Though best known for The Red Badge of Courage, his classic novel of men at war, in his tragically brief life and career Stephen Crane produced a wealth of stories—among them "The Monster," "The Upturned Face," "The Open Boat," and the title story—that stand among the most acclaimed and enduring in the history of American fiction. This superb volume collects stories of unique power and variety in which impressionistic, hallucinatory, and realistic situations alike are brilliantly conveyed through the cold, sometimes brutal irony of Crane's narrative voice.
A Study Guide for Stephen Crane's "An Episode of War," excerpted from Gale's acclaimed Short Stories for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Short Stories for Students for all of your research needs.
Though best known for The Red Badge of Courage, his classic novel of men at war, in his tragically brief life and career Stephen Crane produced a wealth of stories—among them "The Monster," "The Upturned Face," "The Open Boat," and the title story—that stand among the most acclaimed and enduring in the history of American fiction. This superb volume collects stories of unique power and variety in which impressionistic, hallucinatory, and realistic situations alike are brilliantly conveyed through the cold, sometimes brutal irony of Crane's narrative voice.
* Newbery Honor Book * #1 New York Times Bestseller * Winner of the Schneider Family Book Award * Forbes 25 Top Historical Fiction Books Of All Time selection * Wall Street Journal Best Children's Books of the Year selection * New York Public Library's 100 Books for Reading and Sharing selection An exceptionally moving story of triumph against all odds set during World War II, from the acclaimed author of Fighting Words, and for fans of Fish in a Tree and Number the Stars. Ten-year-old Ada has never left her one-room apartment. Her mother is too humiliated by Ada’s twisted foot to let her outside. So when her little brother Jamie is shipped out of London to escape the war, Ada doesn’t waste a minute—she sneaks out to join him. So begins a new adventure for Ada, and for Susan Smith, the woman who is forced to take the two kids in. As Ada teaches herself to ride a pony, learns to read, and watches for German spies, she begins to trust Susan—and Susan begins to love Ada and Jamie. But in the end, will their bond be enough to hold them together through wartime? Or will Ada and her brother fall back into the cruel hands of their mother? This masterful work of historical fiction is equal parts adventure and a moving tale of family and identity—a classic in the making. "Achingly lovely...Nuanced and emotionally acute."—The Wall Street Journal "Unforgettable...unflinching."—Common Sense Media "Touching...Emotionally charged." —Forbes ★ “Brisk and honest...Cause for celebration.” —Kirkus, starred review ★ "Poignant."—Publishers Weekly, starred review ★ "Powerful."—The Horn Book, starred review "Affecting."—Booklist "Emotionally satisfying...[A] page-turner."—BCCB “Exquisitely written...Heart-lifting.” —SLJ "Astounding...This book is remarkable."—Karen Cushman, author The Midwife's Apprentice "Beautifully told."—Patricia MacLachlan, author of Sarah, Plain and Tall "I read this novel in two big gulps."—Gary D. Schmidt, author of Okay for Now "I love Ada's bold heart...Her story's riveting."—Sheila Turnage, author of Three Times Lucky
BANCROFF PRIZE WINNER • King Philip's War, the excruciating racial war—colonists against Indigenous peoples—that erupted in New England in 1675, was, in proportion to population, the bloodiest in American history. Some even argued that the massacres and outrages on both sides were too horrific to "deserve the name of a war." The war's brutality compelled the colonists to defend themselves against accusations that they had become savages. But Jill Lepore makes clear that it was after the war—and because of it—that the boundaries between cultures, hitherto blurred, turned into rigid ones. King Philip's War became one of the most written-about wars in our history, and Lepore argues that the words strengthened and hardened feelings that, in turn, strengthened and hardened the enmity between Indigenous peoples and Anglos. Telling the story of what may have been the bitterest of American conflicts, and its reverberations over the centuries, Lepore has enabled us to see how the ways in which we remember past events are as important in their effect on our history as were the events themselves.
