Inspired by the playwright's youthful experience as a staff writer on Sid Caesar's Your Show of Shows, with all the attendant comic drama as the harried writing staff frantically scramble to top each other with gags while competing for the attention of star madman "Max Prince."
Jewish Book Award Finalist: “Turns the fascinating life of Avrom Goldfaden into a multi-dimensional history of the Yiddish theater’s formative years.” —Jeffery Veidinger, author of Jewish Public Culture in the Late Russian Empire In this book, Alyssa Quint focuses on the early years of the modern Yiddish theater, from roughly 1876 to 1883, through the works of one of its best-known and most colorful figures, Avrom Goldfaden. Goldfaden (né Goldenfaden, 1840-1908) was one of the first playwrights to stage a commercially viable Yiddish-language theater, first in Romania and then in Russia. Goldfaden’s work was rapidly disseminated in print and his plays were performed frequently for Jewish audiences. Sholem Aleichem considered him as a forger of a new language that “breathed the European spirit into our old jargon.” Quint uses Goldfaden’s theatrical works as a way to understand the social life of Jewish theater in Imperial Russia. Through a study of his libretti, she looks at the experiences of Russian Jewish actors, male and female, to explore connections between culture as artistic production and culture in the sense of broader social structures. Quint explores how Jewish actors who played Goldfaden’s work on stage absorbed the theater into their everyday lives. Goldfaden’s theater gives a rich view into the conduct, ideology, religion, and politics of Jews during an important moment in the history of late Imperial Russia.
Set in the impoverished and bustling Lower East Side of Manhattan at the turn of the 20th century, The God of Vengeance is a memorable urban drama of intrigue and romantic liaisons. The God of Vengeance is a gritty, unflinching yet deftly written play, wherein the complexities of human existence and flaws are explored to their fullest. A brothel owner lives with his family above his place of business, and strives to keep his young daughter innocent of what goes on in the establishment that provides their livelihood. However, the girl's curiosity gets the better of her; upon witnessing the sordid goings on, she rapidly develops a fascination for one of the working girls. First published in 1906, and sporadically staged in the decades to follow, the play is unique for featuring a lesbian love affair - a matter shocking and taboo for its era. After one performance in English in 1923, the entire cast was placed under arrest for indecency. Critics of the time were divided; many noted its artistic qualities, but roundly condemned its frank and unabashed depiction of female homosexuality. Others proclaimed it a great drama, and a culturally significant product of the Yiddish diaspora of New York City.
You don't need to be Jewish to love Levy's rye bread, nor do you need to read Yiddish to appreciate these wise tales. This engaging collection offers access to modern works--translated for the first time into English--for anyone who appreciates a well-told story rich with timeless wisdom. A year-round book for families. Includes a comprehensive introduction on Yiddish culture. Largely overlooked or forgotten, these hidden treasures from the early and middle twentieth century by some of the most respected Yiddish writers of their time—including Jacob Kreplak, Moyshe Nadir, and Rachel Shabad—remain surprisingly resonant for a contemporary audience. Folktales can be scary, as wrongdoers often get their comeuppance in unsuspected or even macabre ways, but the reinvigoration of values sometimes perceived as quaint makes for a stimulating read. In this collection you’ll meet a king who loves honey so much that instead of ruling over his people, he licks honey all day. You’ll ponder the conundrum of the moon, who longs for a playmate—but where to find a child who isn’t fast asleep at night? You’ll enter a forest in which the king of mushrooms and the queen of ants coexist autonomously but face the same threat: the little hands and trampling feet of children at play. And you’ll learn how flavoring food with the salt from tears can pose a challenging dilemma. "Collected and arranged with the lightest of touches by David Stromberg, this gathering of little-known Yiddish tales enchants with an always-new old-world magic. In the Land of Happy Tears is utterly and actively refreshing, for the wide-eyed child in every grownup and children wising up everywhere." —poet, translator, and MacArthur Prize winner Peter Cole
Proceedings of a May 1994 symposium held to present cutting edge multidisciplinary work on the characterization of ancient materials; the technologies of selection, production, and usage by which materials are transformed into the objects and artifacts we find today; the science underlying their deterioration, preservation, and conservation; and sociocultural interpretation derived from an empirical methodology of observation, measurement, and experimentation. Over 70 contributions discuss topics that include the visual appearance and the imitation of one material by another; stable protective coatings and materials stability; resource surveying, source characterization, and cultural implications; and process reconstruction as essential to understanding of condition and conservation. Annotation copyright by Book News, Inc., Portland, OR
In an alternate universe light-years away from our own is a planet called Earth. It looks a lot like our Earth, except it’s slightly different. And living on this other Earth is a woman named Hillary. Hillary is trying to become the president of a country called the United States of America. It’s 2008 and she’s campaigning in a state called New Hampshire. She’s not doing very well in the polls. She needs more money to keep the campaign going, so she calls her husband for help. He offers her a deal, a tough deal, but when she gets his help, she gets more than she bargained for. You may think you know where this story is going, but you don’t. After all, the play takes place in an alternate universe where anything can happen.
Stories abound of immigrant Jews on the outside looking in, clambering up the ladder of social mobility, successfully assimilating and integrating into their new worlds. But this book is not about the success stories. It's a paean to the bunglers, the blockheads, and the just plain weird—Jews who were flung from small, impoverished eastern European towns into the urban shtetls of New York and Warsaw, where, as they say in Yiddish, their bread landed butter side down in the dirt. These marginal Jews may have found their way into the history books far less frequently than their more socially upstanding neighbors, but there's one place you can find them in force: in the Yiddish newspapers that had their heyday from the 1880s to the 1930s. Disaster, misery, and misfortune: you will find no better chronicle of the daily ignominies of urban Jewish life than in the pages of the Yiddish press. An underground history of downwardly mobile Jews, Bad Rabbi exposes the seamy underbelly of pre-WWII New York and Warsaw, the two major centers of Yiddish culture in the late nineteenth and early twentieth centuries. With true stories plucked from the pages of the Yiddish papers, Eddy Portnoy introduces us to the drunks, thieves, murderers, wrestlers, poets, and beauty queens whose misadventures were immortalized in print. There's the Polish rabbi blackmailed by an American widow, mass brawls at weddings and funerals, a psychic who specialized in locating missing husbands, and violent gangs of Jewish mothers on the prowl—in short, not quite the Jews you'd expect. One part Isaac Bashevis Singer, one part Jerry Springer, this irreverent, unvarnished, and frequently hilarious compendium of stories provides a window into an unknown Yiddish world that was.