An Outline of Rede-Craft (Logic) With English Wording

An Outline of Rede-Craft (Logic) With English Wording

Author: William Barnes

Publisher: Legare Street Press

Published: 2023-07-18

Total Pages: 0

ISBN-13: 9781021663948

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Originally published in 1869, this book provides a comprehensive introduction to the principles of logic, with a particular focus on the English language. The author offers a variety of examples and exercises to help readers understand the concepts he presents. A valuable resource for anyone seeking a deeper understanding of logic and clear thinking. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


An Outline of Rede-Craft (Logic)

An Outline of Rede-Craft (Logic)

Author: Rev. William Barnes

Publisher: Palala Press

Published: 2016-04-26

Total Pages: 110

ISBN-13: 9781354583777

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


The Tenth Muse

The Tenth Muse

Author: Cary H. Plotkin

Publisher: SIU Press

Published: 1989

Total Pages: 224

ISBN-13: 9780809314881

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With authority and sensitivity Plotkin traces the close relationship between Hopkins's poetry and the theories of language suggested in his Journals and expounded by Victorian philologists such as Max Müller and George Marsh. Plotkin seeks to determine what changed Hopkins's perception of language between the writing of such early poems as "The Habit of Perfection" and "Nondum" (1866) and his creation of The Wreck of the Deutschland (1875-76). Did the language of the ode, and of Hopkins's mature poetry generally, arise as spontaneously as it appears to have done, or does it have a traceable genesis in the ways in which language as a whole was conceived and studied in mid-century England? In answer, Plotkin fixes the development of Hopkins's singular poetic language in the philological context of his time. If one is to understand Hopkins's writings and poetic language in the context in which they developed rather than in the terms of a present-day theory of history or textuality, then that movement in all of its complexity must be considered. Hopkins "translates" into the language of poetry patterns and categories common to Victorian language study.


The People's Poet

The People's Poet

Author: Alan Chedzoy

Publisher: The History Press

Published: 2011-10-21

Total Pages: 480

ISBN-13: 0752472402

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Born the child of an agricultural labourer in Dorset's Blackmore Vale, by self-education William Barnes (1801-1886) rose to be a lawyer's clerk, a schoolmaster, a much-loved clergyman, and a scholar who could read over seventy languages. He also became the finest example of an English poet writing in a rural dialect. In this book, Alan Chedzoy shows how, uniquely, he presented the lives of pre-industrial rural people in their own language. He also recounts how Barnes's linguistic studies enabled him to defend the controversial notion that the dialect of the labouring people of Wessex was the purest form of English. Serving both as an anthology and an account of how the poems came to be written, this biography is essential reading for anyone who wants to discover more about the man who, in an obituary, Thomas Hardy described as 'probably the most interesting link between present and past life that England possessed'.


Fossil Poetry

Fossil Poetry

Author: Chris Jones

Publisher: Oxford University Press

Published: 2018-08-09

Total Pages: 327

ISBN-13: 0192557955

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Fossil Poetry provides the first book-length overview of the place of Anglo-Saxon in nineteenth-century poetry in English. It addresses the use and role of Anglo-Saxon as a resource by Romantic and Victorian poets in their own compositions, as well as the construction and 'invention' of Anglo-Saxon in and by nineteenth-century poetry. Fossil Poetry takes its title from a famous passage on 'early' language in the essays of Ralph Waldo Emerson, and uses the metaphor of the fossil to contextualize poetic Anglo-Saxonism within the developments that had been taking place in the fields of geology, palaeontology, and the evolutionary life sciences since James Hutton's apprehension of 'deep time' in his 1788 Theory of the Earth. Fossil Poetry argues that two, roughly consecutive phases of poetic Anglo-Saxonism took place over the course of the nineteenth century: firstly, a phase of 'constant roots' whereby Anglo-Saxon is constructed to resemble, and so to legitimize a tradition of English Romanticism conceived as essential and unchanging; secondly, a phase in which the strangeness of many of the 'extinct' philological forms of early English is acknowledged, and becomes concurrent with a desire to recover and recuperate the fossils of Anglo-Saxon within contemporary English poetry. The volume advances new readings of work by a variety of poets including Walter Scott, Henry Longfellow, William Wordsworth, William Barnes, Walt Whitman, Ralph Waldo Emerson, William Morris, Alfred Tennyson, and Gerard Hopkins.