PANDEMONIUM describes the chaotic and surreal world of Amerika where anti-heroes Straw and Giacomo Giacomo plan their escape and go in search for three women in fabulous Oklo-homa. In THE SKY WAS BLACK, the young man (his only identity) learns how shatteringly different the real world is from the movies he loves. In THE SPELL, on a long train journey, two men and a woman confront each other and bitterly argue about what they think they believe to be true.
This is the legend of the love of King Vonter of Cant'un, who is about to marry Samjya, a farmer's daughter. Unbeknown to him, two sorcerers battle each other to a supposed death, and the victorious, profoundly evil Fragir starts to move his ever-growing forces against the peaceful citizens in King Vonter's land. The wedding gets cancelled as he has to ride out to protect his people. Meanwhile, the Queen to be, isolated in the castle under attack, embarks on an unsettling path of self-discovery; and a talking squirrel risks everything in order to help mortals, with fate-defying consequences. This is Book I of the Cant'un Trilogy.
UnSelling is about everything but the sell. We put all of our focus on the individual purchase transaction, while putting the rest of our business actions second. We've become blind to customer service, support, branding, experiences and even product quality. Sixty percent of a purchasing decision is made before a customer even contacts you. We have funnel vision, and it needs to stop. Unselling is about the big picture: creating repeat customers, not one-time buyers. Create loyal clients that refer others, not faceless numbers. Becoming the go-to company for something, before they even need you. You don't need social media, but you can be connecting with your clients socially. Your video doesn't have to be viral in front of a million people, just contagious in front of your specific market. Content, connection, engagement. It's time to separate from the pack of noise. It's time to UnSell.
Designed for an undergraduate course in international law, the text may also supplement International Relations, Foreign Policy, International Affairs, World Politics, and Comparative Law courses. A mix of commentary, edited cases, and problems are included. Revisions include three new chapters: International Organizations (Ch. 3), Individuals and Corporations (Ch. 4), and International Environment (Ch. 12). Career Opportunities in International Law is the new Appendix 3. Exhibits graphically illustrating chapter concepts have been added as well as expanded coverage of Sources (Ch. 1), Dispute Resolutions (Ch. 9), and International Business (Ch. 3).
UnMarket to build trust and make lifelong customers! In 2009, Scott Stratten and Alison Stratten wrote the bestselling UnMarketing: Stop Marketing, Start Engaging and began a journey that would take them around the world sharing their message of engagement with corporations, entrepreneurs, and students.They are now back with this second edition, because Everything has Changed and Nothing is Different, with all the brilliance of the first edition, plus new content and commentary to reflect the rapidly changing landscape we all live, buy, and work in today. For generations, marketing has been hypocritical. We've been taught to market to others in ways we hate being marketed to (cold-calling, flyers, ads, etc.). So why do we still keep trying the same stale marketing moves? UnMarketing shows you how to unlearn the old ways and consistently attract and engage the right customers. You'll stop just pushing out your message and praying that it sticks somewhere. Potential and current customers want to be listened to, validated, and have a platform to be heard-especially online. With UnMarketing, you'll create a relationship with your customers, and make yourself the logical choice for their needs. We know you've been told to act like other people, talk like other people, and market like all the people, but it is time for you to unlearn everything and start to UnMarket yourself. UnMarketing includes the latest information on: Idea Creation, Viral Marketing and Video, Marketing to Millennials, Authenticity, Transparency and Immediacy, Ethics and Affiliates, Social Media Platforming, UnPodcasting, Word of Mouth, Customer Service, Consumer Advocacy and Leadership. With examples of what to do, and what not to do, from small business right up to worldwide corporations in areas such as real estate, travel, service, retail, and B2B.
The New York Times bestselling world of Osten Ard returns in the third Last King of Osten Ard novel, as threats to the kingdom loom... The High Throne of Erkynland is tottering, its royal family divided and diminished. Queen Miriamele has been caught up in a brutal rebellion in the south and thought to have died in a fiery attack. Her grandson Morgan, heir to the throne, has been captured by one of Utuk’ku’s soldiers in the ruins of an abandoned city. Miriamele’s husband, King Simon, is overwhelmed by grief and hopelessness, unaware that many of these terrible things have been caused by Pasevalles, a murderous traitor inside Simon’s own court at the Hayholt. Meanwhile, a deadly army of Norns led by the ageless, vengeful Queen Utuk’ku, has swept into Erkynland and thrown down the fortress of Naglimund, slaughtering the inhabitants and digging up the ancient grave of Ruyan the Navigator. Utuk’ku plans to use the Navigator’s fabled armor to call up the spirit of Hakatri, the evil Storm King’s brother. Even the Sithi, fairy-kin to the Norns, are helpless to stop Utuk’ku’s triumph as her armies simultaneously march on the Hayholt and force their way into the forbidden, ogre-guarded valley of Tanakirú—the Narrowdark—where a secret waits that might bring Simon’s people and their Sithi allies salvation—or doom.
A free open access ebook is available upon publication. Learn more at www.luminosoa.org. This boldly original book traces the evolution of documentary film and photography as they migrated onto digital platforms during the first decades of the twenty-first century. Kris Fallon examines the emergence of several key media forms—social networking and crowdsourcing, video games and virtual environments, big data and data visualization—and demonstrates the formative influence of political conflict and the documentary film tradition on their evolution and cultural integration. Focusing on particular moments of political rupture, Fallon argues that the ideological rifts of the period inspired the adoption and adaptation of newly available technologies to encourage social mobilization and political action, a function performed for much of the previous century by independent documentary film. Positioning documentary film and digital media side by side in the political sphere, Fallon asserts that “truth” now lies in a new set of media forms and discursive practices that implicitly shape the documentation of everything from widespread cultural spectacles like wars and presidential elections to more invisible or isolated phenomena like the Abu Ghraib torture scandal or the “fake news” debates of 2016.
