This unique illustrated book charts the development in military uniform in relation to a shifting world, in an incredible visual directory with expert analysis and commentary.
This title details the uniforms of the Roman army and its enemies, from the first decades of tribal warfare in Italy, through the republican and imperial periods, up to the end of the eastern Roman Empire.
This is an expert guide to the uniforms of Britain, America, Germany, USSR and Japan, together with other Axis and Allied forces. It is an incredible directory of the military personnel of the period, with 600 images, including photographs and illustrations of uniforms, kit, weaponry and equipment. It analyses the context of the conflict, and the ideology and politics that motivated the various national forces, as well as the experience of the soldiers who fought on the front lines. World War II was a huge conflict, fought on different fronts, covering diverse terrain and involving the fighting men of dozens of nations. At the outbreak of war in 1945 military uniforms had changed little from those worn by the soldiers of World War I, but as the conflict progressed changes were made to adapt to fighting and living conditions. This book covers in detail what the soldiers who fought in the war wore, from British infantrymen in Normandy to Japanese troops in Burma, and from Finnish ski divisions to female Chinese partisans. Lavishly illustrated, with intricate insignia detail, this book offers a definitive visual study of a pivotal period of history.
In nearly 1500 entries, many of them strikingly and often surprisingly illustrated, J. C. Cooper has documented the history and evolution of symbols from prehistory to our own day. With over 200 illustrations and lively, informative and often ironic texts, she discusses and explains an enormous variety of symbols extending from the Arctic to Dahomey, from the Iroquois to Oceana, and coming from systems as diverse as Tao, Christianity, Judaism, Buddhism, Islam, Tantra, the cult of Cybele and the Great Goddess, the Pre-Columbian religions of the Western Hemisphere and the Voodoo cults of Brazil and West Africa.
This lavishly illustrated volume, featuring 170 images, offers a comprehensive and original survey of a fascinating collection of images of the lower orders of London. The London Cries is a body of graphic art produced between the sixteenth and nineteenth centuries that provided continually changing representations of the tradesmen and street hawkers that roamed London from its beginnings right up to the present. Analyzing prints, drawings, lithographs, and paintings done during this time period, Sean Shesgreen traces portraits of ordinary men and women who made their living on the streets of this bustling city; characters include milkmaids, cheapjacks, beggars, prostitutes, Merry Andrews, religious fanatics, and other colorful figures of their stripe. Images of the Outcast examines the Cries in relationship to the historical actualities of street trading, bourgeois attitudes toward the poor, and other forms of art. Through a lively discussion of the prints, drawings, sketches and oils of artists, from the anonymous craftsmen of the sixteenth century to Theodore Gericault and others, Shesgreen provides an important overview of this significant genre. Many of the riveting images the author discusses have never been published or analyzed before.
Dressed in distinctive green uniforms and classically inspired copper helmets, the Dragoons of the Imperial Guard were raised in 1806 by the same criteria as other Guard units – by selection of picked, literate veterans from Line regiments who had six to ten years of service, and citations for bravery in at least two campaigns. The following year they were named Dragons de l'Impératrice in a unique compliment to the Empress Josephine. As a ceremonial regiment it enjoyed many privileges, but it also saw combat on a number of occasions, including the battles of Essling and Wagram (1809), the Russian campaign (1812, when it suffered severe losses), at Bautzen, Wachau and Leipzig (1813), in the 1814 Campaign of France, and at Ligny and Waterloo (1815).
This is the first study to examine the entire life cycle in the Middle Ages. Drawing on a wide range of secondary and primary material, the book explores the timing and experiences of infancy, childhood, adolescence and youth, adulthood, old age and, finally, death. It discusses attitudes towards ageing, rites of passage, age stereotypes in operation, and the means by which age was used as a form of social control, compelling individuals to work, govern, marry and pay taxes. The wide scope of the study allows contrasts and comparisons to be made across gender, social status and geographical location. It considers whether men and women experienced the ageing process in the same way, and examines the differences that can be discerned between northern and southern Europe. The fourteenth and fifteenth centuries suffered famine, warfare, plague and population collapse. This fascinating consideration of the life cycle adds a new dimension to the debate over continuity and change in a period of social and demographic upheaval.
One of the most popular literary subjects worldwide is the American Civil War. In addition to an enormous number of history buffs, there are tens of thousands of collectors of Civil War artifacts. In the last fifty years, several books have been written concerning the equipment associated with soldiers of specific Confederate states, but no book until now has ever chronicled the military equipment used by Texas soldiers. Texas Civil War Artifacts is the first comprehensive guide to the physical culture of Texas Civil War soldiers. Texas military equipment differs in a number of ways from the equipment produced for the eastern Confederate states. Most of the Texas-produced equipment was blacksmithed, or local-artisan made, and in many cases featured the Lone Star as a symbol of Texas. Contemporary Civil War literature frequently mentions that most soldiers of Texas displayed the Lone Star somewhere on their uniform or equipment. In this groundbreaking volume, Richard Mather Ahlstrom has photographed and described more than five hundred Texas-related artifacts. He shows the diverse use of the Lone Star on hat pins, waist-belt plates, buckles, horse equipment, side knives, buttons, and canteens. In addition, the weapons that Texans used in the Civil War are featured in chapters on the Tucker Sherrard and Colt pistols; shotguns, rifles, and muskets; and swords. Rounding out the volume are chapters on leather accouterments, uniforms and headgear, and a gallery of Texas soldiers in photographs. This book will prove to be a valuable reference guide for Civil War collectors, historians, museum curators, re-enactors, and federal and state agencies.