Melnyk argues passionately that Canadian cinema has never been a singular entity, but has continued to speak in the languages and in the voices of Canada's diverse population.
/h2 WINNER OF THE PRIX RENAUDOT /h2 'This took my breath away, again and again. Lafon is magic ... A thrilling read in Stephanie Smee's masterful translation' Anna Funder, Sunday Times bestselling author of Wifedom 'A work of the purest literary quality: muscular and densely packed, yet graceful in all its movements, and glowing with brilliant detail' Helen Garner, author of This House of Grief ________________________________________________________________ This is the story of a family and the secret that lies at its heart. André is the son, raised by his aunt in the French countryside. His mother Gabrielle, beautiful but distant, lives in Paris. Surrounded by his cousins, far from the noise of the city, André's childhood is a happy one. No-one questions the absence of his mother, or dares voice the name of his father. But beneath the quiet joy of the everyday lies a tragedy, passed down through the generations. Over time, the truth will come to the surface, whether the son desires it or not. ________________________________________________________________ 'A magnificent novel' La Croix '[Lafon] breathes life into language . . . pure and rich' Le Monde 'Captivating and heartbreaking from beginning to end' Le Figaro Magazine
Marking the three hundredth anniversary of Jean Antoine Watteau’s death, this publication takes a close, revealing look at his recently rediscovered painting La Surprise. The painting La Surprise by Jean Antoine Watteau (1684–1721) belongs to a new genre of painting invented by the artist himself—the fête galante. These works, which show graceful open-air gatherings filled with scenes of courtship, music and dance, strolling lovers, and actors, do not so much tell a story as set a mood: one of playful, wistful, nostalgic reverie. Esteemed by collectors in Watteau's day as a work that showed the artist at the height of his skill and success, La Surprise vanished from public view in 1848, not to reemerge for more than a century and a half. Acquired by the Getty Museum in 2017, it has never before been the subject of a dedicated publication. Marking the three hundredth anniversary of Watteau's death, this book considers La Surprise within the context of the artist's oeuvre and discusses the surprising history of collecting Watteau in Los Angeles. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from November 23, 2021, to February 20, 2022.
Like with Antoine Volodine's other works, Post-Exoticism In Ten Lessons, Lesson Eleven takes place in a corrupted future where a small group of radical writers - those who practice post-exoticism' - have been jailed by those in power and are slowly dying off. But before Lutz Bassmann, the last post-exoticist writer, passes away, a couple of journalists will try and pry out all the secrets of this powerful literary movement. This is without a doubt one of the most ambitious literary projects of recent times: a project exploring the revolutionary power of words
This volume assesses the contributions of André Antoine, Konstantin Stanislavski and Michel Saint-Denis, whose work has influenced theatre and training for over a century. These directors pioneered Naturalism and refined Realism as they experimented with theatrical form including non-Realism. Antoine and Stanislavski's theatre direction proved foundational to the creation of the director's role and artistic vision, and their influential ideas progressively developed through the stylized theatre of Saint-Denis to the innovative contemporary theatre direction of Max Stafford-Clark, Declan Donnellan and Katie Mitchell.
It was a spring day in Paris in 1780, and Michael Barada, was 20. As he sauntered along a fashionable street, very gay in the silk, ribbons and ruffles of a young French gallant of the court of Louis XVI ... So begins the charming story of Michael Barada and his chance meeting with the lovely Omaha maiden, Laughing Buffalo. This romantic fairytale was told to the US congress in 1934 in a bill granting my grandfather and other descendants of Laughing Buffalo membership in the Omaha tribe. The bill never passed but this unlikely fairytale became part of our history. Am I part Omaha? Is Laughing Buffalo my great grandmother? And if this story isn't true what is her real story? Antoine's Legacy is my search for the truth and my Omaha roots.
Embracing cell phones, cable access, and cyberspace, the ubiquitous Devil of secular culture embodies the true evil facing us today - banality."--BOOK JACKET.
The Little Prince and nbsp;(French: and nbsp;Le Petit Prince) is a and nbsp;novella and nbsp;by French aristocrat, writer, and aviator and nbsp;Antoine de Saint-Exupéry. It was first published in English and French in the US by and nbsp;Reynal and amp; Hitchcock and nbsp;in April 1943, and posthumously in France following the and nbsp;liberation of France and nbsp;as Saint-Exupéry's works had been banned by the and nbsp;Vichy Regime. The story follows a young prince who visits various planets in space, including Earth, and addresses themes of loneliness, friendship, love, and loss. Despite its style as a children's book, and nbsp;The Little Prince and nbsp;makes observations about life, adults and human nature. The Little Prince and nbsp;became Saint-Exupéry's most successful work, selling an estimated 140 million copies worldwide, which makes it one of the and nbsp;best-selling and nbsp;and and nbsp;most translated books and nbsp;ever published. and nbsp;It has been translated into 301 languages and dialects. and nbsp;The Little Prince and nbsp;has been adapted to numerous art forms and media, including audio recordings, radio plays, live stage, film, television, ballet, and opera.