Romanticism, Memory, and Mourning

Romanticism, Memory, and Mourning

Author: Mark Sandy

Publisher: Routledge

Published: 2016-04-08

Total Pages: 200

ISBN-13: 1317061330

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The subject of Romanticism, Memory, and Mourning could not be timelier with Zizek’s recent proclamation that we are ’living in the end times’ and in an era which is preoccupied with the process and consequences of ageing. We mourn both for our pasts and futures as we now recognise that history is a continuation and record of loss. Mark Sandy explores the treatment of grief, loss, and death across a variety of Romantic poetic forms, including the ballad, sonnet, epic, elegy, fragment, romance, and ode in the works of poets as diverse as Smith, Hemans, Blake, Wordsworth, Coleridge, Byron, Shelley, Keats, and Clare. Romantic meditations on grief, however varied in form and content, are self-consciously aware of the complexity and strength of feelings surrounding the consolation or disconsolation that their structures of poetic memory afford those who survive the imaginary and actual dead. Romantic mourning, Sandy shows, finds expression in disparate poetic forms, and how it manifests itself both as the spirit of its age, rooted in precise historical conditions, and as a proleptic power, of lasting transhistorical significance. Romantic meditations on grief and loss speak to our contemporary anxieties about the inevitable, but unthinkable, event of death itself.


The Poem Is You

The Poem Is You

Author: Stephanie Burt

Publisher: Harvard University Press

Published: 2016-09-12

Total Pages: 430

ISBN-13: 0674737873

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The variety of contemporary American poetry leaves many readers overwhelmed. The critic, scholar, and poet Stephen Burt sets out to help. Beginning in the early 1980s, where critical consensus ends, he presents 60 poems, each with an original essay explaining how the poem works, why it matters, and how it speaks to other parts of art and culture.


John Clare's Religion

John Clare's Religion

Author: Dr Sarah Houghton-Walker

Publisher: Ashgate Publishing, Ltd.

Published: 2013-04-28

Total Pages: 272

ISBN-13: 1409475174

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Addressing a neglected aspect of John Clare's history, Sarah Houghton-Walker explores Clare's poetry within the framework of his faith and the religious context in which he lived. While Clare expressed affection for the Established Church and other denominations on various occasions, Houghton-Walker brings together a vast array of evidence to show that any exploration of Clare's religious faith must go beyond pulpit and chapel. Phenomena that Clare himself defines as elements of faith include ghosts, witches, and literature, as well as concepts such as selfhood, Eden, eternity, childhood, and evil. Together with more traditional religious expressions, these apparently disparate features of Clare's spirituality are revealed to be of fundamental significance to his poetry, and it becomes evident that Clare's experiences can tell us much about the experience of 'religion', 'faith', and 'belief' in the period more generally. A distinguishing characteristic of Houghton-Walker's approach is her conviction that one must take into account all aspects of Clare's faith or else risk misrepresenting it. Her book thus engages not only with the facts of Clare's religious habits but also with the ways in which he was literally inspired, and with how that inspiration is connected to his intimations of divinity, to his vision of nature, and thus to his poetry. Belief, mediated through the idea of vision, is found to be implicated in Clare's experiences and interpretations of the natural world and is thus shown to be critical to the content of his verse.


Lucid Interval

Lucid Interval

Author: George MacLennan

Publisher: Fairleigh Dickinson Univ Press

Published: 1992

Total Pages: 252

ISBN-13: 9780838635056

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"MacLennan approaches the eight writers from a broadly sociohistorical viewpoint and takes into account relevant biographical and medical evidence, where available, examining their situations as revealed or mediated by their writings. Through a series of detailed analyses, he argues that these writings bear witness to a progressively increasing degree of psychological inwardness in Western culture. This is a process that affects both how madness is experienced by the individual and how it is expressed in subjective writing. By the late eighteenth century, madness becomes, for a significant number of writers and artists, an intimately interiorized condition, one which implicates their entire affective life. It is this subjectivized and "existential" madness that, in the Romantic period and subsequently, has been taken to express an "inner truth" in an increasingly secularized and alienating state of society." "In taking these developments into account, Lucid Interval is able to arrive at a fresh understanding of the appearance in the modern period of such figures as Clare and de Nerval--writers who suffer madness as an inner, subjective catastrophe but who, in the midst of that experience, are able to explore it creatively, so producing a "literature of madness," which is a new phenomenon in itself and which sets a troubling precedent for modern culture."--BOOK JACKET.


