The Art of Anglo-Saxon England

The Art of Anglo-Saxon England

Author: Catherine E. Karkov

Publisher: Boydell Press

Published: 2011

Total Pages: 350

ISBN-13: 1843836289

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Providing a fresh appraisal of the art of Anglo-Saxon England, this text looks at its influence upon the creation of an identity as a nation.


Anglo-Saxon Crafts

Anglo-Saxon Crafts

Author: Kevin Leahy

Publisher: Revealing History (Paperback)

Published: 2003

Total Pages: 216

ISBN-13:

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While the art and craftsmanship of the Anglo-Saxons is much admired, the background to this superb work is little understood. Kevin Leahy, a trained craftsman and archaeologist, looks at how the artifacts were made--at the materials, the tools, and techniques that were used. His survey ranges from casting a brooch to making a sword, from pottery and weaving to woodworking and building.


Celtic and Anglo-Saxon Art

Celtic and Anglo-Saxon Art

Author: Derek Hull

Publisher: Liverpool University Press

Published: 2003-01-01

Total Pages: 266

ISBN-13: 9780853235491

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Much of early medieval Celtic and Anglo-Saxon art is based on the display of motifs – key, interlacing, spiral and zoomorphic – in well-defined panels in simple and complex arrays. A study of the arrangement of the panels and the fine detail of the motifs indicates that the artists relied on geometric methods and principles first used by Egyptians and Greeks. This book reflects Derek Hull’s life-long interest in interpreting the exciting and exotic patterns revealed by scientific studies using light and electron microscopes. His interest in Celtic and Anglo-Saxon art started with a casual observation of an interlacing pattern on an early medieval stone cross set in a churchyard. There followed many years of exploration of art in metal, stone and vellum from all parts of the British Isles and Ireland, resulting in some fascinating discoveries. Celtic and Anglo-Saxon Art reveals new and intriguing facets of these works that add to our appreciation of the beauty of the art and the skills of the artists. "This is a book for lovers of Celtic art, design and calligraphy, and will both delight and captivate... A must-have for both the cognoscenti and enthusiasts of Celtic religious art."—Cambria


Anglo-Saxon Art

Anglo-Saxon Art

Author: Leslie Webster

Publisher:

Published: 2012

Total Pages: 260

ISBN-13:

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The seven centuries of the Anglo-Saxon period in England, roughly AD 400-1100, were a time of extraordinary and profound transformation in almost every aspect of its culture, culminating in a dramatic shift from a barbarian society to a recognizably medieval civilization. This book traces the changing nature of that art, the different roles it played in Anglo-Saxon culture, and the various ways it both reflected and influenced the changing context in which it was created.


Late Saxon and Viking Art

Late Saxon and Viking Art

Author: T.D. Kendrick

Publisher: Taylor & Francis

Published: 2023-08-10

Total Pages: 285

ISBN-13: 1000921123

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Late Saxon and Viking Art (1949) is a lavishly-illustrated examination of the art of the Saxon era – the carvings, sculpture, illustrations, drawings and paintings that emerged from the Anglo-Saxon and Viking cultures.


Anglo-Saxon Styles

Anglo-Saxon Styles

Author: Catherine E. Karkov

Publisher: State University of New York Press

Published: 2012-02-01

Total Pages: 329

ISBN-13: 0791486141

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Art historian Meyer Schapiro defined style as "the constant form—and sometimes the constant elements, qualities, and expression—in the art of an individual or group." Today, style is frequently overlooked as a critical tool, with our interest instead resting with the personal, the ephemeral, and the fragmentary. Anglo-Saxon Styles demonstrates just how vital style remains in a methodological and theoretical prism, regardless of the object, individual, fragment, or process studied. Contributors from a variety of disciplines—including literature, art history, manuscript studies, philology, and more— consider the definitions and implications of style in Anglo-Saxon culture and in contemporary scholarship. They demonstrate that the idea of style as a "constant form" has its limitations, and that style is in fact the ordering of form, both verbal and visual. Anglo-Saxon texts and images carry meanings and express agendas, presenting us with paradoxes and riddles that require us to keep questioning the meanings of style.