An Understandable Approach to Musical Expression

An Understandable Approach to Musical Expression

Author:

Publisher: Hal Leonard Corporation

Published: 2000

Total Pages: 44

ISBN-13: 9780634023736

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(Meredith Music Resource). Designed to enhance the expressive ability of instrumentalists of every age, this concise, easy-to-understand guide written by Kenneth Laudermilch presents 22 musical concepts that remove the mystery from and provide proficiency in the art of musical expression.


Sound in Motion

Sound in Motion

Author: David McGill (Bassoonist)

Publisher:

Published: 2007

Total Pages: 400

ISBN-13: 9780253349217

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David McGill has assembled an exhaustive study that uses the musical concepts of the legendary Marcel Tabuteau as a starting point from which to develop musical thought. McGill methodically explains the frequently misunderstood ""Tabuteau number system"" and its relationship to note grouping-the lifeblood of music. The controversial issue of baroque performance practice is also addressed. Instrumentalists and vocalists alike will find that many of the ideas presented in this book will help develop their musicianship as well as their understanding of what makes a performance ""musical.""


Musical Meaning and Expression

Musical Meaning and Expression

Author: Stephen Davies

Publisher: Cornell University Press

Published: 1994

Total Pages: 436

ISBN-13: 9780801481512

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We talk not only of enjoying music, but of understanding it. Music is often taken to have expressive import--and in that sense to have meaning. But what does music mean, and how does it mean? Stephen Davies addresses these questions in this sophisticated and knowledgeable overview of current theories in the philosophy of music. Reviewing and criticizing the aesthetic positions of recent years, he offers a spirited explanation of his own position. Davies considers and rejects in turn the positions that music describes (like language), or depicts (like pictures), or symbolizes (in a distinctive fashion) emotions. Similarly, he resists the idea that music's expressiveness is to be explained solely as the composer's self-expression, or in terms of its power to evoke a response from the audience. Music's ability to describe emotions, he believes, is located within the music itself; it presents the aural appearance of what he calls emotion characteristics. The expressive power of music awakens emotions in the listener, and music is valued for this power although the responses are sometimes ones of sadness. Davies shows that appreciation and understanding may require more than recognition of and reaction to music's expressive character, but need not depend on formal musicological training.


Teaching Instrumental Music

Teaching Instrumental Music

Author: Shelley Jagow

Publisher: Meredith Music

Published: 2007

Total Pages: 324

ISBN-13: 9781574630817

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(Meredith Music Resource). This book is a unique resource for both novice and experienced band directors, gathering effective teaching tools from the best in the field. Includes more than 40 chapters on: curriculum, "then and now" of North American wind bands, the anatomy of music making, motivation, program organization and administrative leadership, and much more. "A wonderful resource for all music educators! Dr. Jagow's book is comprehensive and impressive in scope. An excellent book! Bravo!" Frank L. Battisti, Conductor Emeritus, New England Conservatory Wind Ensemble (a href="http://youtu.be/nB4TwZhgn7c" target="_blank")Click here for a YouTube video on Teaching Instrumental Music(/a)


The Musical Experience

The Musical Experience

Author: Janet R. Barrett

Publisher: Oxford University Press, USA

Published: 2014

Total Pages: 369

ISBN-13: 0199363048

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The Musical Experience proposes a new concept - musical experience - as the most effective framework for navigating the shifting terrain of educational policy as it is applied to music education. It expands upon the dimensions of musical experience and provides, from the forefront of the field, an integrated yet panoramic view of the educational processes involved in music teaching and learning.


The Oxford Handbook of Singing

The Oxford Handbook of Singing

Author: Graham Welch

Publisher: Oxford University Press

Published: 2019-04-04

Total Pages: 1200

ISBN-13: 0192576089

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Singing has been a characteristic behaviour of humanity across several millennia. Chorus America (2009) estimated that 42.6 million adults and children regularly sing in one of 270,000 choruses in the US, representing more than 1:5 households. Similarly, recent European-based data suggest that more than 37 million adults take part in group singing. The Oxford Handbook of Singing is a landmark text on this topic. It is a comprehensive resource for anyone who wishes to know more about the pluralistic nature of singing. In part, the narrative adopts a lifespan approach, pre-cradle to senescence, to illustrate that singing is a commonplace behaviour which is an essential characteristic of our humanity. In the overall design of the Handbook, the chapter contents have been clustered into eight main sections, embracing fifty-three chapters by seventy-two authors, drawn from across the world, with each chapter illustrating and illuminating a particular aspect of singing. Offering a multi-disciplinary perspective embracing the arts and humanities, physical, social and clinical sciences, the book will be valuable for a broad audience within those fields.


