This text charts the changing philosophy of the American preservation movement since the 1950s. It traces the Historic Charleston Foundation's approach to preservation, from the organization's establishment to its concerns with the conservation of rural spaces and building craft traditions.
A collection of essays that examine how the history of slavery and race in the United States has been interpreted and inserted at public historic sites For decades racism and social inequity have stayed at the center of the national conversation in the United States, sustaining the debate around public historic places and monuments and what they represent. These conversations are a reminder of the crucial role that public history professionals play in engaging public audiences on subjects of race and slavery. This "difficult history" has often remained un- or underexplored in our public discourse, hidden from view by the tourism industry, or even by public history professionals themselves, as they created historic sites, museums, and public squares based on white-centric interpretations of history and heritage. Challenging History, through a collection of essays by a diverse group of scholars and practitioners, examines how difficult histories, specifically those of slavery and race in the United States, are being interpreted and inserted at public history sites and in public history work. Several essays explore the successes and challenges of recent projects, while others discuss gaps that public historians can fill at sites where Black history took place but is absent in the interpretation. Through case studies, the contributors reveal the entrenched false narratives that public history workers are countering in established public history spaces and the work they are conducting to reorient our collective understanding of the past. History practitioners help the public better understand the world. Their choices help to shape ideas about heritage and historical remembrances and can reform, even transform, worldviews through more inclusive and ethically narrated histories. Challenging History invites public historians to consider the ethical implications of the narratives they choose to share and makes the case that an inclusive, honest, and complete portrayal of the past has the potential to reshape collective memory and ideas about the meaning of American history and citizenship.
Charleston, South Carolina, is one of the most storied cities of the American South. Well known for its historic buildings and landscape, its thriving maritime culture, and its role in the beginning of the American Civil War, many consider it the birthplace of historic preservation. In Charleston, Martha Zierden and Elizabeth Reitz—whose archaeological fieldwork in the city spans more than three decades—reveal a vibrant, densely packed city, where people, animals, and colonial activity carried on in close proximity. Examining animal bones and the ruins of taverns, markets, townhouses, and smaller homes, the authors consider the residential, commercial, and public life of the city and the dynamics of production, distribution, and consumption of goods and services that linked it with rural neighbors and global markets. From early attempts at settlement and cattle ranching to the Denmark Vesey insurrection and efforts to improve the city’s drinking water, Zierden and Reitz explore the evolution of the urban environment, the intricacies of provisioning such a unique city, and the urban foodways and cuisine that continue to inspire Charleston’s culinary scene even today.
We Are Charleston not only recounts the events of that terrible day but also offers a history lesson that reveals a deeper look at the suffering, triumph, and even the ongoing rage of the people who formed Mother Emanuel A.M.E. church and the wider denominational movement. On June 17, 2015, at 9:05 p.m., a young man with a handgun opened fire on a prayer meeting at the Mother Emanuel African Methodist Episcopal (AME) Church in Charleston, South Carolina, killing nine members of the congregation. The captured shooter, twenty-one-year-old Dylan Roof, a white supremacist, was charged with their murders. Two days after the shooting, while Roof’s court hearing was held on video conference, some of the families of his nine victims, one by one, appeared on the screen—forgiving the killer. The “Emanuel Nine” set a profound example for their families, their city, their nation, and indeed the world. In many ways, this church’s story is America’s story—the oldest A.M.E. church in the Deep South fighting for freedom and civil rights but also fighting for grace and understanding. Fighting to transcend bigotry, fraud, hatred, racism, poverty, and misery. The shootings in June 2015, opened up a deep wound of racism that still permeates Southern institutions and remains part of American society. We Are Charleston tells the story of a people, continually beaten down, who seem to continually triumph over the worst of adversity. Exploring the storied history of the A.M.E. Church may be a way of explaining the price and power of forgiveness, a way of revealing God’s mercy in the midst of tremendous pain. We Are Charleston may help us discover what can be right in a world that so often has gone wrong.
