Revival: A History of Spanish Literature (1930)
Revival: A History of Spanish Literature (1930)

Author: Ernest Merimee

Publisher: Routledge

Published: 2018-05-08

Total Pages: 372

ISBN-13: 1351349317

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The present English version, authorized by the publishers and heirs of M. Merimee, is based on the third French Edition. New material of two sorts has been added, however. First, the translator has been allowed to utlize an annotated, interleaved copy of the Precis, 1922, in which the author, and after his death his son Henri, himself a distinguished Hispanist, had set down material for the next revision. This accounts for many inserted names and phrases, and some paragraphs. Second, the translator has rewritten and added with some freedom.

Criticising the Ruler in Pre-Modern Societies – Possibilities, Chances, and Methods
Criticising the Ruler in Pre-Modern Societies – Possibilities, Chances, and Methods

Author: Karina Kellermann

Publisher: V&R Unipress

Published: 2019-12-09

Total Pages: 459

ISBN-13: 3847010883

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In vormodernen Monarchien beobachten wir Widerspruch und Widerstand gegen einzelne Herrscher, ihre politischen Entscheidungen und ihre Verwaltung, aber in der Regel keine direkten Angriffe auf die Ordnungsprinzipien und das politische System. Wenn Unzufriedenheit zu Aufständen und Revolten führten, blieb es normalerweise bei einem bloßen Austausch des Regenten. Subtilere Methoden der Herrscherkritik konnten sich mittels fester Usancen oder spezifischer Codes und Spielregeln innerhalb des legalen Rahmens Gehör verschaffen und zielten darauf ab, die Qualitäten des Regenten zu verbessern oder spezifische Modi der Amtsführung zu reformieren. Diese verschiedenen Formen und Praktiken von Herrscherkritik in vormodernen monarchischen Gesellschaften sind Gegenstand dieses Bandes. When looking at pre-modern monarchical societies, one does not expect to observe fundamental dissent directed at the social order as such or at the political system. As a rule, criticism was limited to individual monarchs, their performance and decisions. While discontent could lead to insurrection and rebellion, which normally only culminated in the ruler being replaced by another monarchical figurehead, the subtler methods of voicing criticism were applied within a framework of legality, of a set of customs or of a code of rules of the game and intended to improve the performance of the incumbent or reform his conduct at court. The various forms of verbal or staged censure of rulers in pre-modern monarchical societies are the subject of this volume.

A Companion to Early Modern Hispanic Theater
A Companion to Early Modern Hispanic Theater

Author: Hilaire Kallendorf

Publisher: BRILL

Published: 2014-02-20

Total Pages: 404

ISBN-13: 9004263012

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A panoramic, state-of-the-art handbook destined to chart a course for future work in the field of early modern Hispanic theater studies. It begins in the closet with an essay on Celestina as closet drama and moves out into the court to explore intersections with courtly love. An essay on the comedia and the classics demonstrates this genre’s firm grounding in the classical tradition, despite Lope de Vega’s famous protestations to the contrary. Distinct but related genres such as the autos sacramentales and the entremeses also make an appearance. The traditional themes of honor and wife-murder share the stage with less familiar topics like the incorporation of animals into performance. This volume covers the urban space of the city in Spain and Portugal as well as uncharted territories in the New World and Japan. Essays on emblems and the picaresque round out this anthology, along with studies of theatrical representations of early modern innovations in science and technology. The book concludes with two different psychoanalytical approaches, focused on melancholy and Lacanian tragedy, respectively. This collection incorporates the work of younger scholars along with established names in the field to synthesize the most exciting recent work on the comedia and related forms of early modern Hispanic theatrical production. Contributors include: Ignacio Arellano, Frederick de Armas, Henry Sullivan, Edward Friedman, A. Robert Lauer, Manuel Delgado, Adrienne Martín, Enrique García Santo Tomás, Matthew Stroud, Teresa Scott Soufas, Enrique Fernández, María Mercedes Carrión, Robert Bayliss, Ted Bergman, Cory Reed, Maryrica Lottman, Christina Lee, and Enrique Duarte.