André Lhote and His International Students
André Lhote and His International Students

Author:

Publisher:

Published: 2019

Total Pages: 290

ISBN-13: 9783903187788

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Zwischen den 1920er und 1950er Jahren existierten in Paris sowohl liberale als auch konservative Kunstakademien. Besonders begehrt war die Académie André Lhote (1885-1962), die von 1925 bis 1962 operierte. Diese zog eine bemerkenswerte Zahl von internationalen Künstlern und Studenten an. Aufgrund des sehr guten Zustands seines Archivs können wir heute davon ausgehen, dass während vier Jahrzehnten an die 1600 Studenten bei André Lhote in Montparnasse, 18 rue d?Odessa und an seinen Landakademien (L?Académie aux champs) in Mirmande (seit 1926), Gordes (seit 1938) und in Cadière d'Azur (seit 1948) studierten. André Lhote and His International Students ist eine Sammlung von 13 Aufsätzen. Diese verweisen auf den bedeutenden Beitrag von André Lhote an der Verbreitung von spezifischen Regeln im Umgang mit formalen und theoretischen modernistischen Trends. Diese Regeln vermochte er sowohl durch seinen Unterricht, aber auch durch seine Kunstpraxis und seine Schriften zu vermitteln. Dabei leistet dieses Buch nicht nur eine Hommage an einen zu Unrecht vernachlässigten Künstler, Theoretiker und Lehrer, sondern untersucht zugleich, wie Künstler aus allen Regionen der Welt durch ihre Aufenthalte in Paris zum Projekt zur künstlerischen Moderne beitrugen und diese re-interpretierten. André Lhote and His International Students ist ein Bericht über eine mikrokosmische Version des kosmopolitischen Paris, welches durch den Fluss und die Zirkulation tausender einzelner Künstler aus der ganzen Welt geprägt wurde.

The Cultural Politics of Art in Iran
The Cultural Politics of Art in Iran

Author: Katrin Nahidi

Publisher: Cambridge University Press

Published: 2023-08-31

Total Pages: 303

ISBN-13: 1009361406

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Offers a comprehensive study of Iranian modernist art since the 1950s, showing its role in shaping ideas around national identity and anti-colonialism.

A Philosophy of the Art School
A Philosophy of the Art School

Author: Michael Newall

Publisher: Routledge

Published: 2018-10-31

Total Pages: 292

ISBN-13: 0429869975

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*Winner of the American Society for Aesthetics 2019 Outstanding Monograph Prize* Until now, research on art schools has been largely occupied with the facts of particular schools and teachers. This book presents a philosophical account of the underlying practices and ideas that have come to shape contemporary art school teaching in the UK, US and Europe. It analyses two models that, hidden beneath the diversity of contemporary artist training, have come to dominate art schools. The first of these is essentially an old approach: a training guided by the artistic values of a single artist-teacher. The second dates from the 1960s, and is based around the group crit, in which diverse voices contribute to an artist’s development. Understanding the underlying principles and possibilities of these two models, which sit together in an uneasy tension, gives new insights into the character of contemporary art school teaching, demonstrating how art schools shape art and artists, how they can be a potent engine of creativity in contemporary culture and how they contribute to artistic research. A Philosophy of the Art School draws on first-hand accounts of art school teaching, and is deeply informed by disciplines ranging from art history and art theory, to the philosophy of art, education and creativity.

Parallel Modernism
Parallel Modernism

Author: Chinghsin Wu

Publisher: University of California Press

Published: 2019-11-12

Total Pages: 247

ISBN-13: 0520299825

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This significant historical study recasts modern art in Japan as a “parallel modernism” that was visually similar to Euroamerican modernism, but developed according to its own internal logic. Using the art and thought of prominent Japanese modern artist Koga Harue (1895–1933) as a lens to understand this process, Chinghsin Wu explores how watercolor, cubism, expressionism, and surrealism emerged and developed in Japan in ways that paralleled similar trends in the west, but also rejected and diverged from them. In this first English-language book on Koga Harue, Wu provides close readings of virtually all of the artist’s major works and provides unprecedented access to the critical writing about modernism in Japan during the 1920s and 1930s through primary source documentation, including translations of period art criticism, artist statements, letters, and journals.

