NYU Press and NYU Abu Dhabi (NYUAD) announce the establishment of the Library of Arabic Literature (LAL), a new publishing series offering Arabic editions and English translations of the great works of classical Arabic literature. The translations, rendered in parallel-text format with Arabic and English on facing pages, will be undertaken by renowned scholars of Arabic literature and Islamic studies, and will include a full range of works, including poetry, poetics, fiction, religion, philosophy, law, science, history and historiography. Unprecedented in its scope, LAL will produce authoritative and fiable editions of the Arabic and modern, lucid English translations, introducing the treasures of the Arabic literary heritage to scholars and students, as well as to a general audience of readers.
Covers a wide thematic and chronological spread that includes both verse and prose. Contains newly-translated texts on a range of subjects such as the occult sciences, heresy, psychological reflections, literary theory, sexual etiquette, man and nature, geographical observations, and reflections on world history. Includes extracts from philosophers, theologians and scientists. Provides marginal glosses to explain key terms, figures and moments.
"Jayyusi provides biographical information on the writers as well as a substantial introduction to the development of modern Arabic fictional genres that considers the central thematic and aesthetic concerns of Arab short story writers and novelists."--Jacket.
Short fiction was an immensely innovative art in the medieval Arab world and speaks to the urbanization of the Arab domain after Islam. It reflects the bustling life of Muslim Arabs and Islamized Persians and the sure stamp of an urbanity that had settled very staunchly after big conquests. Reading these texts today illuminates the wide spectrum of early Arab life and the influences and innovations that flourished so vibrantly in medieval Arab society. Classical Arabic Stories selects from an impressive corpus, including excerpts from seven seminal works: Ibn Tufail's novel, Hayy ibn Yaqzan; Kalila wa Dimna by Ibn al-Muqaffa; The Misers by al-Jahiz; The Brethren of Purity's The Protest of Animals Against Man; Al-Maqamat (The Assemblies) by al-Hamadhani and al-Hariri; Epistle of Forgiveness by al-Ma'arri; and the epic romance, Sayf Bin Dhi Yazan. Organized thematically, the volume begins with pre-Islamic tales, stories of rulers and other notables, and thrilling narratives of danger and warfare. It follows with tales of love, religion, comedy, and the strange and the supernatural.
This bilingual anthology is the first attempt to present a substantial collection of contemporary Arabic poetry in the English language. It acquaints the English-speaking reader with the modern development of one of the world's major poetic traditions, and affords insight into the contemporary cultural situation of the Arab peoples. English translations of Arabic poetry have suffered from aspirations to geographic completeness of representation and excessive concern with the Neo-Classicist school. The present anthology regards poetic quality as the primary criterion of selection and displays an emphatic interest in the poets of free verse. It presents three successive generations--the Syro-Americans, the Egyptian modernist, and the poets of free-verse movement--linked together by a progressive shift from emphasis on form to emphasis on content and form a relatively detached portrayal of the outside world to a concern with the expression of individual experience. Numerous contemporary poets make their first appearance in English, some of them having written pieces specially for this anthology. It is hoped that the bilingual character of the anthology will suit it for use by students of Arabic literature. At the same time, the book is intended for a wider readership with general poetic and literary interests. An important criterion in composing the anthology was the viability of a poem, in its English translation, as a piece of literature as well as the excellence of its Arabic original; if the translators have been successful in applying this criterion, the anthology should afford much aesthetic pleasure. The work should be of considerable interest also to students of comparative literature, as it demonstrates the influence on modern Arab letters of several Western poets, notably Eliot, Yeats, and Pound. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
