An Inconvenient Black History of British Musical Theatre

An Inconvenient Black History of British Musical Theatre

Author: Sean Mayes

Publisher: Bloomsbury Publishing

Published: 2021-08-26

Total Pages: 305

ISBN-13: 1350119652

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A radically urgent intervention, An Inconvenient Black History of British Musical Theatre: 1900 - 1950 uncovers the hidden Black history of this most influential of artforms. Drawing on lost archive material and digitised newspapers from the turn of the century onwards, this exciting story has been re-traced and restored to its rightful place. A vital and significant part of British cultural history between 1900 and 1950, Black performance practice was fundamental to resisting and challenging racism in the UK. Join Mayes (a Broadway- and Toronto-based Music Director) and Whitfield (a musical theatre historian and researcher) as they take readers on a journey through a historically-inconvenient and brilliant reality that has long been overlooked. Get to know the Black theatre community in London's Roaring 20s, and hear about the secret Florence Mills memorial concert they held in 1928. Acquaint yourself with Buddy Bradley, Black tap and ballet choreographer, who reshaped dance in British musicals - often to be found at Noël Coward's apartment for late-night rehearsals, such was Bradley's importance. Meet Jack Johnson, the first African American Heavyweight Boxing Champion, who toured Britain's theatres during World War 1 and brought the sounds of Chicago to places like war-weary Dundee. Discover the most prolific Black theatre practitioner you've never heard of, William Garland, who worked for 40 years across multiple continents and championed Black British performers. Marvel at performers like cabaret star Mabel Mercer, born in Stafford in 1900, who sang and conducted theatre orchestras across the UK, as well as Black Birmingham comedian Eddie Emerson, who was Garland's partner for decades. Many of their names and works have never been included in histories of the British musical - until now.


British and American Musical Theatre Exchanges in the West End (1924-1970)

British and American Musical Theatre Exchanges in the West End (1924-1970)

Author: Arianne Johnson Quinn

Publisher: Springer Nature

Published: 2023-11-08

Total Pages: 293

ISBN-13: 3031146638

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This monograph centres on the history of musical theatre in a space of cultural significance for British identity, namely the Theatre Royal, Drury Lane, which housed many prominent American productions from 1924-1970. It argues that during this period Drury Lane was the site of cultural exchanges between Britain and the United States that were a direct result of global engagement in two world wars and the evolution of both countries as imperial powers. The critical and public response to works of musical theatre during this period, particularly the American musical, demonstrates the shifting response by the public to global conflict, the rise of an American Empire in the eyes of the British government, and the ongoing cultural debates about the role of Americans in British public life. By considering the status of Drury Lane as a key site of cultural and political exchanges between the United States and Britain, this study allows us to gain a more complete portrait of the musical’s cultural significance in Britain.


Reframing the Musical

Reframing the Musical

Author: Sarah K. Whitfield

Publisher: Bloomsbury Publishing

Published: 2019-03-01

Total Pages: 277

ISBN-13: 1350316628

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This critical and inclusive edited collection offers an overview of the musical in relation to issues of race, culture and identity. Bringing together contributions from cultural, American and theatre studies for the first time, the chapters offer fresh perspectives on musical theatre history, calling for a radical and inclusive new approach. By questioning ideas about what the musical is about and who it for, this groundbreaking book retells the story of the musical, prioritising previously neglected voices to reshape our understanding of the form. Timely and engaging, this is required reading for undergraduate and postgraduate students of musical theatre. It offers an intersectional approach which will also be invaluable for theatre practitioners.


