Stephenson's volume is a wonderful resource for parents seeking thoughtful, sound advice on raising well-grounded children in a chaotic world. Presenting Montessori principles in clear and eloquent prose, Stephenson's legacy will be a tremendous service to generations of parents to come. -Angeline Lillard, PhD, Professor of Psychology, U. of Virginia, author of Montessori, The Science behind the Genius
Key Selling Points A reissue of the 2008 award-winning YA novel. What World is Left has garnered dozens of rave reviews, including a starred review from Booklist Winner of the 2009 Quebec Writers' Federation Literature Prize for Children's and YA Literature. This book was inspired by the author’s mother’s experience during the Holocaust. Revised front and back matter, including a new Preface from the author, a Discussion Guide and an updated References page. Free Study Guide available at orcabook.com.
It is not easy for a layman to attract attention to a book like this. Most who open the cover will be professionals in one of the many aspects of mental health. A moment's thought tells us, however, that if there is a distinction between laymen and professionals it makes no difference to a book like this. Both laymen and professionals care about what will be. That is why this book, the Congress it reports and the World Federation for Mental Health itself can be meaningful to both laymen and professional people. A look into the 80's from the point of view of mental health, cultural values and social development is for all who care about the future. The 1981 Manila Congress of the World Federation for Mental Health was a unique and special gathering. It was the first time the Federation assembled for a Congress in a developing country. In the Philippines we enjoyed the over whelming hospitality and charm of the people and a place where past and future seem as important as the present. All who attended from outside those magic islands will always remember the occasion as a special life experience. For those of you who did attend, this book can revive the stimulation and satisfaction of the Congress. For those of you who did not share the Manila experience, this book can inform and interest you about matters which are important.
Mark My Words traces settler colonialism as an enduring form of gendered spatial violence, demonstrating how it persists in the contemporary context of neoliberal globalization. In a strong and lucid voice, Mishuana Goeman provides close readings of literary texts, arguing that it is vital to refocus the efforts of Native nations beyond replicating settler models of territory, jurisdiction, and race.
The Cambridge History of the Graphic Novel provides the complete history of the graphic novel from its origins in the nineteenth century to its rise and startling success in the twentieth and twenty-first century. It includes original discussion on the current state of the graphic novel and analyzes how American, European, Middle Eastern, and Japanese renditions have shaped the field. Thirty-five leading scholars and historians unpack both forgotten trajectories as well as the famous key episodes, and explain how comics transitioned from being marketed as children's entertainment. Essays address the masters of the form, including Art Spiegelman, Alan Moore, and Marjane Satrapi, and reflect on their publishing history as well as their social and political effects. This ambitious history offers an extensive, detailed and expansive scholarly account of the graphic novel, and will be a key resource for scholars and students.
In Montréal, Canada, in 1942, the war in Europe seems far off to fifteen-year-old Rosetta Wolff until her family takes in Isaac, a war refugee, and everything changes.
The mythological, folkloric, and religious beliefs of Western culture have resulted in a long and ongoing history of esoteric themes in theatre from the Middle Ages to the present in Spain and the America. Now Robert Lima, a noted comparatist, brings to bear on this material his wide knowledge of the world of the occult. Lima defines the terms "occult" and "occultism" broadly to embrace the many ways in which humans have sought to fathom a secret knowledge held to be accessible only through such supernatural agencies as alchemy, angelology, asceticism, astrology, demonolatry, divination, ecstasy, magic, necromancy, possession, Santeria, séances, voudoun, and witchcraft. The dramatic works covered range from medieval materializations of Hell to the Golden Age plays of Lope de vega, Tirso de Molina, and Calderón de la Barca, to modern stage works by Valle-Inclán, García Lorca, Casona, Miras, and a number of significant Afro-Brazilian and Caribbean dramatists. The concluding comprehensive bibliography of the drama of the occult is invaluable.
"Monsters of the Market" investigates modern capitalism through the prism of the body panics it arouses. Examining "Frankenstein," Marx s "Capital" and zombie fables from sub-Saharan Africa, it offers a novel account of the cultural and corporeal economy of global capitalism.
This book presents the reader with some of the earliest classic SF short stories – all of them published between 1858 and 1934, featuring both well-known and long-forgotten writers – dealing for the first time with topics to which science had (some) answers only at much later stages. This includes aspects of alien life forms, transmogrification, pandemics, life on Mars, android robots, big data, matter transmission and impact events to name but a few. The short stories are reprinted in full alongside extensive commentaries which also examine some of the latest scientific thinking surrounding the story’s main theme and provide the reader with suggestions for further reading.
