Ananse stories are shared among Ghanaian families for entertainment and to teach morals and cultural values to children and adults alike. This particular one was my favorite as a child, and I decided to share it with my son, Mark. Mark also enjoyed this story so much he often requested that I tell him the story over again. As he got older, he suggested that we write our Ananse story so the whole world can enjoy it too.
Here is a broad sampling of traditional and contemporary Dutch tales that will entertain and inform readers and listeners of all ages. From animal tales and tales of magic to religious and realistic stories, and contemporary urban legends, you'll find in this collection scores of tales, riddles, puzzles, and jokes to savor and share. Many of the stories are rooted in the traditional rural society of the Netherlands, while others have sprung from the modern, urban, and multi-ethnic society that Holland is today. Background information on the country and the stories, and color photographs and illustrations, along with a detailed bibliography, makes this a well-rounded resource for educators, folklore scholars, and general readers. All levels.
A collection of ten stories about the trickster spider god, Ananse. Sometimes things go Ananse's way and other times he makes a fool of himself and is ashamed-but never for very long. Suggested level: primary, intermediate.
Discover the amazing adventures of heroes and monsters. The Children's Book of Mythical Beasts and Magical Monsters is the latest in the series that includes the successful Children's Book of Art and Children's Book of Music. From early Aboriginal dreamtime to the legends of the Aztecs, this colourful and vibrant introduction to myths will help your child to discover storytelling from different cultures. All the classic myths are retold in the Children's Book of Mythical Beasts and Magical Monsters. Eyecatching pages introduce your child to epic tales such as Theseus and the Minotaur and the rise and fall of Atlantis. It's a mythical and magical tour not to be missed.
Anansesem: Telling Stories and Storytelling African Maternal Pedagogies is a composite story on African Canadian mothers’ experiences of teaching and learning while mothering. It seeks to celebrate the African mother’s everyday experiences and honor her embodied and cultural knowledge as important sites of meaning making and discovery for the African child. Through the Afro-indigenous art of Anansi storytelling, memoir, creative non-fiction and illustrations, the author takes you on an evocative narrative journey that focuses on how African descended women draw upon and are central to African childrens’ cultural, social and identity development. In entering these stories, readers access their joys, sadness, strengths and weaknesses as they mother in the midst of marginalization. The book is a testament to the power of counter-storytelling for inspiring internal and external transformation.
The terms 'creole' and 'creolization' have witnessed a number of significant semantic changes in the course of their history. Originating in the vocabulary associated with colonial expansion in the Americas it had been successively narrowed down to the field of black American culture or of particular linguistic phenomena. Recently 'creole' has expanded again to cover the broad area of cultural contact and transformation characterizing the processes of globalization initiated by the colonial migrations of past centuries. The present volume is intended to illustrate these various stages either by historical and/or theoretical discussion of the concept or through selected case studies. The authors are established scholars from the areas of literature, linguistics and cultural studies; they all share a lively and committed interest in the Caribbean area - certainly not the only or even oldest realm in which processes of creolization have shaped human societies, but one that offers, by virtue of its history of colonialization and cross-cultural contact, its most pertinent example. The collection, beyond its theoretical interest, thus also constitutes an important survey of Caribbean studies in Europe and the Americas. As well as searching overview essays, there are - sociolinguistic contributions on the linguistic geography of 'criollo' in Spanish America, the Limonese creole speakers of Costa Rica, 'creole' language and identity in the Netherlands Antilles and the affinities between Papiamentu and Chinese in Curaçao - ethnohistorical examinations of such topics as creole transgression in the Dominican/Haitian borderland, the Haitian Mandingo and African fundamentalism, creolization and identity in West-Central Jamaica, Afro-Nicaraguans and national identity, and the Creole heritage of Haiti - studies of religion and folk culture, including voodoo and creolization in New York City, the creolization of the "Mami Wata" water spirit, and signifyin(g) processes in New World Anancy tales - a group of essays focusing on the thought of Édouard Glissant, Maryse Condé, and the Créolité writers and case-studies of artistic expression, including creole identities in Caribbean women's writing, Port-au-Prince in the Haitian novel, Cynthia McLeod and Astrid Roemer and Surinamese fiction, Afro-Cuban artistic expression, and metacreolization in the fiction of Robert Antoni and Nalo Hopkinson.
In the 40 essays that constitute this collection, Guy Davenport, one of America's major literary critics, elucidates a range of literary history, encompassing literature, art, philosophy and music, from the ancients to the grand old men of modernism.
A sassy tortilla, so light she jumps off the griddle, leads an elaborate game of chase through the desert while taunting a passel of critters—two horned toads, three donkeys, four jackrabbits, five rattlesnakes, and six buckaroos. But has she met her match in Señor Coyote?