Conversations in Color

Conversations in Color

Author: Sean Mayes

Publisher: Bloomsbury Publishing

Published: 2023-11-16

Total Pages: 174

ISBN-13: 1350242128

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Step into a world where the brightest creative minds of contemporary musical theatre share their insights and inspirations. Conversations in Color unveils the untold stories and perspectives of remarkable artists of color shaping the stage today. Delve into captivating interviews with visionaries like André De Shields, Alex Lacamoire, Baayork Lee, and many more, as they discuss the intricate artistry behind crafting unforgettable musical experiences. Unlike any other, this groundbreaking book offers an indispensable resource for the theatre industry. Explore the multifaceted process of musical creation through conversations with directors, choreographers, music directors, orchestrators, stage managers, writers, librettists, artistic directors, and fight directors. Discover the secrets of their craft, from project preparation to rehearsal techniques, career insights, and personal anecdotes. Drawing from Broadway and regional productions across North America, these exclusive interviews provide invaluable firsthand knowledge that transcends boundaries. Conversations in Color fills a vital void in musical theatre studies, shedding light on the absence of diverse perspectives. Immerse yourself in the minds of leading creative practitioners, gaining practical steps and inspiration for your own artistic endeavors. Whether you're a professional or aspiring performer, director, or designer, this book serves as a compass, guiding you towards excellence. Unlock the secrets of musical theatre's most extraordinary talents: a vibrant world of creativity awaits, where voices that have been under-acknowledged are finally heard, and where passion and innovation reign supreme.


Blacks in Blackface

Blacks in Blackface

Author: Henry T. Sampson

Publisher: Scarecrow Press

Published: 2013-10-30

Total Pages: 1573

ISBN-13: 0810883511

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Published in 1980, Blacks in Blackface was the first and most extensive book up to that time to deal exclusively with every aspect of all-African American musical comedies performed on the stage between 1900 and 1940. An invaluable resource for scholars and historians focused on African American culture, this new edition features significantly revised, expanded, and new material. In Blacks in Blackface: A Sourcebook on Early Black Musical Shows, Henry T. Sampson provides an unprecedented wealth of information on legitimate musical comedies, including show synopses, casts, songs, and production credits. Sampson also recounts the struggles of African American performers and producers to overcome the racial prejudice of white show owners, music publishers, theatre managers, and booking agents to achieve adequate financial compensation for their talents and managerial expertise. Black producers and artists competed with white managers who were producing all-Black shows and also with some white entertainers who were performing Black-developed music and dances, often in blackface. The chapters in this volume include: An overview of African American musical shows from the end of the Civil War through the golden years of the 1920s and ’30s New and expanded biographical sketches of performers Detailed information about the first producers and owners of Black minstrel and musical comedy shows Origins and backgrounds of several famous Black theatres Profiles of African American entrepreneurs and businessmen who provided financial resources to build and own many of the Black theatres where these shows were performed A chronicle of booking agencies and organized Black theatrical circuits, music publishing houses, and phonograph recording businesses Critical commentary from African American newspapers and show business publications More than 500 hundred rare photographs A comprehensive volume that covers all aspects of Black musical shows performed in theatres, nightclubs, circuses, and medicine shows, this edition of Blacks in Blackface can be used as a reference for serious scholars and researchers of Black show business in the United States before 1940. More than double the size of the previous edition, this useful resource will also appeal to the casual reader who is interested in learning more about early Black entertainment.


Contemporary Black British Playwrights

Contemporary Black British Playwrights

Author: L. Goddard

Publisher: Springer

Published: 2015-02-17

Total Pages: 263

ISBN-13: 1137493100

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This book examines the socio-political and theatrical conditions that heralded the shift from the margins to the mainstream for black British Writers, through analysis of the social issues portrayed in plays by Kwame Kwei-Armah, debbie tucker green, Roy Williams, and Bola Agbaje.


Deep Are the Roots

Deep Are the Roots

Author: Stephen Bourne

Publisher: The History Press

Published: 2021-10-07

Total Pages: 196

ISBN-13: 0750999101

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Deep Are the Roots celebrates the pioneers of Black British theatre, beginning in 1825, when Ira Aldridge made history as the first Black actor to play Shakespeare's Othello in the United Kingdom, and ending in 1975 with the success of Britain's first Black-led theatre company. In addition to providing a long-overdue critique of Laurence Olivier's Othello, Bourne has unearthed the forgotten story of Paul Molyneaux, a Shakespearean actor of the Victorian era. The twentieth-century trailblazers include Paul Robeson, Florence Mills, Elisabeth Welch, Edric Connor and Pearl Connor-Mogotsi. There are chapters about the groundbreaking work of playwrights at the Royal Court, the first Black drama school students, pioneering theatre companies and three influential dramatists of the 1970s: Mustapha Matura, Michael Abbensetts and Alfred Fagon. Drawing on interviews with leading lights, here is everything you need to know about the trailblazers of Black theatre in Britain and their profound influence on the culture of today.