An essay upon prints. By William Gilpin ... Third edition
Author: William GILPIN (Prebendary of Salisbury.)
Publisher:
Published: 1781
Total Pages: 280
ISBN-13:
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Author: William GILPIN (Prebendary of Salisbury.)
Publisher:
Published: 1781
Total Pages: 280
ISBN-13:
DOWNLOAD EBOOKAuthor: Howard Coppuck Levis
Publisher:
Published: 1912
Total Pages: 746
ISBN-13:
DOWNLOAD EBOOKAuthor: Stephen Copley
Publisher: Cambridge University Press
Published: 1994-03-10
Total Pages: 322
ISBN-13: 0521441137
DOWNLOAD EBOOKEssays on eighteenth- and nineteenth-century ways of looking at landscape, in theory and practice.
Author:
Publisher:
Published: 1882
Total Pages: 910
ISBN-13:
DOWNLOAD EBOOKAuthor: Christopher Maycock
Publisher: Hypatia Publications
Published: 2003
Total Pages: 242
ISBN-13: 9781872229423
DOWNLOAD EBOOKAuthor: William Gilpin
Publisher:
Published: 1802
Total Pages: 214
ISBN-13:
DOWNLOAD EBOOK"William Gilpin's work is the first English guide to print collecting and one of the first to regard engraving as a fine art. It became a standard bible for the connoisseur and was translated into German, French, and Dutch."--Abebooks website.
Author: Carl Paul Barbier
Publisher: Oxford : Clarendon Press
Published: 1963
Total Pages: 242
ISBN-13:
DOWNLOAD EBOOKAuthor: William Gilpin
Publisher:
Published: 1808
Total Pages: 236
ISBN-13:
DOWNLOAD EBOOKAuthor: John Herbert Slater
Publisher:
Published: 1897
Total Pages: 610
ISBN-13:
DOWNLOAD EBOOKAuthor: Andrew Hemingway
Publisher: BRILL
Published: 2016-11-28
Total Pages: 515
ISBN-13: 9004269010
DOWNLOAD EBOOKAt a time of growing interest in relations between Marxism and Romanticism, Andrew Hemingway’s essays on British art and art theory reopen the question of Romantic painting’s ideological functions and, in some cases, its critical purchase. Half the volume exposes the voices of competing class interests in aesthetics and art theory in the tumultuous years of British history between the American Revolution and the 1832 Parliamentary Reform Act. Half offers new perspectives on works by some of the most important landscape painters of the time: John Constable, J.M.W. Turner, John Crome, and John Sell Cotman. Four essays are hitherto unpublished, and the remainder have been updated and in several cases substantially rewritten for this volume.