Romanticism, Lyricism, and History

Romanticism, Lyricism, and History

Author: Sarah MacKenzie Zimmerman

Publisher: SUNY Press

Published: 1999-01-01

Total Pages: 260

ISBN-13: 9780791441091

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Arguing against a persistent view of Romantic lyricism as an inherently introspective mode, this book examines how Charlotte Smith, William Wordsworth, and John Clare recognized end employed the mode's immense capacity for engaging reading audiences in reflections both personal and social. Zimmerman focuses new attention on the Romantic lyric's audiences - not the silent, passive auditor of canonical paradigms, but historical readers and critics who can tell us more than we have asked about the mode's rhetorical possibilities. She situates poems within the specific circumstances of their production and consumption, including the aftermath in England of the French Revolution, rural poverty, the processes of parliamentary enclosure, the biographical contours of poet's careers, and the myriad exchanges among poets, patrons, publishers, critics, and readers in the literary marketplace.


From Here to Eternity: Traveling the World to Find the Good Death

From Here to Eternity: Traveling the World to Find the Good Death

Author: Caitlin Doughty

Publisher: W. W. Norton & Company

Published: 2017-10-03

Total Pages: 215

ISBN-13: 0393249905

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A New York Times and Los Angeles Times Bestseller “Doughty chronicles [death] practices with tenderheartedness, a technician’s fascination, and an unsentimental respect for grief.” —Jill Lepore, The New Yorker Fascinated by our pervasive fear of dead bodies, mortician Caitlin Doughty embarks on a global expedition to discover how other cultures care for the dead. From Zoroastrian sky burials to wish-granting Bolivian skulls, she investigates the world’s funerary customs and expands our sense of what it means to treat the dead with dignity. Her account questions the rituals of the American funeral industry—especially chemical embalming—and suggests that the most effective traditions are those that allow mourners to personally attend to the body of the deceased. Exquisitely illustrated by artist Landis Blair, From Here to Eternity is an adventure into the morbid unknown, a fascinating tour through the unique ways people everywhere confront mortality.


Echoes of Eternity: Listening to the Father (Volume II)

Echoes of Eternity: Listening to the Father (Volume II)

Author: Hal M. Helms

Publisher: Paraclete Press

Published: 2019-09-24

Total Pages: 265

ISBN-13: 1640604596

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Our oldest Christian traditions invite us to listen as well as speak when we pray, yet often God's voice seems barely audible. A bestseller since its original release a quarter century ago, Echoes of Eternity Volume II is an authentic record of one man's quiet listening to God and recording of what he heard. These brief meditations were gathered from his faithful daily devotional practice. They have the power to fuel your own quiet moments alone with the Almighty.


Major Works

Major Works

Author: John Clare

Publisher: Oxford University Press, USA

Published: 2004

Total Pages: 588

ISBN-13: 9780192805638

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After years of indifference and neglect, John Clare (1793-1864) is now recognized as one of the greatest English Romantic poets. Clare was an impoverished agricultural laborer, whose genius was generally not appreciated by his contemporaries, and his later mental instability further contributed to his loss of critical esteem. But the extraordinary range of his poetical gifts has restored him to the company of contemporaries like Lord Byron, John Keats, and Percy Bysshe Shelley. This authoritative edition brings together a generous selection of Clare's poetry and prose, including autobiographical writings and letters and illustrates all aspects of his talent. It contains poems from all stages of his career, including love poetry and bird and nature poems. Written in his native Northamptonshire, Clare's work provides a fascinating reflection of rural society, often underscored by his own sense of isolation and despair. Clare's writings are presented with the minimum of editorial interference, and with a new introduction by the poet and scholar Tom Paulin.


Other Traditions

Other Traditions

Author: John Ashbery

Publisher: Harvard University Press

Published: 2001-12-01

Total Pages: 188

ISBN-13: 0674971191

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One of the greatest living poets in English here explores the work of six writers he often finds himself reading "in order to get started" when writing, poets he turns to as "a poetic jump-start for times when the batteries have run down." Among those whom John Ashbery reads at such times are John Clare, Thomas Lovell Beddoes, Raymond Roussel, John Wheelwright, Laura Riding, and David Schubert. Less familiar than some, under Ashbery's scrutiny these poets emerge as the powerful but private and somewhat wild voices whose eccentricity has kept them from the mainstream--and whose vision merits Ashbery's efforts, and our own, to read them well. Deeply interesting in themselves, Ashbery's reflections on these poets of "another tradition" are equally intriguing for what they tell us about Ashbery's own way of reading, writing, and thinking. With its indirect clues to his work and its generous and infectious appreciation of a remarkable group of poets, this book conveys the passion, delight, curiosity, and insight that underlie the art and craft of poetry for writer and reader alike. Even as it invites us to discover the work of poets in Ashbery's other tradition, it reminds us of Ashbery's essential place in our own.