André Malraux
Author: Cecil Jenkins
Publisher: New York : Twayne Publishers
Published: 1972
Total Pages: 176
ISBN-13:
DOWNLOAD EBOOKProvides in-depth analysis of the life, works, career, and critical importance of Andre Malraux.
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Author: Cecil Jenkins
Publisher: New York : Twayne Publishers
Published: 1972
Total Pages: 176
ISBN-13:
DOWNLOAD EBOOKProvides in-depth analysis of the life, works, career, and critical importance of Andre Malraux.
Author: André Malraux
Publisher:
Published: 1978
Total Pages: 661
ISBN-13: 9780691099415
DOWNLOAD EBOOKAnnotation: This is a comprehensive and psychological history of art from a variety of cultures by one of the eminent thinkers of the twentieth century.
Author: Ralph Tarica
Publisher: Fairleigh Dickinson Univ Press
Published: 1980
Total Pages: 198
ISBN-13: 9780838622698
DOWNLOAD EBOOKExamines the full sweep of metaphorical and symbolic language in Malraux's six novels and also discloses the patterns of image structure imbedded in the text of Malraux's novels, and brings them to the surface in a clearly organized form.
Author:
Publisher:
Published: 1972
Total Pages: 176
ISBN-13:
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Publisher: BRILL
Published: 2021-12-28
Total Pages: 305
ISBN-13: 9004486178
DOWNLOAD EBOOKAndré Malraux’s output, spanning some 55 years, ranges from novels to philosophical essays, studies on the plastic arts and memorialist essays. The present volume is significantly innovative in that it sets out to elucidate this diversity by focusing, for the first time and from a variety of perspectives, on the erosion of boundaries which characterises Malraux’s work. This erosion is multi-faceted and includes the crossing of genre boundaries; the appropriation of the literary text as political vehicle; the exploitation of the literary text as historical document; contemporary history as a source of literary texts; the slippage between autobiography and the novel, autobiography and the memorialist essay and between fiction and the memorialist essay. Contributors to this volume explore the complex relationship between fact and fiction underpinning Malraux’s writing, and also his life. An understanding of Malraux’s determination to ignore boundaries is crucial to the understanding of his life and work. In this respect the present study will interest academics and students, both undergraduate and postgraduate, of French literary and cultural studies.
Author: WALTER GRASSKAMP
Publisher: Getty Publications
Published: 2016-12-10
Total Pages: 244
ISBN-13: 1606065017
DOWNLOAD EBOOKIn 1954, the French writer, politician, and publisher André Malraux posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le musée imaginaire de la sculpture mondiale. The enchanting metaphor of the musée imaginaire (imaginary museum) was built upon that illustrated art book, and Malraux was one of its greatest champions. Drawing on a range of contemporary publications, he adopted images and responded to ideas. Indeed, Malraux’s book on the floor is a variation of photographer André Vigneau’s spectacular Encyclopédie photographique de l’art, published in five volumes from 1935 on—years before Malraux would enter this field. Both authors were engaged in juxtaposing artworks via photographs and publishing these photographs by the hundreds, but Malraux was the better sloganeer. Starting from a close examination of the photograph of Malraux in his salon, art historian Walter Grasskamp takes the reader back to the dawn of this genre of illustrated art book. He shows how it catalyzed the practice of comparing works of art on a global scale. He retraces the metaphor to earlier reproduction practices and highlights its ubiquity in contemporary art, ending with an homage to the other pioneer of the “museum without walls,” the unjustly forgotten Vigneau.
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
Published: 1970
Total Pages: 1474
ISBN-13:
DOWNLOAD EBOOKAuthor: Michael Corris
Publisher: Reaktion Books
Published: 2008-03-15
Total Pages: 242
ISBN-13: 1861895453
DOWNLOAD EBOOKDiego Rivera, Dorothea Lange, Adolfo Pérez Esquivel: Art and activism have long been intertwined, and the political fallout has resulted in an artistic canon riddled with historical holes. One of the most glaring omissions from most listings of American art masters is Ad Reinhardt (1913–67). An artist who had significant ties to the American Communist movement and leftist political organizations, Reinhardt and his contributions to modern art have been largely pushed out of the spotlight for political reasons. But in this unprecedented in-depth study of Reinhardt’s life and work, Michael Corris returns the artist to his rightful place in the history of modern art and culture. A pioneering avant-garde artist with fierce political beliefs, Reinhardt immersed himself in the vibrant left-wing political and cultural circles of the 1930s and ’40s, only to be marginalized by the social and cultural conservatism that arose in postwar America. Corris examines Reinhardt’s work against this historical background, charting the development of his entire oeuvre, ranging from his abstract paintings to his popular graphic artwork, illustrations and cartoons. Ad Reinhardt also re-evaluates Reinhardt’s role and influence in the art world, chronicling his time as an artist and educator at the California School of Fine Arts, University of Wyoming, Yale University, and Hunter College, and examining his influence on younger artists who created successive avant-garde movements such as minimal and conceptual art. A long-awaited examination of a less-heralded American master, Ad Reinhardt is a fascinating portrait of an artist whose political radicalism infused his art with a poignant resonance that stretches, through this rediscovery, into the present.
Author: David Bevan
Publisher: McGill-Queen's Press - MQUP
Published: 1986
Total Pages: 136
ISBN-13: 9780773505520
DOWNLOAD EBOOKMore attention has been paid up to now to Malraux's life and thought than to his creativity. To respond to this neglect, David Bevan explores facets as diffuse as Tibetan symbolism, free indirect style, humour, film, death, and oratory in a series of interconnecting essays which, offering a certain unity of discourse in place of any monolithic intelligibility, seek thereby to reflect Malraux's very considerable complexity.
Author: Harvard University. Library
Publisher:
Published: 1973
Total Pages: 804
ISBN-13:
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