An Introduction to the Phenomenology of Performance Art
An Introduction to the Phenomenology of Performance Art

Author: T. J. Bacon

Publisher:

Published: 2022-04-22

Total Pages: 264

ISBN-13: 9781789385304

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An accessible primer for art students or researchers new to phenomenology. This book introduces the study and application of performance art through phenomenology, inviting readers to explore contemporary performance art and activate their own practices. Using queer phenomenology to unpack the importance of a multiplicity of self/s, the book teaches readers how to be academically rigorous when capturing embodied experiences. Through approachable exercises, definitions of key phenomenological terms, and interviews and insights from some of the best examples of transgressive performance art practice, the work enriches the wider scholarship of theater studies. Situated within contemporary phenomenological scholarship, the book will appeal to radical artists, educators, and practitioner-researchers.

Performance/Art
Performance/Art

Author: Shaun Gallagher

Publisher: Mimesis

Published: 2021-09-22T00:00:00+02:00

Total Pages: 164

ISBN-13: 8869773817

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Performance/Art explores the phenomenology of skilled performance, ranging from athletics to the performing arts, including music, dance and acting. Gallagher reviews a variety of studies concerning different degrees of mindful awareness operative in performance, and builds on the concept of a meshed architecture, suggesting ways to make it more complex and dynamic. He draws on ideas from enactivist embodied cognition about how different types of movement can be meaningful and intelligent and can scaffold learning and problem solving. He also explicates the notion of an empathic mindfulness in performance and develops the idea of a double attunement to explain aesthetic experience in performance, distinguishing the latter from aesthetic experience in the observer/audience perspective.

Performance and Phenomenology
Performance and Phenomenology

Author: Maaike Bleeker

Publisher: Routledge

Published: 2015-04-10

Total Pages: 265

ISBN-13: 1317617932

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This book offers a timely discussion about the interventions and tensions between two contested and contentious fields, performance and phenomenology, with international case studies that map an emerging twenty-first century terrain of critical and performance practice. Building on the foundational texts of both fields that established the performativity of perception and cognition, Performance and Phenomenology continues a tradition that considers experience to be the foundation of being and meaning. Acknowledging the history and critical polemics against phenomenological methodology and against performance as a field of study and category of artistic production, the volume provides both an introduction to core thinkers and an expansion on their ideas in a wide range of case studies. Whether addressing the use of dead animals in performance, actor training, the legal implications of thinking phenomenologically about how we walk, or the intertwining of digital and analog perception, each chapter explores a world comprised of embodied action and thought. The established and emerging scholars contributing to the volume develop insights central to the phenomenological tradition while expanding on the work of contemporary theorists and performers. In asking why performance and phenomenology belong in conversation together, the book suggests how they can transform each other in the process and what is at stake in this transformation.

Performance Phenomenology
Performance Phenomenology

Author: Stuart Grant

Publisher: Springer

Published: 2019-01-16

Total Pages: 342

ISBN-13: 3319980599

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This collection of essays addresses emergent trends in the meeting of the disciplines of phenomenology and performance. It brings together major scholars in the field, dealing with phenomenological approaches to dance, theatre, performance, embodiment, audience, and everyday performance of self. It argues that despite the wide variety of philosophical, ontological, epistemological, historical and methodological differences across the field of phenomenology, certain tendencies and impulses are required for an investigation to stand as truly phenomenological. These include: description of experience; a move towards fundamental conditions or underlying essences; and an examination of taken-for-granted presuppositions. The book is aimed at scholars and practitioners of performance looking to deepen their understanding of phenomenological concepts and methods, and philosophers concerned with issues of embodiment, performativity and enaction.

Art and Phenomenology
Art and Phenomenology

Author: Joseph Parry

Publisher: Routledge

Published: 2010-11-29

Total Pages: 256

ISBN-13: 1136846859

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Art and Phenomenology is one of the first books to explore visual art as a mode of experiencing the world itself, showing how in the words of Merleau-Ponty ‘Painting does not imitate the world, but is a world of its own’. Essential reading for anyone interested in phenomenology, aesthetics, and visual culture.

The Ecstatic Quotidian
The Ecstatic Quotidian

Author: Jennifer Anna Gosetti-Ferencei

Publisher: Penn State Press

Published: 2010-11

Total Pages: 280

ISBN-13: 0271045833

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Fascination with quotidian experience in modern art, literature, and philosophy promotes ecstatic forms of reflection on the very structure of the everyday world. Gosetti-Ferencei examines the ways in which modern art and literature enable a study of how we experience quotidian life. She shows that modernism, while exhibiting many strands of development, can be understood by investigating how its attentions to perception and expectation, to the common quality of things, or to childhood play gives way to experiences of ecstasis&—the stepping outside of the ordinary familiarity of the world. While phenomenology grounds this study (through Husserl, Heidegger, Merleau-Ponty, and Bachelard), what makes this book more than a treatise on phenomenological aesthetics is the way in which modernity itself is examined in its relation to the quotidian. Through the works of artists and writers such as Benjamin, C&ézanne, Frost, Klee, Newman, Pollock, Ponge, Proust, Rilke, Robbe-Grillet, Rothko, Sartre, and Twombly, the world of quotidian life can be seen to harbor a latent ecstasis. The breakdown of the quotidian through and after modernism then becomes an urgent question for understanding art and literature in its capacity to further human experience, and it points to the limits of phenomenological explications of the everyday.

