Anders Edström: Spidernets places a crew
Author: Anders Edström
Publisher:
Published: 2004
Total Pages: 72
ISBN-13:
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Author: Anders Edström
Publisher:
Published: 2004
Total Pages: 72
ISBN-13:
DOWNLOAD EBOOKAuthor: Anders Edström
Publisher:
Published: 2015-11-01
Total Pages:
ISBN-13: 9781910164204
DOWNLOAD EBOOKHanezawa garden' is an illicit trail through a walled garden in Tokyo, between thick foliage, slender bamboo and semi-inhabited outhouses, their plastic roofs heavy with leaves, as if reclaimed by the jealous trees. The protagonist, like a detective, catalogues the garden obsessively, registering strange and peripheral details: a sealed cardboard box, lingering on a sill, or the receding body of a workman.0Time is loose, and the seasons slip by. The sightlines through Hanezawa are multiple and mutable, and the assembled images grow in weight through repetition and proximity. The minor characters of this elusive narrative are ordinary objects: a shell, half buried in the soil, whose brief significance is acute and unreadable, before it slips back into entropy. The surfaces, too, are iridescent, ungovernable – garden huts with smeared panes that reflect sky or reveal the bulge of something, vegetating, behind. The windows, like the images themselves, always promise something – a revelation – just out of reach.0'Hanezawa garden' was demolished by the real estate developer Mitsubishi Estate in 2012, despite countless attempts by local residence to preserve the house and gardens.
Author: Curtis Winter
Publisher:
Published: 2004
Total Pages: 72
ISBN-13:
DOWNLOAD EBOOKAuthor: Anders Edström
Publisher: Estate Of
Published: 2019
Total Pages: 0
ISBN-13: 9781908806062
DOWNLOAD EBOOKAuthor: Collier Schorr
Publisher: Steidl
Published: 2008
Total Pages: 0
ISBN-13: 9783865216168
DOWNLOAD EBOOKThere I Was marks a shift in medium and a conceptual departure for Collier Schorr. She is best known for her photographic studies of a real and imagined town in southern Germany, works which tease the accepted artifice of photography to forge an appropriated remembrance of German histories. Schorr found drawing a more acute medium to describe events that took place in the neighbourhoods of her childhood, specifically the muscle car counter culture of the 1960s in Long Island and Queens, NY. This history is related through the short but spectacular life of charismatic 19 year-old drag car racer Charlie Astoria Chas Synder and his 67 Ko-Motion Corvette. At the age of four Schorr accompanied her father, an automotive photographer and journalist, to a local race track where she watched Astoria Chas work on his car. A subsequent article followed, with the now eerie headline While Astoria Chas is doing his thing in Vietnam his friends are racing his L-88. By the time the article was published, Charlie Snyder had died in action in Vietnam. There I Was is Snyder's story and Schorrs dilemma. He was there, she was not. The project examines the role of the photograph as proof of the photographer's presence, territory and view, and the difficulty of representing any past without the theatricality of re-staging it. Based entirely on photography, the book engages with the medium and simultaneously challenges the role of the photograph as document of the past. Using a collision of source materials for the drawings, beginning with her fathers images and Snyders own snapshots taken in Vietnam, Schorr then draws from professional reportage pictures, so as to describe, literally sketch out, one monumental trip from Queens to Vietnam and back. These drawings are contrasted by reproductions of vintage car magazine articles and Schorrs own photograph portraits. There I Was is a complex and multi-faceted look at escape, culture, dreams and mortality, conjuring up an expressionistic portrait of the dichotomies of the late 1960s in a fractured wartime America.