A unique and extraordinary collection, Desert Songs of the Night presents some of the finest poetry and prose by Arab writers, from the Arab East to Andalusia, over the last 1,500 years. From the mystical imagery of the Qur'an and the colourful stories of The Thousand and One Nights, to the powerful verses of longing of Mahmoud Darwish and Nazik al-Mala'ika, this captivating collection includes translated excerpts of works by the major authors of the period, as well as by lesser known writers of equal significance. Desert Songs of the Night showcases the vibrant and distinctive literary heritage of the Arabs. Beautifully produced, this is the ideal book for lovers of world literature and for those who seek an acquaintance with gems of Arab thought and expression. 'Desert Songs of the Night is a wonderful introduction to fifteen centuries of a literature still largely unknown in the West, without which much of our civilizations would not have developed as they have, from the rediscovery of Aristotle by Arab commentators to the lyric poetry of Europe, from the magical world of the Arabian Nights to the modern revolutionary poets of Palestine. Absolutely essential reading for our troubled times.' Alberto Manguel 'At a time when the world is obsessing about violence and bloodletting in the Arab world, this remarkable anthology, which spans 1,500 years of Arab literary genius, is a stark reminder of the untold story we keep missing about the region.' Hanan al-Shaykh
This anthology brings the key writings on translation in Arabic in the pre-modern era, extending from the earliest times (sixth century CE) until the end of World War I, to a global English-speaking audience. The texts are arranged chronologically and organized by two historical periods: the Classical Period, and the Nahda Period. Each text is preceded by an introduction about the selected text and author, placing the work in context, and discussing its significance. The texts are complemented with a theoretical commentary, discussing the significance for the contemporary period and modern theory. A general introduction covers the historical context, main trends, research interests, and main findings and conclusions. The two appendices provide statistical data of the corpus on which the anthology is based, more than 500 texts of varying lengths extending throughout the entire period of study. This collection contributes to the development of a more inclusive and global history of translation and interpreting. Translated, edited, and analyzed by leading scholars, this anthology is an invaluable resource for researchers, students, and translators interested in translation studies, Arab/Islamic history, and Arabic language and literature, as well as Islamic theology, linguistics, and the history of science. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons (CC-BY-NC-ND) 4.0 license.
ANTHOLOGY OF CLASSICAL ARABIC POETRY(From Pre-Islamic Times to Al-Shushtari)Translations, Introduction and Notes by Paul SmithCONTENTS: Classical Arabic Poetry… page 7, The Qasida… 10, The Qit'a… 11, The Ghazal… 12, The Ruba'i… 16, Selected Bibliography… 17: THE POETS (In Order of Appearance) Imra' ul-Qays 17, Zuhair 29, Harith 39, Antara 46, Tarafa 58, Amru 71, Al-A'sha 80, Suhaym 82, Labid 84, Ka'b 96, Khansa 100, Hazrat Ali 102, Ali Ibn Husain 111, Omar Ibn Abi Rabi'a 106, Majnun (Qays ibn al-Mulawwah) 109, Rab'ia of Basra 116, Bashshar 123, Abu Nuwas 126, Abu Tammam 151, Dhu'l-Nun 155, Bayazid Bistami 163, Al-Nuri 163, Junaid 169, Sumnun 171, Mansur al-Hallaj 173, Ibn 'Ata 181, Shibli 183, Al-Mutanabbi 185, Al-Ma'arri 211, Ibn Sina 233, Al-Ghazali 236, Gilani 239, Abu Madyan 243, Suhrawardi 248, Ibn al-Farid 250, Ibn 'Arabi 265, Al-Busiri 278, Al-Shushtari 284. Pages 287.COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'.“It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished. If he comes to Iran I will kiss the fingertips that wrote such a masterpiece inspired by the Creator of all. ” Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran.“Superb translations. 99% Hafiz 1% Paul Smith.” Ali Akbar Shapurzman, translator of many mystical works in English into Persian and knower of Hafiz's Divan off by heart. “Smith has probably put together the greatest collection of literary facts and history concerning Hafiz.” Daniel Ladinsky (Penguin Books author of his own poems inspired by Hafiz). Paul Smith is a poet, author and translator of over 80 books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages… including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Omar Khayyam, Rudaki, Yunus Emre, Mahsati and many others, as well as his own poetry, fiction, plays, biographies, children's books and twelve screenplays. www.newhumanitybooksbookheaven.com
The Literary Heritage of the Arabs samples some of the finest literature produced by Arab writers in the last 1,500 years. The selection of poetry and prose spans many genres and styles, conveying the full range of Arab experiences and perspectives - from the tragic to the comic, the wistful to the mystical, the courtly to the lowly, and the Arab East to Andalusia. The reader of this anthology will become aware of the extent to which this vibrant and distinctive literary heritage has always been both receptive to the currents from neighbouring cultures and influential in the evolution of other literary traditions, in South Asia, Western Europe and beyond. Thus, the reader will discover, behind local colours and different literary conventions, our common humanity.
The aim of this volume is to raise and discuss questions about the different approaches to the study of pre-modern Arabic anthologies from the perspectives of philology, religion, history, geography, and literature.
