Native American Art in the Twentieth Century

Native American Art in the Twentieth Century

Author: W. Jackson Rushing III

Publisher: Routledge

Published: 2013-09-27

Total Pages: 249

ISBN-13: 1136180036

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This illuminating and provocative book is the first anthology devoted to Twentieth Century Native American and First Nation art. Native American Art brings together anthropologists, art historians, curators, critics and distinguished Native artists to discuss pottery, painitng, sculpture, printmaking, photography and performance art by some of the most celebrated Native American and Canadian First Nation artists of our time The contributors use new theoretical and critical approaches to address key issues for Native American art, including symbolism and spirituality, the role of patronage and musuem practices, the politics of art criticism and the aesthetic power of indigenous knowledge. The artist contributors, who represent several Native nations - including Cherokee, Lakota, Plains Cree, and those of the PLateau country - emphasise the importance of traditional stories, myhtologies and ceremonies in the production of comtemporary art. Within great poignancy, thye write about recent art in terms of home, homeland and aboriginal sovereignty Tracing the continued resistance of Native artists to dominant orthodoxies of the art market and art history, Native American Art in the Twentieth Century argues forcefully for Native art's place in modern art history.


Monsters of Contact

Monsters of Contact

Author: Mark van de Logt

Publisher: University of Oklahoma Press

Published: 2018-06-21

Total Pages: 364

ISBN-13: 0806161094

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A murderous whirlwind, an evil child-abducting witch-woman, a masked cannibal, terrifying scalped men, a mysterious man-slaying flint creature: the oral tradition of the Caddoan Indians is alive with monsters. Whereas Western historical methods and interpretations relegate such beings to the realms of myth and fantasy, Mark van de Logt argues in Monsters of Contact that creatures found in the stories of the Caddos, Wichitas, Pawnees, and Arikaras actually embody specific historical events and the negative effects of European contact: invasion, war, death, disease, enslavement, starvation, and colonialism. Van de Logt examines specific sites of historical interaction between American Indians and Europeans, from the outbreaks and effect of smallpox epidemics on the Arikaras, to the violence and enslavement Caddos faced at the hands of Hernando de Soto’s expedition, and Wichita encounters with Spanish missionaries and French traders in Texas. In each case he explains how, through Indian metaphor, seemingly unrelated stories of supernatural beings and occurrences translate into real people and events that figure prominently in western U.S. history. The result is a peeling away of layers of cultural values that, for those invested in Western historical traditions, otherwise obscure the meaning of such tales and their “monsters.” Although Western historical methods have become the standard in much of the world, van de Logt demonstrates that indigenous forms of history are no less valuable, and that oral traditions and myths can be useful sources of historical information. A daring interpretation of Caddoan lore, Monsters of Contact puts oral traditions at the center of historical inquiry and, in so doing, asks us to reconsider what makes a monster.