Author: Marc Nagtzaam
Publisher:
Published: 2014
Total Pages: 0
ISBN-13: 9789491843235
DOWNLOAD EBOOKIn this book, recent work by Marc Nagtzaam is shown together with installation views and some of his older drawings. As a result, the previous works can be viewed from the perspective of the new, and vice versa. Nagtzaam sees exhibitions and books as single works. The same compositional approach used when making the drawings is also reflected in the structure of this book. In this manner, Nagtzaam reveals the link between the hard-edge abstraction of the drawings, which can be read as architectural plans, and his spatial installations in which they function as elements in a larger composition, suggestive of an obscure organising principle.--
Author: Mikael Olsson
Publisher:
Published: 2010
Total Pages: 0
ISBN-13: 9783869300597
DOWNLOAD EBOOKThis book explores the heritage of Bruno Mathsson, one of Swedish modernisms leading designers, through two of his architectural works. In Frösakull a house that Mathsson both designed and lived in Mikael Olsson invaded, colonised and interacted with the remains of the house. In Södrakull, on the other hand a second house that Mathsson designed and lived in Olsson acted like a Peeping Tom, sneaking around the exterior of the house with his camera. This unethical method of trespassing a private space reveals something even more unethical, namely the fact that nobody, not even the Bruno Mathsson firm, took care of his property after his death. Frösakull was later sold, fixtures, furniture and other possessions included, while Södrakull was refurbished and turned into a glossy and artificial space. In Södrakull Frösakull Mikael Olsson has created a phenomenological interplay between presence and absence, inner meaning and outer representation, turning the very notion of the human gaze inside out. Mikael Olsson, born in Sweden, 1969, studied at The School of Photography at Gothenburg University and at the Department of Architecture, Chalmers University of Technology in Gothenburg. He has exhibited widely in Sweden and abroad.
Author:
Publisher: Mack
Published: 2016
Total Pages: 82
ISBN-13: 9781910164600
DOWNLOAD EBOOKTiré du site de l'éditeur: "What kind of gaze does the city license? What kind of gaze does it induce, determine, inform, program, organise? What is the nature of the city as reality, as image and as symbol? What is this object of desire, at once near and ungraspable, fascinating and repulsive, attractive and intractable, necessary and unbearable, intimate and impenetrable, available and inaccessible, that it is for itself as well as for the man of the crowd, for the man in the street, for the man of the city, for those who inhabit it and those merely passing through it, for anyone who knows that it is a labyrinth but nonetheless allows himself to remain trapped in it? Hubert Damisch. Takashi Homma uses fragments collected in camera obscura constructed in metropolitan areas of Japan and the US to build a city image by image. Homma does not seek to index any particular city but to render a shadow world, a city's unconscious caught in a dark chamber, suspended in the camera's box. The camera obscura offers a repetition, like the reflection shimmering in Narcissus's pool. The narcissistic city is a city transfixed upon its own image - a mirror city, laced with repetition (modular) and reflections (glass). A city looking at its reflection, a city caught in a dark chamber, a city observing its camera obscura inversion - flickering inside the camera's box."
Author: J. H. Engström
Publisher:
Published: 2015
Total Pages: 0
ISBN-13: 9781597113489
DOWNLOAD EBOOKSwedish artist JH Engström is an inveterate bookmaker. Most recently, his published works have explored ideas of place and home, including Sketch of Paris (Aperture, 2013), La Résidence (2010), From Back Home (2009), and CDG/JHE (2008). After more than a decade of such thematic projects, Tout Va Bien returns to the looser, more associative approach of Engström's critically acclaimed volume Trying to Dance (2003). The source for these photographs is nevertheless strongly autobiographical, as well as vividly metaphorical; a reemphasis of the artist's belief in photography's potential as visual poetry. The sequencing is highly charged with contrasts: black-and-white images mix with color; the gentle beauty of coastal rocks clashes with a flash-lit image of the bright, blood-red placentas from the birth of his twins. The book leaves it to the viewer to map his or her own network of meaning from image to image, page to page. Tout Va Bien is designed and produced by Patric Leo, who also collaborated with the artist on Trying to Dance.
Author: Adrienne Edwards
Publisher: Whitney Museum of American Art
Published: 2022-01-11
Total Pages: 168
ISBN-13: 9780300260120
DOWNLOAD EBOOKAn unprecedented look at the contemporary collective's theatrical art, charting their performances and exploring their social and creative commitments The first monographic publication on the art collective My Barbarian (Malik Gaines, Jade Gordon, and Alexandro Segade) offers new insights into the work of this singular group of performers. My Barbarian has used performance to theatricalize social issues, adapting narratives from modern plays, historical texts, and mass media; this volume accompanies a major retrospective celebrating the group's twentieth anniversary. An overview essay relates their work's formal qualities to several historical moments over this span: the club era following September 11, 2001; postcolonial theater after the 2008 financial collapse; and political theater responding to the pressing issues of today. Other contributions read the collective's output through a lens of queer and other critical theory, and contextualize it within the twenty-first-century experimental performance scene. A richly illustrated visual chronology features texts on each of My Barbarian's past works written by the artists. Performances and video works are re-created using stills alongside photos, drawings, scripts, and personal materials drawn from the artists' archives, many never previously published.