This is the first English translation of one of the key works of 20th-century Venezuelan fiction. Published in 1949, Ana Isabel: A Respectable Girl by Antonia Palacios is a classic coming-of-age story set in Caracas in the 1920s, exploring issues of race, class, and gender and exposing the colonial and patriarchal legacy of the country in the era before urban development and the dependence on an oil economy. A modern Latin American classic and the Venezuelan counterpart of Sandra Cisneros’ The House on Mango Street(1984), Ana Isabel: A Respectable Girl broke with the symbolic realist genre in vogue in Latin American narrative works and inaugurated a new form of expression with poetic overtones.
"This book tells the story of Isabel's life from early childhood to young adulthood, growing up in Spain in the 1970s and 1980s. It is told through the voice of Isabel as she struggles to make sense of her bewildering world of family rules and social norms, where children are expected to do as they were told without discussion. Isabel is the fifth child of seven, watching both her older and younger siblings' interests and behaviour through the lens of a little girl who finds it difficult to play and engage with others. Isabel is a serious little girl who watches everything, seeing minute details in every aspect of her life. Repeatedly she describes the anxiety she feels of "not knowing" what is going to happen and when she might be expected to do something outside of her comfort zone. The stories of her traumatic start at school, the tonsillectomy, her father's terrifying behaviour towards his children, and her adolescent emotions and first experience of sex are told with vivid attention to detail. Although autism is never explicitly mentioned in this book, Isabel's struggles to make sense of the world, her ability to focus with such intensity and the overwhelming anxiety that she experiences are all features of girls and women with Asperger's syndrome, or autism. Indeed, the behaviour of Isabel's father, Roberto, suggests that he too is on the spectrum, with behaviours that make him frightening and unpredictable to a child. This book has been sensitively written and the story is engaging and unpredictable. It also gives insight into how a girl who might be on the autistic spectrum struggles to cope with the demands of social and family life. I can thoroughly recommend this book to anyone who likes to read about family sagas or who is interested in childhood and autism." - Anita Hughes, Chartered Educational Psychologist.
The experience of watching films – entertaining, moving, instructive, frightening or exciting as they may be – can be enriched by the opportunity to reflect upon them from unconventional perspectives.Psychoanalytic Reflections on Film: Moving Images offers its readers in an accessible language one such viewpoint, informed by Andrea Sabbadini's psychoanalytic insights and therapeutic experience. Using a psychoanalytic interpretative approach, some twenty-five important feature films are discussed as the artistic vehicles of new, unsuspected meanings. The first chapter looks at films which represent psychoanalytic work itself, having therapists and their patients as their main characters. The remaining five chapters cover movies on themes of central concern to analytic theorists and clinicians, such as childhood and adolescent development, and varieties of intimate relationships among adults. The latter include romantic love and its disturbing association to death fantasies; eroticism and prostitution; and voyeuristic desire – a significant phenomenon in this context given its parallels with the activity of watching films. Andrea Sabbadini's psychoanalytic approach, which explores the part played by unconscious factors in shaping the personality and behaviour of film characters, is used to interpret their internal world and the emotional conflicts engendered by the vicissitudes they live through. The book is completed by a filmography and biographical notes on film directors. Psychoanalytic Reflections on Film presents the relationship between cinema and psychoanalysis as a complex one. These two most different of cultural phenomena are shown to share a wish on the part of their practitioners to uncover profound truths about the human condition, and to provide a language with which to describe them. Going beyond futile ‘psycho-historical’ attempts to analyse filmmakers through their products, or a superficial application of psychoanalytic concepts to film, Sabbadini shows how both cinema and psychoanalysis can benefit from a meaningful interdisciplinary dialogue between them. The book will be of special interest to practicing psychoanalysts and students, scholars and historians of film studies.
How is sexuality studied methodologically? How are we innovating, methodologically, in the study of sexuality? What impact, if any, has the increase in mixed methodologies had on the study of sexuality? Sexualities Research brings together original contributions by emerging and world-leading scholars of sexuality. Through this volume the authors seek to address how theoretical and methodological choices enable wider dissemination and social impact of sexualities research. Indeed, covering a diverse range of theoretical perspectives and methodologies to provide important new insights into human sexuality, the chapters cover an array of topics from the experience of researching sexuality, to using theories in new and innovative ways. With an international scope, Sexualities Research also builds on the re-emergence of the European Sociological Association Sexuality Research Network and asks important questions about the study of sexuality in contemporary societies against the background of political upheaval and economic troubles. Certainly, this collection shows the importance and vitality of sociological understandings of human sexuality in the twenty-first century. An enlightening volume consisting of a variety of case studies and theoretical research, Sexualities Research will appeal to undergraduate and postgraduate students, as well as postdoctoral researchers who are interested in fields such as Sociology, LGBT/Queer Studies and Gender Studies.
In the turbulent decades following the Mexican Revolution, Mexico City saw a drastic influx of female migrants seeking escape and protection from the ravages of war in the countryside. While some settled in slums and tenements, where the informal economy often provided the only means of survival, the revolution, in the absence of men, also prompted women to take up traditionally male roles, created new jobs in the public sphere open to women, and carved out new social spaces in which women could exercise agency. In Deco Body, Deco City, Ageeth Sluis explores the effects of changing gender norms on the formation of urban space in Mexico City by linking aesthetic and architectural discourses to political and social developments. Through an analysis of the relationship between female migration to the city and gender performances on and off the stage, the book shows how a new transnational ideal female physique informed the physical shape of the city. By bridging the gap between indigenismo (pride in Mexico's indigenous heritage) and mestizaje (privileging the ideal of race mixing), this new female deco body paved the way for mestizo modernity. This cultural history enriches our understanding of Mexico's postrevolutionary decades and brings together social, gender, theater, and architectural history to demonstrate how changing gender norms formed the basis of a new urban modernity.
For most people, a diagnosis of cystic fibrosis means the certainty of a life ended too soon. But for Isabel Stenzel Byrnes and Anabel Stenzel, twin girls with the disease, what began as a family’s stubborn determination grew into a miracle. The tragedy of CF has been touchingly recounted in such books as Frank Deford’s Alex: The Life of a Child, but The Power of Two is the first book to portray the symbiotic relationship of twins who share this life-threatening disease through adulthood.Isabel and Anabel tell of their lifelong struggle to pursue normal lives with cystic fibrosis while grappling with the realization that they will die young. Their story reflects the physical and emotional challenges of a particularly aggressive form of CF and is an honest and gripping portrayal of the daily struggle associated with long-term hospitalization, the impact of chronic illness on marriage and family, and the importance of a support network to continuing survival. Born in 1972, seventeen years before scientists discovered the genetic mutation that causes CF, the Stenzel twins endured the daily regimen of chest percussion, frequent doctor visits, and lengthy hospitalizations. But in the face of innumerable setbacks, their deep-seated dependence on each other allowed them to survive long enough to reap the benefits of the miraculous lung transplants that marked a turning point in their lives: “We have an old life—one of growing up with chronic illness—and anew life—one of opportunities and gifts we have never imagined before.” In this memoir, they pay tribute to the people who shaped their experience. These two remarkable sisters have much to teach about the power of perseverance—and about the ultimate power of hope.
