Ancient Mediterranean Art in the Ackland Art Museum

Ancient Mediterranean Art in the Ackland Art Museum

Author: Mary C. Sturgeon

Publisher: Ackland Art Museum

Published: 2015

Total Pages: 0

ISBN-13: 9781469625515

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Ancient Mediterranean Art in the Ackland Art Museum presents the collection of ancient art in the Ackland Art Museum at The University of North Carolina at Chapel Hill. This collection includes a broad array of works of art that come from many parts of the ancient Mediterranean world, including Egypt and the Nile Valley, Mesopotamia, Iran, Cyprus, Greece, and Italy, ranging in date from ca. 5000 BCE to 1100 CE. The collection contains large- and small-scale sculptures made of marble, bronze, terracotta, limestone, and gold and vessels formed of clay, stone, and bronze. Notable groups of objects include Egyptian amulets made of faience, Near Eastern cylinder seals, Cypriot votive statuary of limestone, Greek and Roman coins, and Roman vessels of glass. Started in 1958, the collection has grown considerably and now includes objects discovered through official excavations in Egypt and the Nile valley and Italy, along with gifts of former faculty members and friends of the University and Museum. From its beginning, the collection was intended to be diverse in scope and was founded to bring to Chapel Hill works of art that would directly support the teaching mission of the university. This volume showcases a significant and valuable collection as never before.


Object Biographies

Object Biographies

Author: Menil Collection (Houston, Tex.)

Publisher: Menil Foundation

Published: 2021

Total Pages: 0

ISBN-13: 9780300250879

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A revealing look at ancient art in the Menil Collection that addresses the problem of objects lacking archaeological context This innovative anthology discusses a diversity of ancient Mediterranean objects--a Mesopotamian votive figure, a Egyptian relief from the New Kingdom, and a Greek Geometric fawn among them--in the Menil Collection and three other US museums. It offers new models for understanding works from antiquity that lack archaeological context. Essays by 13 authors written with the layperson in mind employ a creative mixture of iconography, technical studies, and modern provenance research to gain insight into the meaning of the objects themselves and what they can teach us more broadly aboutarchaeology, art history, and collecting practices. They take on complex issues of cultural heritage, legality, and taste to bring to life works that are often consigned to either the imperial past or a conceptual limbo. Essays on related groups or single objects introduce fresh frameworks to engage with the multilayered history these objects represent. The eight object biographies on ancient artifacts in the Menil are the first in-depth studies published on the collection. Essays by seven university professors probe works in their areas of expertise, while those by seven curators lay bare one object biography; frame provenance studies at the San Antonio Museum of Art, Getty Museum, and Museum of Fine Arts, Boston; and survey war's effect on ancient works. The editors' introduction and an epilogue responding to the other 13 texts review theoretical and practical issues in the study of artifacts lacking archaeological findspots (provenience). Recommended for programs and libraries in museum studies, archaeology, and art history; art and heritage law programs; and readers fascinated by cold-case detective work on the material culture of the ancient Mediterranean. Distributed for the Menil Collection


Ancient Mediterranean Art

Ancient Mediterranean Art

Author: Barbara Cavaliere

Publisher:

Published: 2022

Total Pages: 360

ISBN-13: 9780823290864

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Ancient Mediterranean Art: The William D. and Jane Walsh Collection at Fordham University is the catalogue of Fordham University's remarkable collection of Classical antiquities, comprising objects dating from the fourth millennium B.C.E. to the 4th century C.E., originating from Greece, Italy, Turkey, the Near East, and Egypt. It is one of the largest collections of antiquities held by an academic institution in the New York area and includes many important works of ancient Mediterranean art that are published here for the first time. This lavishly illustrated book features 104 of the most significant objects in the William D. and Jane Walsh Collection. All the major art forms from the Greek, Etruscan, and Roman worlds are represented, including pottery, sculpture, glass, architectural decoration, and coins. Each object entry is accompanied by one or more color photographs, some with detailed profile drawings, along with explanatory text examining the individual artistic significance of the pieces; their domestic, religious, civic, or funerary function; and their relationship to objects of similar type published elsewhere and in other museum collections. Interspersed throughout are enlightening thematic essays--for example, on Italic votives and on Etruscan roofs and their decoration--that provide valuable context for the individual objects. An appendix provides a comprehensive list of the works in the collection with brief descriptions and photographs of those not given fuller scholarly attention. The extensive bibliography and notes further augment the value of this catalogue as an educational resource and a notable contribution to the corpus of scholarship about the art, history, and culture of the ancient Mediterranean world.


