Published in 1922, this book gives a complete record of the beginning and progress of music in the United States of America. The writer talks about the first book printed about music, the importation of the first pipe organs, the establishment of the pioneering musical societies, the first performance of operas, oratorios, symphonies and other choral and orchestral works, etc. Contents include: 1640-1750 1750-1800 1800-1825 1825-1850 1850-1875 1875-1890 1890-1900 1900-1921
In 'Famous Singers of To-day and Yesterday' by Henry Charles Lahee, readers are taken on a captivating journey through the lives and careers of renowned vocalists from different eras. Lahee's detailed exploration of each singer's unique style and influence provides valuable insights into the development of vocal performance over time. Through engaging narratives and critical analysis, the book offers a comprehensive look at the impact these artists have had on the world of music. Lahee's scholarly approach to storytelling enriches the reading experience and places each singer within their appropriate literary context. The book is a rich tapestry of musical history that will appeal to both scholars and music enthusiasts alike. Henry Charles Lahee, a respected music historian and critic, draws on his vast knowledge and experience to bring these famous singers to life in his book. His passion for music and dedication to preserving its legacy shine through in his meticulous research and compelling writing style. Lahee's expertise in the field makes 'Famous Singers of To-day and Yesterday' a must-read for anyone interested in the evolution of vocal performance and the contributions of prominent singers. I highly recommend 'Famous Singers of To-day and Yesterday' to readers who appreciate a well-crafted blend of music history, biography, and critical analysis. Lahee's insightful exploration of famous singers offers a fascinating glimpse into the world of vocal performance and its enduring influence on the cultural landscape.
A major three-volume bibliography, including an additional supplement, of an annotated listing of American Studies monographs published between 1900 and 1988.
Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
A renowned Verdi authority offers here the often-astounding first history of how Verdi's early operas -- including one of his great masterpieces, Rigoletto -- made their way into America's musical life.
In Strong on Music Vera Brodsky Lawrence uses the diaries of lawyer and music lover George Templeton Strong as a jumping-off point from which to explore every aspect of New York City's musical life in the mid-nineteenth century. This third and final volume ranges across opera, orchestral and chamber music, blackface minstrels, military bands, church choirs, and even concert saloons. Among the many striking scenes vividly portrayed in Repercussions are the rapturous reception of Verdi's Ballo in maschera in 1861; the impact of the Civil War on New York's music scene, from theaters closing as their musicians enlisted to the performance of "The Star-Spangled Banner" at every possible occasion; and open-air concerts in the developing Central Park. Throughout, Lawrence mines a treasure trove of primary source materials including daily newspapers, memoirs, city directories, and architectural drawings. Indispensable for scholars, Repercussions will also fascinate music fans with its witty writing and detailed descriptions of the cultural life of America's first metropolis. Formerly a concert pianist, Vera Brodsky Lawrence spent the last third of her life as a historian of American music (she died in 1996). She was editor of The Piano Works of Louis Moreau Gottschalk and The Complete Works of Scott Joplin. On Volume 1: "A marvelous book. There is nothing like it in the literature of American music."—Harold C. Schonberg, New York Times Book Review On Volume 2: "A monumental achievement."—Victor Fell Yellin, Opera Quarterly
