The Bluest of Blues
The Bluest of Blues

Author: Fiona Robinson

Publisher: Abrams

Published: 2019-02-12

Total Pages: 40

ISBN-13: 1683352890

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A gorgeous picture book biography of botanist and photographer Anna Atkins--the first person to ever publish a book of photography After losing her mother very early in life, Anna Atkins (1799–1871) was raised by her loving father. He gave her a scientific education, which was highly unusual for women and girls in the early 19th century. Fascinated with the plant life around her, Anna became a botanist. She recorded all her findings in detailed illustrations and engravings, until the invention of cyanotype photography in 1842. Anna used this new technology in order to catalogue plant specimens—a true marriage of science and art. In 1843, Anna published the book Photographs of British Algae: Cyanotype Impressions with handwritten text and cyanotype photographs. It is considered the first book of photographs ever published. Weaving together histories of women, science, and art, The Bluest of Blues will inspire young readers to embark on their own journeys of discovery and creativity.

The Pencil of Nature
The Pencil of Nature

Author: William Henry Fox Talbot

Publisher: DigiCat

Published: 2022-09-16

Total Pages: 66

ISBN-13:

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DigiCat Publishing presents to you this special edition of "The Pencil of Nature" by William Henry Fox Talbot. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Cyanotype
Cyanotype

Author: Christina Anderson

Publisher: CRC Press

Published: 2019-01-30

Total Pages: 510

ISBN-13: 0429805977

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Cyanotype: The Blueprint in Contemporary Practice is a two part book on the much admired blue print process. Part One is a comprehensive how-to on the cyanotype process for both beginner and advanced practitioners, with lots of photographs and clear, step-by-step directions and formulas. Part Two highlights contemporary artists who are using cyanotype, making work that ranges from the photographic to the abstract, from the traditional to the conceptual, with tips on their personal cyanotype methods alongside their work. These artists illustrate cyanotype’s widespread use in contemporary photography today, probably the most of any alternative process. Book features include: A brief discussion of the practice of the process with some key historical points How to set up the cyanotype ÒdimroomÓ The most extensive discussion of suitable papers to date, with data from 100+ papers Step-by-step digital negative methods for monochrome and duotone negatives Chapters on classic, new, and other cyanotype formulas Toning to create colors from yellow to brown to violet Printing cyanotype over palladium, for those who want to temper cyanotype’s blue nature Printing cyanotype on alternate surfaces such as fabric, glass, and wood More creative practice ideas for cyanotype such as handcoloring and gold leafing Troubleshooting cyanotype, photographically illustrated Finishing, framing, and storing cyanotype Contemporary artists’ advice, techniques, and works Cyanotype is backed with research from 120 books, journals, and magazine articles from 1843 to the present day. It is richly illustrated with 400 photographs from close to 80 artists from 14 countries. It is a guide for the practitioner, from novice to expert, providing inspiration and proof of cyanotype’s original and increasing place in historical and contemporary photography.

Monumental Journey
Monumental Journey

Author: Stephen C. Pinson

Publisher: Metropolitan Museum of Art

Published: 2019-01-28

Total Pages: 256

ISBN-13: 1588396630

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In 1842, the pioneering French photographer Joseph-Philibert Girault de Prangey (1804–1892) set out eastward across the Mediterranean, daguerreotype equipment in tow. He spent the next three years documenting lands that were then largely unknown to the West, including Greece, Egypt, Turkey, Syria, and Lebanon, in some of the earliest surviving photographic images of these places. Monumental Journey, the first monograph in English on this brilliant yet enigmatic artist, explores the hundreds of daguerreotypes Girault made during his unprecedented trip, offering a rare, early look at sites and cities that have since been altered—sometimes irrevocably—by urban, environmental, and political change. Beautiful full-scale reproductions of Girault’s photographs, many published here for the first time, and incisive essays shed new light on the arc of his career and his groundbreaking contributions to the burgeoning fields of photography, archaeology, and architectural history. Monumental Journey presents an artist of astonishing innovation whose work occupies a singular space at the border of history and modernity, tradition and invention, endurance and evanescence. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

Scenes in a Library
Scenes in a Library

Author: Carol M. Armstrong

Publisher: MIT Press (MA)

Published: 1998-01

Total Pages: 511

ISBN-13: 9780262011693

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In Scenes in a Library, Carol Armstrong explores the experimental moment, at the inception of the new medium, when the word came to haunt the photographic image and the forty or so years - roughly from the 1840s to the 1880s - during which the photographic image alternately resisted and became assimilated by the printed page.