Antiquity & Photography

Antiquity & Photography

Author: Claire L. Lyons

Publisher: Getty Publications

Published: 2005

Total Pages: 246

ISBN-13: 0892368055

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Biographical essays explore the careers of two major early photographers, Joseph-Philibert Girault de Prangey and William James Stillman. in addition, portfolios with works by Maxime Du Camp, John Beasley Greene, Francis Frith, Robert Macpherson, Adolphe Braun and others testify to the strength and consistency of other early photographers who captured the antique worlds around the Mediterranean."--BOOK JACKET.


Art of the First Cities

Art of the First Cities

Author: Metropolitan Museum of Art (New York, N.Y.)

Publisher: Metropolitan Museum of Art

Published: 2003

Total Pages: 566

ISBN-13: 1588390438

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Catalog of an exhibition being held at the Metropolitan Museum of Art from May 8 to Aug. 17, 2003.


Dura-Europos

Dura-Europos

Author: Jennifer Baird

Publisher: Bloomsbury Publishing

Published: 2018-06-14

Total Pages: 241

ISBN-13: 1472526732

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Dura-Europos is one of Syria's most important archaeological sites. Situated on the edge of the Euphrates river, it was the subject of extensive excavations in the 1920s and 30s by teams from Yale University and the Académie des Inscriptions et Belles-Lettres. Controlled variously by Seleucid, Parthian, and Roman powers, the site was one of impressive religious and linguistic diversity: it was home to at least nineteen sanctuaries, amongst them a Synagogue and a Christian building, and many languages, including Greek, Latin, Persian, Palmyrene, and Hebrew which were excavated on inscriptions, parchments, and graffiti. Based on the author's work excavating at the site with the Mission Franco-Syrienne d'Europos-Doura and extensive archival research, this book provides an overview of the site and its history, and traces the story of its investigation from archaeological discovery to contemporary destruction.


Chryselephantine Statuary in the Ancient Mediterranean World

Chryselephantine Statuary in the Ancient Mediterranean World

Author: Kenneth D. S. Lapatin

Publisher:

Published: 2001

Total Pages: 374

ISBN-13: 9780198153115

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Composite statues of gold (chrysos), ivory (elephas), and other precious materials were the most celebrated artworks of classical antiquity. Greek and Latin authors leave no doubt that such images provided a centrepiece for religious and civic life and that vast sums were spent to producethem. A number of these statues were the creations of antiquity's most highly acclaimed artists: Polykleitos, Alkamenes, Leochares, and, of course, Pheidias, whose magnificent Zeus Olympios came to be ranked among the Seven Wonders of the World. Although a few individual images such as Pheidias'Athena Parthenos have been the subject of detailed scholarly analysis, chryselephantine statuary as a class, from the exquisite statuettes of Minoan Crete to the majestic temple images constructed by classical Greek city-states and imitated by the Romans, has not received comprehensive study since1815. This book presents not only the ancient literary and epigraphical evidence for lost statues and examines representations of them in other media, but also assembles and analyses much-neglected physical survivals, elucidating throughout the innovative techniques, such as ivory-bending, employedin their production as well as the variety of social, religious, and political roles they played within the ancient societies that produced them.


Trade in the Ancient Mediterranean

Trade in the Ancient Mediterranean

Author: Taco Terpstra

Publisher: Princeton University Press

Published: 2019-04-09

Total Pages: 290

ISBN-13: 0691172080

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How ancient Mediterranean trade thrived through state institutions From around 700 BCE until the first centuries CE, the Mediterranean enjoyed steady economic growth through trade, reaching a level not to be regained until the early modern era. This process of growth coincided with a process of state formation, culminating in the largest state the ancient Mediterranean would ever know, the Roman Empire. Subsequent economic decline coincided with state disintegration. How are the two processes related? In Trade in the Ancient Mediterranean, Taco Terpstra investigates how the organizational structure of trade benefited from state institutions. Although enforcement typically depended on private actors, traders could utilize a public infrastructure, which included not only courts and legal frameworks but also socially cohesive ideologies. Terpstra details how business practices emerged that were based on private order, yet took advantage of public institutions. Focusing on the activity of both private and public economic actors—from Greek city councilors and Ptolemaic officials to long-distance traders and Roman magistrates and financiers—Terpstra illuminates the complex relationship between economic development and state structures in the ancient Mediterranean.