Lyotard and the 'figural' in Performance, Art and Writing
Lyotard and the 'figural' in Performance, Art and Writing

Author: Kiff Bamford

Publisher: Bloomsbury Publishing

Published: 2012-06-14

Total Pages: 225

ISBN-13: 1441108750

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This original study offers a timely reconsideration of the work of French philosopher Jean-François Lyotard in relation to art, performance and writing. How can we write about art, whilst acknowledging the transformation that inevitably accompanies translations of both media and temporality? That is the question that persistently dogs Lyotard's own writings on art, and to which this book responds through reference to artists from the recently-formed canon of performance art history, including the myths of seminal figures Marina Abramovic and Vito Acconci, and the controlled documentation of Gina Pane's actions. Through the unstable, untranslatable element that Lyotard calls the figural, his thought is brought to bear on attempts to write a history of performance art and to question the paradoxically prescriptive demand for rules to govern 're-performance'. Kiff Bamford contextualises Lyotard's writings and approach with reference to both his contemporaries, including Deleuze and Kristeva, and the contemporary art about which they wrote, whilst arguing for the pertinence of Lyotard's provocations today.

The Community Performance Reader
The Community Performance Reader

Author: Petra Kuppers

Publisher: Routledge

Published: 2020-07-24

Total Pages: 302

ISBN-13: 1000155366

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Community Performance: A Reader is the first book to provide comprehensive teaching materials for this significant part of the theatre studies curriculum. It brings together core writings and critical approaches to community performance work, presenting practices in the UK, USA, Australia and beyond. Offering a comprehensive anthology of key writings in the vibrant field of community performance, spanning dance, theatre and visual practices, this Reader uniquely combines classic writings from major theorists and practitioners such as Augusto Boal, Paolo Freire, Dwight Conquergood and Jan Cohen Cruz, with newly commissioned essays that bring the anthology right up to date with current practice. This book can be used as a stand-alone text, or together with its companion volume, Community Performance: An Introduction, to offer an accessible and classroom-friendly introduction to the field of community performance.

Points of Convergence
Points of Convergence

Author: Marta Dziewańska

Publisher: MOMA - Museum under Construction

Published: 2017

Total Pages: 0

ISBN-13: 9788364177385

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Thanks to its very nature, performance enters into natural dialogue with art, new media, politics, and the social sphere as a whole. Always happening in the here and now, and with a unique freedom and openness to the unknown, performance is a medium with a special ability to question its own subjects, materials, and languages. As a result, it is often best reflected in the dynamic character of contemporary art and contemporaneity in the broadest sense of the word. Points of Convergence explores these ideas and investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners. With twelve essays by leading figures in the field of performance arts, this illustrated volume is structured in two parts. The first, authored by academics in the discipline, features an introduction to key areas of scholastic research. The second part, authored by curators and other researchers, then focuses on an account of individual traditions of performance. Taken together, the contributions identify new possibilities for interaction between the theoretical aspects of performance art and the ways performance plays out within local contexts.

The Theatre of Anxiety
The Theatre of Anxiety

Author: Leila Michelle Vaziri

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2024-10-21

Total Pages: 312

ISBN-13: 3111555089

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We are living in times when populism, war and climate change are all sources of anxiety caused by overlapping crises. Anxiety is a phenomenon that is not just reflected everywhere around us but is also increasingly manifesting itself in contemporary drama: particularly in the last five to ten years many new British dramas and theatre productions have given a stage to anxiety. Given this central role of anxiety, the aim of this study is to outline the interplay of theatre and anxiety on both a thematic and aesthetic level. It argues that a strand of contemporary theatre that combines topics of social, ecological, technological and pandemic importance with investigations into the philosophical and aesthetic implications of anxiety has come to prominence in recent years: the theatre of anxiety. This is traced across exemplary readings of a number of contemporary British plays by playwrights such as Caryl Churchill, Zinnie Harris, Alistair McDowall and others. They show that contemporary drama and performance both aesthetically and thematically reflect and comment on global crises and catastrophes through the lens of anxiety as a feeling that 'colours' the perception of and reaction to these social and political conditions.