Andreas Gryphius Herr Peter Squentz
Author: Andreas Gryphius
Publisher:
Published: 1969
Total Pages: 51
ISBN-13:
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Author: Andreas Gryphius
Publisher:
Published: 1969
Total Pages: 51
ISBN-13:
DOWNLOAD EBOOKAuthor: Daniel SCHWENTER
Publisher:
Published: 1660
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Andreas Gryphius
Publisher: Burns & Oates
Published: 1969
Total Pages: 126
ISBN-13:
DOWNLOAD EBOOKAuthor: Andreas Gryphius
Publisher:
Published: 1660*
Total Pages:
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DOWNLOAD EBOOKAuthor: Blake Lee Spahr
Publisher: Harvard University Press
Published: 1993
Total Pages: 198
ISBN-13: 9781879751651
DOWNLOAD EBOOKCritical study of great 17c German poet and dramatist.
Author: Andreas Gryphius
Publisher:
Published: 1957
Total Pages: 51
ISBN-13:
DOWNLOAD EBOOKAuthor: Andreas Gryphius
Publisher:
Published: 1957
Total Pages: 122
ISBN-13:
DOWNLOAD EBOOKAuthor: Peter Hutchinson
Publisher: Peter Lang
Published: 2006
Total Pages: 252
ISBN-13: 9783039101856
DOWNLOAD EBOOKPublic demand for comedy has always been high in the German-speaking countries, but the number of comic dramas that have survived is relatively small. Those which are still read or regularly performed all have a serious purpose, and this collection of fourteen essays on the most distinguished of them shows how laughter can be exploited to treat personal, moral, and social problems in a way that would not be possible in tragedy. The texts range from the seventeenth to the late twentieth century, and no fewer than half of them are by Austrian writers. The contributors show how these plays are often subversive, regularly arousing an uncomfortable, self-challenging laughter, and how they treat such widely ranging subjects as language and communication, the complications of the sex drive, the inflexibility of the Prussian mind, and the behaviour of Austrian celebrities during the Third Reich. The essays are all written by specialists in the field and were originally delivered as lectures in the University of Cambridge.
Author: George Oppitz-Trotman
Publisher: Oxford University Press
Published: 2020-07-29
Total Pages: 320
ISBN-13: 0192602454
DOWNLOAD EBOOKStages of Loss supplies an original and deeply researched account of travel and festivity in early modern Europe, complicating, revising, and sometimes entirely rewriting received accounts of the emergence and development of professional theatre. It offers a history of English actors travelling and performing abroad in early modern Europe, and Germany in particular, during the sixteenth and seventeenth centuries. These players, known as English Comedians, were among the first professional actors to perform in central and northern European courts and cities. The vital contributions made by them to the development of a European theatre institution have long been neglected owing to the pre-eminence of national theatre histories and the difficulty of researching an inherently evanescent phenomenon across large distances. These contributions are here introduced in their proper contexts for the first time. Stages of Loss explores connections real and perceived between diminishments of national value and the material wealth transported by itinerant players; representations of loss, waste, and profligacy within the drama they performed; and the extent to which theatrical practice and the process of canonization have led to archival and interpretive losses in theatre history. Situating the English Comedians in a variety of economic, social, religious, and political contexts, it explores trends and continuities in the reception of their itinerant theatre, showing how their incorporation into modern theatre history has been shaped by derogatory assessments of travelling theatre and itinerant people in the seventeenth and eighteenth centuries. Stages of Loss reveals that the Western theatre institution took shape partly as a means of accommodating, controlling, evaluating, and concealing the work of migrant strangers.
Author: Joel B. Lande
Publisher: Cornell University Press
Published: 2018-12-15
Total Pages: 395
ISBN-13: 1501727133
DOWNLOAD EBOOKJoel B. Lande’s Persistence of Folly challenges the accepted account of the origins of German theater by focusing on the misunderstood figure of the fool, whose spontaneous and impish jest captivated audiences, critics, and playwrights from the late sixteenth through the early nineteenth century. Lande radically expands the scope of literary historical inquiry, showing that the fool was not a distraction from attempts to establish a serious dramatic tradition in the German language. Instead, the fool was both a fixture on the stage and a nearly ubiquitous theme in an array of literary critical, governmental, moral-philosophical, and medical discourses, figuring centrally in broad-based efforts to assign laughter a proper time, place, and proportion in society. Persistence of Folly reveals the fool as a cornerstone of the dynamic process that culminated in the works of Lessing, Goethe, and Kleist. By reorienting the history of German theater, Lande’s work conclusively shows that the highpoint of German literature around 1800 did not eliminate irreverent jest in the name of serious drama, but instead developed highly refined techniques for integrating the comic tradition of the stage fool.