Blueprint to cyanotypes – Exploring a historical alternative photographic process
Blueprint to cyanotypes – Exploring a historical alternative photographic process

Author: Malin Fabbri

Publisher: AlternativePhotography.com

Published: 2016-01-01

Total Pages: 68

ISBN-13:

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An excellent beginners’ guide to cyanotypes – all you need to get started, and some goodies for more advanced cyanotypers too. About the book The cyanotype is often the first alternative process that people try. It is relatively easy and safe enough to nurture a child’s interest in photography. It can also be seen as a gateway to further exploration of historic photographic methods. In addition, it gives experienced photographers and artists a great excuse to take their eyes off the computer screen and get their hands dirty. Blueprint to cyanotypes is all you will need to get started with cyanotypes. It offers the beginner a step-by-step guide, from choosing material to making the final print. It is full of information and tips. Even the experienced cyanotypist may learn a thing or two. Blueprint to cyanotypes is published by AlternativePhotography.com – a website and information center dedicated to alternative photographic processes. From Malin Fabbri, the author: Why a book on cyanotypes? Of all the alternative processes the cyanotype is the one closest to my heart. I made my first cyanotype in 1999. I was intrigued by the blue images and wanted to test the cyanotype process to see what it had to offer. I bought chemicals and spent an evening coating paper and cloth. The results of the next day’s printing surprised me. Although the alchemy of the darkroom had always captivated me, developing a print in the sun was like a liberation. One of the things I found most refreshing about the process was the unpredictability of the results. Some of my best prints were the product of ‘happy accidents’. The developing process is straightforward. The chemicals are cheap, and most of the other items used can be found around the house. Pre-coated paper is available, but one of the benefits of working with cyanotypes is the great flexibility of material and paper available to you. Cyanotypes print on anything made of natural fibre. Cotton, linen, silk, handmade paper, watercolor paper and rags are just number of alternatives. Some artists even print on wood. So, if you want to explore a fun alternative photographic process or seriously want to experiment with producing unique fine art, make a cyanotype.

Sun Gardens
Sun Gardens

Author: Anna Atkins

Publisher: Aperture Direct

Published: 1985

Total Pages: 112

ISBN-13:

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"Recognized as the earliest female photographer, Anna Atkins is equally remarkable for having produced the first book to use photographic illustrations. That book, [Photographs of] British algae : cyanotype impressions ... constitutes the first serious application of photography to scientific publication ... In 1841, Anna Atkins was inspired by advice from Fox Talbot, inventor of photography on paper, to take up the new art. By the autumn of 1843, she had mastered Sir John Herschel's 'beautiful process of cyanotype' (the blueprint process) and began issuing the first parts of her book, which documented her large collection of seaweed. While it was not uncommon for contemporary ladies to occupy their leisure time gathering and preserving botanical specimens, few were as dedicated or as creative as Mrs. Atkins. She inspired her friend Anne Dixon, a vicar's wife, to collaborate with her in creating the elegant cyanotype photograms of ferns, flowers, feathers, and lace which appear in this volume"--Book jacket.

Botanizing on the Asphalt
Botanizing on the Asphalt

Author: Nanna Debois Buhl

Publisher:

Published: 2015

Total Pages: 127

ISBN-13: 9788799359523

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Botanizing on the Asphalt is a series of cyanotype ‘herbariums’ depicting discarded objects collected on walks in Long Island City, Copenhagen, and Riga. Each herbarium captures a moment of the area by studying the life and circulation of its objects discarded in the streets. The project takes as its outset Walter Benjamin’s description of the urban wanderer as one “who goes botanizing on the asphalt,” and the work of the 19th-century British botanist and photographer Anna Atkins. Using the technique of cyanotype (in which an object is placed directly on light-sensitive paper which is exposed to the sun to produce an image) Anna Atkins made a large cyanotype herbarium of algae in the 1840s. Weaving together Benjamin’s notion, Atkins’ method, and traces from urban space, Botanizing on the Asphalt captures a moment in time before the discarded objects are again scattered, venturing in new directions.--viewed on the artist's website December 11, 2019.