Back to the City: Issues in Neighborhood Renovation focuses on the policies, social issues, and approaches involved in the residential revitalization of inner cities. The book first offers information on an urban land institute survey of private-market housing renovation in central cities and reinvestment by long-time residents and newcomers. Considerations include character of neighborhood renewal, reasons for reinvestment timing, and an overview of the experience on private renewal. The selection also takes a look at the racial and socioeconomic changes in central-city housing, as well as changes in racial successions, limited support for urban revitalization, and characteristics of transition households. The publication reviews the case studies done at neighborhood resettlements in Washington, D.C., New Orleans, Columbus, Seattle, Charleston, and Philadelphia. Topics include residential mobility of new homeowners; neighborhoods in transitions; displacement; satisfaction with the neighborhood; contrasting conceptions of the neighborhood; and historic preservation and neighborhood. The selection is a dependable reference for geographers, urban planners, and sociologists.
This volume "explores the Charleston of distant memory through vivid black-and-white photographs taken from the late 1800s through the 1950s--a time when the city experienced economic decline and gradual recovery."--Cover.
Peninsula of Lies is a nonfiction mystery, set in haunting locales and peopled with fascinating characters, that unwraps the enigma of a woman named Dawn Langley Simmons, a British writer who lived in Charleston, South Carolina, during the 1960s and became the focus of one of the most unusual sexual scandals of the last century. Born in England sometime before World War II, Dawn Langley Simmons began life as a boy named Gordon Langley Hall. Gordon was the son of servants at Sissinghurst Castle, the estate of Vita Sackville-West, where as a child he met Vita's lover Virginia Woolf. In his twenties, Gordon made his way to New York, where he became an author of society biographies and befriended such grandes dames as the actress Margaret Rutherford and the artist and heiress Isabel Whitney, who left him a small fortune. The money allowed Gordon to buy a mansion in Charleston and fill it with period furniture, providing a stage for him to entertain more great ladies and to climb the social ladder of the Southern gentry to its heights. However, Gordon's world changed instantly in 1968, when at The Johns Hopkins Hospital he underwent one of the first sex-reassignment surgeries, returning to Southern society and scandalizing Charleston as the new Dawn Langley Hall. Dawn Hall furthermore announced that her surgery had been corrective, because she'd actually been misidentified as a boy at birth. Three months later, Dawn raised the stakes in still-segregated Charleston when she arranged her very public marriage to a young black mechanic, John-Paul Simmons. In due course, Dawn appeared around town pregnant; finally, she could be seen pushing a baby carriage with a child -- her daughter, Natasha. National Book Award-winning author Edward Ball (Slaves in the Family) has written a detective story that deciphers the riddle of Dawn Simmons, a once rich and infamous changeling who died in 2000, her sexual identity never determined. Peninsula of Lies is an engrossing narrative of a person who tested every taboo, as well as the confidence of observers in their own eyes.
Producing Written and Oral Business Reports: Formatting, Illustrating, and Presenting emphasizes cost-effective methods for producing reports that will do what you want them to do. Numerous examples, helpful illustrations, concise writing style, and convenient checklists let you acquire vital information rapidly. Producing Written and Oral Business Reports is a how-to guide for report creation throughout your career!
An intimate look at Charleston's lush and inviting green spaces, both private and public, and historic and modern Long famous for its charming courtyard gardens in the peninsula's historic district, Charleston, South Carolina, has a remarkable southern landscape that also includes dozens of exquisite private gardens, city parks, cemeteries, institutional gardens, and even an urban farm. In Charleston: City of Gardens, Louisa Pringle Cameron shares the splendor of these gems along with accounts from garden owners, an urban forester, a city horticulturalist, and other overseers of the Holy City's beautiful green spaces. By exploring gardens beyond the Lower Peninsula, Cameron reveals the enormous scope of gardening within the city. Charleston's moderate climate, lengthy growing season, and generous annual rainfall allow thousands of tree and other plant species to thrive. Even certain tropical plants flourish in protected locations. While the more than two hundred color images in Charleston cannot do justice to actually experiencing a lush southern garden with its visual and tactile feasts, gentle sounds of running water and birdsong, and sweet fragrances, they can serve as an inspiration and guide to planning a garden or perhaps a memorable vacation in the Carolinas.