“A remarkable book, from its title and subtitle to its last words . . . A stirring indictment of American sentimentality about war.” —Robert G. Kaiser, The Washington Post In Looking for the Good War, Elizabeth D. Samet reexamines the literature, art, and culture that emerged after World War II, bringing her expertise as a professor of English at West Point to bear on the complexity of the postwar period in national life. She exposes the confusion about American identity that was expressed during and immediately after the war, and the deep national ambivalence toward war, violence, and veterans—all of which were suppressed in subsequent decades by a dangerously sentimental attitude toward the United States’ “exceptional” history and destiny. Samet finds the war's ambivalent legacy in some of its most heavily mythologized figures: the war correspondent epitomized by Ernie Pyle, the character of the erstwhile G.I. turned either cop or criminal in the pulp fiction and feature films of the late 1940s, the disaffected Civil War veteran who looms so large on the screen in the Cold War Western, and the resurgent military hero of the post-Vietnam period. Taken together, these figures reveal key elements of postwar attitudes toward violence, liberty, and nation—attitudes that have shaped domestic and foreign policy and that respond in various ways to various assumptions about national identity and purpose established or affirmed by World War II. As the United States reassesses its roles in Afghanistan and the Middle East, the time has come to rethink our national mythology: the way that World War II shaped our sense of national destiny, our beliefs about the use of American military force throughout the world, and our inability to accept the realities of the twenty-first century’s decades of devastating conflict.
General George Crook's controversial “Horsemeat March” culminating in the battle at Slim Buttes is considered the turning point of the Sioux Wars. After Lieutenant General George A. Custer's shocking defeat at the Little Big Horn River, Montana Territory, in 1876, General Crook and the men of this Big Horn and Yellowstone Expedition were given orders to pursue and subjugate restive tribes of the Northern Cheyenne and Teton Sioux Indians in the area. General Crook, an able and experienced Indian campaigner, insisted that his men travel light and fast. This tactic nearly proved disastrous. Provisions ran out, and, with the nearest settlements still far away in the Black Hills, Crook's troops were forced to abandon, and later to devour, their exhausted and stringy mounts. When a detachment under Captain Anson Mills was dispatched to bring provisions from the settlements ahead, Mills accidentally came across a large Indian village at Slim Buttes. Lured as much by supplies of food in the village as by a desire to subjugate the Indians, Mills attacked, Crook arrived with reinforcements, and by the evening of the second day, September 9, 1876, the battle was over. The climax of General Crook's career and of one of the most arduous military expeditions in American history, this battle was the first of a series of blows that ultimately broke the Indians' resistance and forced their submission. The victory was not without irony. Crook's starvation march, his troops' nearly unanimous criticism of his command, Mill's account of an Indian child's tears over her mother's corpse, and doubts about whether the Indians involved had indeed had anything to do with Custer's defeat combined to steal most of the glory from the victor. Slim Buttes, 1876 presents in vivid detail the grisly realities of the Indian Wars and the suffering experienced by both sides. For the troops who campaigned in the lonely hinterlands of America, it was bloody, dangerous, and exhausting warfare fought, as General Crook said, “without favor or hope of reward.”
Yesterday, Pippa and Clara were free. Today the pretty blonde twins are slaves, kneeling terrified, naked and ashamed at their masters' feet, together with their mother Annamarie and their friend Aimee. Their fate is to be transported beyond the borders of the Empire, beyond any hope of rescue, and sold in the slave markets of the rogue planet Akkadis, notorious for its slave brothels, breeding farms, harems, and its barbaric Arena. It is the year 2999. On the borders of Man's vast Empire, the Atkoi tribes, human but long since reverted to barbarism, are preparing for war. As a weak emperor tries in vain to appease them, an interstellar passenger liner is boarded, looted and plundered. The most beautiful young women aboard, including Pippa and Clara Warburton and Aimee Pembroke, are spared - if 'spared' is the correct word. They begin a nightmare voyage to Akkadis. There they are paraded and exposed for sale in a humiliating public slave auction. They are trained to obey and serve their new masters and then sold, either to primitive desert tribesman or the planet's infamous 'pleasure houses' where slave girls dance naked on the stage for the leering audience and entertain customers upstairs for the price of a few solidi... and those who fail to meet their 'sales targets' face painful, public and humiliating discipline on the dreaded weekly Entertainment Night for the amusement of the baying audience. No allowance is made for shy, modest girls, new to the collar. To survive, they will learn to submit, and obey, and to please their new masters. There is only one man who can save them. His name is Scamander: Archpriest Peter Scamander. Scamander is on Akkadis on the Emperor's business, but he has reasons of his own for ignoring the girls' plight. They soon realise they are the helpless pawns in a power game, victims of a betrayal of cosmic proportions. But Akkadis holds a dark secret which may offer the girls a glimmer of hope - a chance for freedom and revenge - if they dare to seize it. Sometimes the best weapons of the weak are the mistakes of those who think they are strong.
