An Introduction to Literary Studies provides the beginner with an accessible and comprehensive survey of literature. Systematically taking in theory, genre and literary history, Klarer provides easy to understand descriptions of a variety of approaches to texts. This invaluable guide includes sections on: fiction poetry drama film covering: a range of theoretical approaches an extensive glossary of major literary and cinematic terms guidelines for writing research papers.
This new text for education undergraduates covers a broad range of themes from across the education sector and focuses on some key contemporary issues. The text includes links to both up-to-date research and more seminal, often cited research and theories.
Island Studies can be deceptively challenging and rewarding for an undergraduate student. Islands can be many things: nations, tourist destinations, quarantine stations, billionaire baubles, metaphors. The study of islands offers a way to take this 'bewildering variety' and to use it as a lens and a tool to better understand our own world of islands. An Introduction to Island Studies is an approachable look at this interdisciplinary field - from the islands as biodiversity hotspots, their settlement, human migration and occupation through to the place of islands in the popular imagination. Featuring geopolitical, social and economic frameworks, James Randall gives a bottom-up guide to this most modern area of study. From the geological analysis of island formation to the metaphorical use of islands in culture and literature, the growing field of island studies is truly interdisciplinary. This new introduction gives readers from many disciplines the local, global, and regional perspectives that unlock the promise of island studies as a way to see the world. From the struggles and concerns of the Anthropocene—climate change, vulnerability and resilience, sustainable development, through to policy making and local environments—island studies has the potential to change the debate.
This is a comprehensive introduction to books and print culture which examines the move from the spoken word to written texts, the book as commodity, the power and profile of readers, and the future of the book in an electronic age.
An Introduction to the Study of Literature sets forth, in a simple and lucid manner, the issues and questions to be kept in mind while studying the vast canon of English literature. It takes much of its substance from a series of twenty - five lectures delivered before University Extension audiences at the Municipal Technical Institute, West Ham and the Polytechnic, Woolwich. This book compresses the matter from these lectures, along with a good deal of additional information, to provide a compact and handy guide that should prove extremely useful to new students of literature as well as veterans in the subject. Comprising ways and methods to study various genres such as poetry, prose fiction, drama, essay and short story, it covers every facet of literature. It also analyses the task of critiquing literature to bring out the necessity of studying the subject. A must - read for all literature aficionados.
This concise and highly accessible textbook outlines the principles and techniques of storytelling. It is intended as a high-school and college-level introduction to the central concepts of narrative theory – concepts that will aid students in developing their competence not only in analysing and interpreting short stories and novels, but also in writing them. This textbook prioritises clarity over intricacy of theory, equipping its readers with the necessary tools to embark on further study of literature, literary theory and creative writing. Building on a ‘semiotic model of narrative,’ it is structured around the key elements of narratological theory, with chapters on plot, setting, characterisation, and narration, as well as on language and theme – elements which are underrepresented in existing textbooks on narrative theory. The chapter on language constitutes essential reading for those students unfamiliar with rhetoric, while the chapter on theme draws together significant perspectives from contemporary critical theory (including feminism and postcolonialism). This textbook is engaging and easily navigable, with key concepts highlighted and clearly explained, both in the text and in a full glossary located at the end of the book. Throughout the textbook the reader is aided by diagrams, images, quotes from prominent theorists, and instructive examples from classical and popular short stories and novels (such as Jane Austen’s Pride and Prejudice, Franz Kafka’s ‘The Metamorphosis,’ J. K. Rowling’s Harry Potter, or Dostoyevsky’s The Brothers Karamazov, amongst many others). Prose Fiction: An Introduction to the Semiotics of Narrative can either be incorporated as the main textbook into a wider syllabus on narrative theory and creative writing, or it can be used as a supplementary reference book for readers interested in narrative fiction. The textbook is a must-read for beginning students of narratology, especially those with no or limited prior experience in this area. It is of especial relevance to English and Humanities major students in Asia, for whom it was conceived and written.
Dag Norberg's analysis and interpretation of Medieval Latin versification, which was published in French in 1958 and remains the standard work on the subject, appears here for the first time in English with a detailed, scholarly introduction by Jan Ziolkowski that reviews the developments of the past fifty years.
In 1969, while David Morrell was writing First Blood, the novel in which Rambo was created, he also wrote his doctoral dissertation about acclaimed author, John Barth. In it, Morrell analyses Barth’s early fiction, using interviews with Barth, his agent, and his editors as well as several of Barth’s unpublished essays and letters to tell what Morrell calls “the story behind the stories, a biography of Barth’s fiction.” Over the years, scholars have found John Barth: An Introduction invaluable for its lengthy biographical sections, which Barth himself approved. Fans of Morrell’s fiction will find this book enlightening in terms of what Barth taught him about writing. CRITICAL REACTION “David Morrell’s not just a fine writer; he’s also a great and generous teacher.” —New York Times bestselling author Lawrence Block “Morrell has written an interesting and informative book which reads occasionally like a biography. His prose is eminently clear and straightforward. His book has something for everyone. There is no doubt that it will become a necessity for serious students of Barth, and that, coincidentally, it is a genuinely interesting book.” —Journal of Modern Literature “Morrell’s study tells the story of Barth’s storytelling, how he got his ideas, and then how the publishers and reviewers dealt with them. He includes detailed biographical information [and] writes with great economy and clarity.” —Modern Fiction Studies “Morrell gives the reader the benefit of his familiarity with Barth and his manuscripts to plot the career of each work, from plans and, in some cases, research through revision, publisher-agent reactions, sales, and post-publication revisions. The whole enterprise is carried off with appealing confidence and informality that add up to an eminently readable book.” —World Literature Today