Phantasmal Media

Phantasmal Media

Author: D. Fox Harrell

Publisher: MIT Press

Published: 2013-11-08

Total Pages: 441

ISBN-13: 0262019337

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An argument that great expressive power of computational media arises from the construction of phantasms—blends of cultural ideas and sensory imagination. In Phantasmal Media, D. Fox Harrell considers the expressive power of computational media. He argues, forcefully and persuasively, that the great expressive potential of computational media comes from the ability to construct and reveal phantasms—blends of cultural ideas and sensory imagination. These ubiquitous and often-unseen phantasms—cognitive phenomena that include sense of self, metaphors, social categories, narrative, and poetic thinking—influence almost all our everyday experiences. Harrell offers an approach for understanding and designing computational systems that have the power to evoke these phantasms, paying special attention to the exposure of oppressive phantasms and the creation of empowering ones. He argues for the importance of cultural content, diverse worldviews, and social values in computing. The expressive power of phantasms is not purely aesthetic, he contends; phantasmal media can express and construct the types of meaning central to the human condition. Harrell discusses, among other topics, the phantasm as an orienting perspective for developers; expressive epistemologies, or data structures based on subjective human worldviews; morphic semiotics (building on the computer scientist Joseph Goguen's theory of algebraic semiotics); cultural phantasms that influence consensus and reveal other perspectives; computing systems based on cultural models; interaction and expression; and the ways that real-world information is mapped onto, and instantiated by, computational data structures. The concept of phantasmal media, Harrell argues, offers new possibilities for using the computer to understand and improve the human condition through the human capacity to imagine.


Expressiveness in music performance

Expressiveness in music performance

Author: Dorottya Fabian

Publisher: OUP Oxford

Published: 2014-07-03

Total Pages: 423

ISBN-13: 0191634557

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What does it mean to be expressive in music performance across diverse historical and cultural domains? What are the means at the disposal of a performer in various time periods and musical practice conventions? What are the conceptualisations of expression and the roles of performers that shape expressive performance? This book brings together research from a range of disciplines that use diverse methodologies to provide new perspectives and formulate answers to these questions about the meaning, means, and contextualisation of expressive performance in music. The contributors to this book explore expressiveness in music performance in four interlinked parts. Starting with the philosophical and historical underpinnings crucially relevant for Western classical musical performance it then reaches out to cross-cultural issues and finally focuses the attention on various specific problems, including the teaching of expressive music performance skills. The overviews provide a focussed and comprehensive account of the current state of research as well as new developments and a prospective of future directions. This is a valuable new book for those in the fields of music, music psychology, and music education.


What Dimension is Music in?

What Dimension is Music in?

Author: Prof. Dr. Bilal Semih Bozdemir

Publisher: Prof. Dr. Bilal Semih Bozdemir

Published:

Total Pages: 446

ISBN-13:

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What Dimension is Music in? Music: A Multidimensional Tapestry The Physics of Sound Waves Frequency, Amplitude, and Pitch The Auditory System: Hearing the World How the Brain Processes Sound The Emotional Dimension of Music Music and the Limbic System Music's Impact on Mood and Emotions The Cognitive Dimension of Music Music and Spatial-Temporal Reasoning Music and Language Processing The Cultural Dimension of Music Music as a Universal Language The Role of Music in Rituals and Traditions The Spiritual Dimension of Music Music and Altered States of Consciousness Chanting, Mantras, and Meditative Music The Mathematical Dimension of Music The Patterns and Structures of Music The Golden Ratio in Musical Composition The Neurological Dimension of Music Music and the Synchronization of Brain Waves Music's Impact on Neural Plasticity The Evolutionary Dimension of Music The Origins of Music in Human Evolution The Universality of Musical Preferences The Therapeutic Dimension of Music Music and Pain Management Music Therapy for Mental Health The Performative Dimension of Music The Physicality of Musical Expression The Interplay of Mind and Body in Music The Technological Dimension of Music The Evolution of Musical Instruments The Impact of Digital Music Production The Future Dimension of Music Emerging Technologies and Musical Innovation The Intersection of Music and Artificial Intelligence Conclusion: Embracing the Multidimensional Nature of Music Final Thoughts: Unlocking the Mysteries of Music