An epistemological approach to John Keats and the truth-function of his poetry

An epistemological approach to John Keats and the truth-function of his poetry

Author: Andrea Heß

Publisher: GRIN Verlag

Published: 2005-10-08

Total Pages: 28

ISBN-13: 3638424928

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Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, University of Augsburg (Englische Literaturwissenschaft), course: John Keats, language: English, abstract: “Negative Capability” is a concept coined by the Romantic poet John Keats, as put down in a letter his brothers1, discussed and interpreted by scholars over and over again. On one hand it provides a desirable quality every poet should be in possession of, on the other hand it is to hold the almost presumptuous ability to solve - alongside imagination- the huge epistemological challenges of subject- object- relation and the constitution of reality. Even though Keats himself didn’t write any explicit work on his literary theory or poetical concept, his approach to poetry and its aesthetic function can be traced back in his poems and letters. There he openly addresses his attitudes as they are also expressed, sometimes between the lines, throughout his poetry. Only it seems that Keats changed his notions and ideas at times, some of his convictions can rather be seen as temporary spots of light in the ongoing process of the pursuit of knowledge than a real enlightenment. This actually mirrors Keats’s statement s about the acquisition of knowledge in a very precise way; that this whole task was enveloped in fuzz and uncertainty, where truth appeared in sparks of epiphany but could never be considered full and complete, absolute knowledge. It is thus enclosed in a developing process that leads ever higher and forwards to a state of further and deeper understanding. In this paper I am going to approach Keats’s ways and convictions in the search for knowledge and will take up the challenge of placing him in regard to his epistemology and closely related aesthetic theory. First of all I am going to work out in how far Keats can be understood as an heir of his time. How was he to understand and write about a world that had just been shaken by hopes and disappointments of the French Revolution that brought about a whole new concept of liberty, rights of the individual and anti- dogmatism? I will also show how his scepticism is a direct reaction to and consequent continuation of Enlightenment that worshipped the idealized intellect and reason. When considering the socio- cultural context in which Keats grew up, I hold it important to touch upon the philosophical theories of his time; mainly German Idealism had a great impact of thought in theses decades, whether Keats had read them (which can be doubted2) and had been conscious of their influence or not.


Text World Theory and Keats' Poetry

Text World Theory and Keats' Poetry

Author: Marcello Giovanelli

Publisher: A&C Black

Published: 2013-08-15

Total Pages: 273

ISBN-13: 1623560675

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Text World Theory and Keats' Poetry applies advances in cognitive poetics and text world theory to four poems by the nineteenth century poet John Keats. It takes the existing text world theory as a starting point and draws on stylistics, literary theory, cognitive linguistics, cognitive psychology and dream theories to explore reading poems in the light of their emphasis on states of desire, dreaming and nightmares. It accounts for the representation of these states and the ways in which they are likely to be processed, monitored and understood. Text World Theory and Keats' Poetry advances both the current field of cognitive stylistics but also analyses Keats in a way that offers new insights into his poetry. It is of interest to stylisticians and those in literary studies.


John Keats and the Ideas of the Enlightenment

John Keats and the Ideas of the Enlightenment

Author: Porscha Fermanis

Publisher: Edinburgh University Press

Published: 2009-09-23

Total Pages: 232

ISBN-13: 0748637818

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John Keats is generally considered to be the least intellectually sophisticated of all the major Romantic poets, but he was a more serious thinker than either his contemporaries or later scholars have acknowledged. This book provides a major reassessment of Keats's intellectual life by considering his engagement with a formidable body of eighteenth-century thought from the work of Voltaire, Robertson, and Gibbon to Hutcheson, Hume, and Smith.The book re-examines some of Keats's most important poems, including The Eve of St Agnes, Hyperion, Lamia, and Ode to Psyche, in the light of a range of Enlightenment ideas and contexts from literary history and cultural progress to anthropology, political economy, and moral philosophy. By demonstrating that the language and ideas of the Enlightenment played a key role in establishing his poetic agenda, Keats's poetry is shown to be less the expression of an intuitive young genius than the product of the cultural and intellectual contexts of his time.


Keats and History

Keats and History

Author: Nicholas Roe

Publisher: Cambridge University Press

Published: 1995-03-23

Total Pages: 344

ISBN-13: 9780521442459

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The poems of John Keats have traditionally been regarded as most resistant of all Romantic poetry to the concerns of history and politics. But critical trends have begun to overturn this assumption. Keats and History brings together exciting work by British and American scholars, in thirteen essays which respond to interest in the historical dimensions of Keats's poems and letters, and open alternative perspectives on his achievement. Keats's writings are approached through politics, social history, feminism, economics, historiography, stylistics, aesthetics, and mathematical theory. The editor's introduction places the volume in relation to nineteenth- and early twentieth-century readings of the poet. Keats and History will be welcomed by students of English literature, and by all those interested in English Romanticism.


On Keats's Practice and Poetics of Responsibility

On Keats's Practice and Poetics of Responsibility

Author: G. Douglas Atkins

Publisher:

Published: 2016

Total Pages: 96

ISBN-13: 9783319441450

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This accessible, informed, and engaging book offers fresh, new avenues into Keats's poems and letters, including a valuable introduction to "the responsible poet." Focusing on Keats's sense of responsibility to truth, poetry, and the reader, G. Douglas Atkins, a noted T.S. Eliot critic, writes as an ama-teur. He reads the letters as literary texts, essayistic and dramatic; the Odes in comparison with Eliot's treatment of similar subjects; "The Eve of St. Agnes" by adding to his respected earlier article on the poem an addendum outlining a bold new reading; "Lamia" by focusing on its complex and perplexing treatment of philosophy and imagination and revealing how Keats literally represents philosophy as functioning within poetry. Comparing Keats with Eliot, poet-philosopher, this book generates valuable insight into Keats's successful and often sophisticated poetic treatment of ideas, accentuating the image of him as "the responsible poet."


What is Beauty? A Multidisciplinary Approach to Aesthetic Experience

What is Beauty? A Multidisciplinary Approach to Aesthetic Experience

Author: Martino Rossi Monti

Publisher: Cambridge Scholars Publishing

Published: 2020-11-11

Total Pages: 256

ISBN-13: 152756200X

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Does art need to be beautiful? Can humour be beautiful? What is the relationship between beauty and mimetic behaviour? What does literature have to do with beauty? What are the limitations of neuroscientific approaches to beauty? Are the experience of beauty and the production of “art” confined to anatomically modern humans? Is the experience of beauty confined to humans at all? These are just some of the questions discussed in this volume. It gathers together authors from different areas of research, including philosophy, history of philosophy, history of ideas, cognitive biology, neuroscience, anthropology and paleoanthropology, in order to investigate some of the most debated aspects of the problem of beauty and aesthetic experience. The volume will appeal to both the general reader and the specialist in the humanities, social sciences and the natural sciences.