Collecting Asian Art
Collecting Asian Art

Author: Markéta Hánová

Publisher: Leuven University Press

Published: 2024-02-29

Total Pages: 273

ISBN-13: 9462703787

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Rather than centering on the well-known collections in Western European and North American museums, Collecting Asian Art turns to museum collections of Asian art in Central Europe which emerged from the late 19th century onwards. Highlighting the dimensions of Central European connectedness, this volume explores how these collections evolved and changed under changing cultural and political conditions from the pre-World War I to the post-World War II periods. With a primary focus on collections of East Asian, South Asian, and West Asian art in Vienna, Prague, Berlin, Warsaw, Kraków, Budapest, and Ljubljana, it outlines the transregional connections and networks that gradually developed. Collecting Asian Art locates Asian art across the twentieth-century in Central Europe via discourse and ideology, and discusses key collections and the way individual collectors built their networks. It thus explores transregional connections that developed through collecting activities and strategies in the prewar, interwar and postwar eras. Contributors also examine the personal connections between a group of Indologists from postwar Prague and modernist Indian artists from the early 1950s to the 1980s and also discuss the systematic archiving of East Asian art collections in Slovenia. A concluding conversation looks at colonisation and decolonisation from a broader perspective by approaching it through recent art historical discussions on the global dimensions of modernism. By defining the region through its external relationships and its entanglements with regions across Asia rather than as a self-contained unit, the contributions in this volume outline how these transregional connections and networks evolved and changed over time, thus highlighting their singularity in comparison to developments in Western Europe. Based on recent research, Collecting Asian Art reveals neglected sources while reinterpreting well-known ones.

Tarsila Do Amaral
Tarsila Do Amaral

Author: Stephanie D'Alessandro

Publisher: Yale University Press

Published: 2017-01-01

Total Pages: 385

ISBN-13: 0300228619

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An exploration of the innovative, quintessentially Brazilian painter who merged modernism with the brilliant energy and culture of her homeland Tarsila do Amaral (1886-1973) was a central figure at the genesis of modern art in her native Brazil, and her influence reverberates throughout 20th- and 21st-century art. Although relatively little-known outside Latin America, her work deserves to be understood and admired by a wide contemporary audience. This publication establishes her rich background in European modernism, which included associations in Paris with artists Fernand Léger and Constantin Brancusi, dealer Ambroise Vollard, and poet Blaise Cendrars. Tarsila (as she is known affectionately in Brazil) synthesized avant-garde aesthetics with Brazilian subjects, creating stylized, exaggerated figures and landscapes inspired by her native country that were powerful emblems of the Brazilian modernist project known as Antropofagía. Featuring a selection of Tarsila's major paintings, this important volume conveys her vital role in the emerging modern-art scene of Brazil, the community of artists and writers (including poets Oswald de Andrade and Mário de Andrade) with whom she explored and developed a Brazilian modernism, and how she was subsequently embraced as a national cultural icon. At the same time, an analysis of Tarsila's legacy questions traditional perceptions of the 20th-century art world and asserts the significant role that Tarsila and others in Latin America had in shaping the global trajectory of modernism.

Transatlantic Encounters
Transatlantic Encounters

Author: Michele Greet

Publisher: Yale University Press

Published: 2018-01-01

Total Pages: 296

ISBN-13: 0300228422

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Paris was the artistic capital of the world in the 1920s and '30s, providing a home and community for the French and international avant-garde. Latin American artists contributed to and reinterpreted nearly every major modernist movement that took place in the creative center of Paris between World War I and World War II, including Cubism (Diego Rivera), Surrealism (Antonio Berni and Roberto Matta), and Constructivism (Joaquin Torres-Garcia). Yet their participation in the Paris art scene has remained largely overlooked until now. This book examines their collective role, surveying the work of both household names and an extraordinary array of lesser-known artists. Michele Greet illuminates the significant ways in which Latin American expatriates helped establish modernism and, conversely, how a Parisian environment influenced the development of Latin American artistic identity.

Avant-garde and Criticism
Avant-garde and Criticism

Author: K. Beekman

Publisher: Rodopi

Published: 2007

Total Pages: 368

ISBN-13: 9042021527

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Avant-Garde and Criticism sheds new light on the complex aims, functions, practices and contexts of art-criticism in relation to the European avant-garde. Although many avant-garde works and the avant-gardes of various countries have been analyzed, considerably less attention has been given to the reviews in newspapers and journals on avant-garde literature, art, architecture and film. This volume of Avant-Garde Critical Studies will look at how art critics operated in a strategic way. The strategies of avant-garde criticism are diverse. Art critics, especially when they are artists themselves, attempt to manipulate the cultural climate in their favour. They use their position to legitimize avant-garde concepts and to conquer a place in the cultural field. But they are also markedly influenced by the context in which they operate. The position of fellow-critics and the ideological bias of the papers in which they publish can be as important as the political climate in which their criticism flourishes. The analysis of avant-garde art criticism can also make clear how strategies sometimes fail and involuntarily display non-avant-garde characteristics. On the other hand traditionalist criticism on the avant-garde offers new insights into its status and reception in a given time and place. This volume is of interest for scholars, teachers and students who are interested in the avant-garde of the interbellum-period and work in the field of literature, art, film and architecture.

Deleuze and the Diagram
Deleuze and the Diagram

Author: Jakub Zdebik

Publisher: A&C Black

Published: 2012-05-17

Total Pages: 258

ISBN-13: 1441115609

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An examination of Deleuze's notion of the diagram from philosophical and aesthetic perspectives that develops the concept into a critical touchstone for contemporary multidisciplinary art.