"The contributors to this volume explore various aspects of Still's art, his accomplishments, and the New York School. David Anfam presents an overview of Still's career from the 1930s through the 1950s. Neal Benezra focuses on a provocative, unexplored element of Still's studio practice: his habit of painting replicas of many of his own works. Brooks Adams examines Still's artistic legacy and influence on succeeding generations of artists."--BOOK JACKET.
This groundbreaking book provides the first detailed account of the materials and techniques of perhaps the most radical—and until now, least studied—major American Abstract Expressionist. Among the most radical of the great American Abstract Expressionist painters, Clyfford Still has also long been among the least studied. Still severed ties with the commercial art world in the early 1950s, and his estate at the time of his death in 1980 comprised some 3,125 artworks—including more than 800 paintings—that were all but unknown to the art world. Susan F. Lake and Barbara A. Ramsay were granted access to this collection by the estate and by the Clyfford Still Museum in Denver, which houses this immense corpus today. This volume, based on the authors’ materials research and enriched by their unprecedented access to Still’s artworks, paints, correspondence, studio records, and personal library, provides the first detailed account of his materials, working methods, and techniques. Initial chapters provide an engaging and erudite overview of the artist's life. Subsequent chapters trace the development of his visionary style, offer in-depth materials analysis of selected works from each decade of his career, and suggest new approaches to the care and conservation of his paintings. There is also a series of technical appendices as well as a full bibliography.
First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.
Finding inspiration in his quiet village on the river Thames, early 20th-century painter Stanley Spencer drew on his familiar world to arrive at an art of epic grandeur--though often homely and weird. Biographer Fiona MacCarthy investigates Spencer's life, sets his work in its cultural context, and emphasizes the links between his life and his paintings--and sheds new light on this sensitive and enigmatic artist. 85 color and 30 b&w illustrations. .
Filled with twenty-four full-color images, these postcard books will charm anyone -- from grandparents and lovers of Victoriana to kids and graphic designers.
Valerie Fletcher records the little-known history of the Hirshhorn Museum's garden and plaza, and provides a succinct overview of one hundred years of subjects and styles as represented in the Hirshhorn's sculpture collection. Her essay is followed by sumptuous photographs of the sculptures, which show the garden's changes through the seasons.
