Illuminated Man : "Every time a tree is cut down here on Earth, I believe it will grow again somewhere else, in another world. So, when I die, it is to this place that I want to go, where forests live in peace."
(P/V/G Composer Collection). This Grammy-winning bossa nova proponent has been hailed as the "Gershwin of Brazil." This collection assembles 47 of his very best, including many favorites previously unavailable in print! Features: Agua De Beber (Water to Drink) * Antigua * Bonita * Don't Ever Go Away (Por Causa De Voce) * The Girl from Impanema * One Note Samba * Quiet Nights of Quiet Stars (Corcovado) * Sexy * Slightly Out of Tune (Desafinado) * Wave * and dozens more.
(Finger Style Guitar). Chord melody arrangements for 16 songs, including: How Insensitive * Once I Loved * Girl From Ipanema * Desafinado * One Note Samba * and more. Includes performance notes and an introduction by Fred Sokolow.
(Transcribed Score). This folio transcribes every note by every instrument on the ground-breaking 1965 bossa nova masterpiece that won the Grammy Award for Best Album of the Year and produced the classic standard "The Girl from Ipanema" which also won a Grammy for Record of the Year. It features Stan Getz on saxophone, Joao Gilberto on guitar, and Antonio Carlos Jobim on piano. 8 songs, including: Desafinado * Doralice * The Girl from Ipanema (Garota De Ipanema) * O Grande Amor * Para Machuchar Meu Coracao * Quiet Nights of Quiet Stars (Corcovado) * So Danco Samba (Jazz 'N' Samba) * Vivo Sonhando (Dreamer).
Bossa nova is one of the most popular musical genres in the world. Songs such as “The Girl from Ipanema” (the fifth most frequently played song in the world), “The Waters of March,” and “Desafinado” are known around the world. Bossa Nova—a number-one bestseller when originally published in Brazil as Chega de Saudade—is a definitive history of this seductive music. Based on extensive interviews with Antonio Carlos Jobim, Jo+o Gilberto, and all the major musicians and their friends, Bossa Nova explains how a handful of Rio de Janeiro teenagers changed the face of popular culture around the world. Now, in this outstanding translation, the full flavor of Ruy Castro’s wisecracking, chatty Portuguese comes through in a feast of detail. Along the way he introduces a cast of unforgettable characters who turned Gilberto’s singular vision into the sound of a generation.
Best known for the "dead-ant" theme to the Pink Panther films, Henry Mancini also composed the music to Peter Gunn, Breakfast at Tiffany's, Orson Welles' Touch of Evil, and the Academy Award winning soundtracks to Victor/Victoria and The Days of Wine and Roses. In a career that lasted over thirty years, Mancini amassed twenty Grammy awards and more nominations than any other composer. In his memoir, written with jazz expert Lees, Mancini discusses his close friendships with Blake Edwards, Julie Andrews, and Paul Newman, his professional collaborations with Johnny Mercer, Luciano Pavarotti, and James Galway, and his achievements as a husband, father, and grandfather. A great memoir loaded with equal parts Hollywood glitz and Italian gusto.
At the second International Song Festival in 1967, Milton Nascimento had three songs accepted for competition. He had no intention of performing them--he hated the idea of intense competition. In fact, Nascimento might never have appeared at all if Eumir Deodato hadn't threatened not to write the arrangements for his songs if he didn't perform at least two of them. Nascimento went on to win the festival's best performer award, all three of his songs were included soon afterward on his first album, and the rest is history. This is only one anecdote from The Brazilian Sound, an encyclopedic survey of Brazilian popular music that ranges over samba, bossa nova, MPB, jazz and instrumental music and tropical rock, as well as the music of the Northeast. The authors have interviewed a wide variety of performers like Nascimento, Gilberto Gil, Carlinhos Brown, and Airto Moreira, U.S. fans, like Lyle Mays, George Duke, and Paul Winter, executive André Midani; and music historian Zuza Homem de Mello, just to name a few. First published in 1991, The Brazilian Sound received enthusiastic attention both in the United States and abroad. For this new edition, the authors have expanded their examination of the historical roots of Brazilian music, added new photographs, amplified their discussion of social issues like racism, updated the maps, and added a new final chapter highlighting the most recent trends in Brazilian music. The authors have expanded their coverage of the axé music movement and included profiles of significant emerging artists like Marisa Monte, Chico Cesar, and Daniela Mercury. Clearly written and lavishly illustrated with 167 photographs, The Brazilian Sound is packed with facts, explanations, and fascinating stories. For the Latin music aficionado or the novice who wants to learn more, the book also provides a glossary, a bibliography, and an extensive discography containing 1,000 entries. Author note: Chris McGowan was a contributing writer and columnist for Billboard from 1984 to 1996 and pioneered that publication's coverage of Brazilian and world music in the mid-1980s. He has written about the arts and other subjects for Musician, The Beat, the Hollywood Reporter, the Los Angeles Times, L. A Weekly, and the Los Angeles Reader. He is the author of Entertainment in the Cyber Zone: Exploring the Interactive Universe of Multimedia (1995) and was a contributor to The Encyclopedia of Latin American History and Culture (1996). Ricardo Pessanha has worked as a teacher, writer, editor, and management executive for CCAA, one of Brazil's leading institutes of English-language education. He has served as a consultant to foreign journalists and scholars on numerous cultural projects relating to Brazil. He has contributed articles about Brazilian music to The Beat and other publications.
The definitive study of arranging by America's premiere composer, arranger and conductor. A "must" for every musician interested in a greater understanding of arranging. Includes chapters on instrumentation, orchestration and Nelson Riddle's work with Sinatra, Cole and Garland.
