Between 1979 and 1982 Nicholas Hagger wrote three letters to the eminent literary critic Christopher Ricks about his poetic identity, and Ricks agreed with his final view that his verse blends the Romantic and Classical traditions within the Baroque tradition. In 1979 and again in 1982 Ricks asked him to select 30 poems. Forty years later A Baroque Vision presents a selection that shows his Baroque roots. Part One presents 30 poems written before 1979, and Part Two adds 70 verse selections written between 1979 and 2019. A Baroque Vision presents 100 verse selections drawn from 50 volumes of his poems, verse plays and masques. The Baroque style, which can be found in all European countries, combines the spiritual and the sensual, and features movement, transformation, the Mystic Way, the mysterious Light, the transcending of death, the divine soul and Heaven, as illustrated in Rubens' The Apotheosis of James I (shown on the front cover); and blends the Romantic and Classical traditions. In his Preface Hagger shows very clearly that his Baroque vision was behind, and grew into, his Universalism, his philosophy and worldview of the unity of the universe whose development can be traced in his Selected Letters and Collected Prefaces, and in the companion volume to this work The Essentials of Universalism (all published by O-Books). These 100 verse selections confirm that his Baroque vision is inspired by the 17th century (by the Metaphysical poets, Milton and Dryden), but also by the 18th and 19th centuries (by Pope, Wordsworth and Tennyson).
Nicholas Hagger's 55 books include innovatory works on literature, history, philosophy and international politics. In his first published literary work he revived the Preface, which had fallen into disuse after Wordsworth and Shelley. He went on to write Prefaces (sometimes called ‘Prologues’, ‘Introductions’ or ‘Introductory Notes’) for all his subsequent books. Collected Prefaces, a collection of 55 Prefaces (excluding the Preface to this book), sets out his thinking and the reader can follow the development of his philosophy of Universalism (of which he is the main exponent), his literary approach (particularly his combination of Romanticism and Classicism which he calls "neo-Baroque") and his metaphysical thinking. His Prefaces can be read as essays, and as in T.S. Eliot’s Selected Essays there is an interaction between adjacent Prefaces that brings an entirely new perspective to Hagger's works. These Prefaces cover an enormous range. Nicholas Hagger is a Renaissance man at home in many disciplines. His Universalism focuses on humankind’s relationship to the whole universe as reflected in seven key disciplines seen as wholes: the whole of literature, history, philosophy and the sciences, mysticism, religion, international politics and statecraft and world culture. Behind all the Prefaces is Hagger’s fundamental perception of the unity of the universe as the One and of humankind’s position in it. These Prefaces complement his Selected Letters, a companion volume also published by O-Books, and contain startling insights that illumine and send readers to the works the Prefaces introduce.
Discover how homeopathic practice developed alongside regular medicine Explore the history of American homeopathy from its roots in the early nineteenth century, through its burgeoning acceptance, to its subsequent fall from favor. The History of American Homeopathy: The Academic Years, 1820-1935 discusses the development of homeopathy’s unorthodox therapies, the reasons behind its widespread growth and popularity, and its development during medicine’s introspective age of doubt and the emergence of scientific reductionism. Not only does the book explain homeopathy within the same social, scientific, and philosophic traditions that affected other schools of the healing art, but it also promotes a more integrative connection between homeopathy’s unconventional therapeutics and the rigors of scientific medicine. The History of American Homeopathy examines the work of Samuel Hahnemann, the founder of homeopathy—the development of his and other practitioners’ theories, and the factors in the growth and later withering of acceptance. You’ll learn the reasons behind homeopathy’s wave of popularity in nineteenth-century America and the impact of regular medicine’s shift to rationalistic system-theories and laboratory science on homeopathy. Discover how homeopathy emerged from the system-theories of the late eighteenth century; the mounting ideological differences within this unorthodox health art; its destructive internal feuds; and the factors that led to the eventual turning over of homeopathies to regular medicine. The History of American Homeopathy answers questions such as: how did the state of medicine in the early nineteenth century facilitate the public acceptance of Hahnemann’s theories? what were the relationships between regualr medicine and homeopathy? what tensions surfaced between academic and domestic homeopathy? how did homeopathic medical schools emerge, and what were their regional and philosophical distinctions? what was the impact of scientific medicine on homeopathy? what were the reasons for the growing division between the liberal wing of homeopathy and the more conservative Hahnemannians, and what effect did it have on the movement? The History of American Homeopathy: The Academic Years, 1820-1935 is an informative, insightful exploration of homeopathy’s roots that is valuable for medical historians, history students, homeopaths, alternative medical organizations, holistic healing societies, homeopathic study groups, homeopathic seminars and courses, and anyone interested in homeopathy.
Todd (kinesiology and health education, U. of Texas, Austin) discusses the diverse spectrum of women's exercise in the antebellum era-- especially exercise systems related to an ideal of womanhood--and the ways that purposive training influenced American women physically, intellectually, and emotionally. She also considers the contributions of several physical education figures: Sarah Pierce, Mary Lyon, William Bentley Fowle, Catherine Beecher, David P. Butler, Dio Lewis, and the phrenologist Orson S. Fowler. Annotation copyrighted by Book News, Inc., Portland, OR.