This encyclopedia is a biographical dictionary of some 1,000 women artists of the American West. The product of a twenty-year, coast-to-coast research project by authors Phil Kovinick and Marian Yoshiki-Kovinick, it offers accurate, concise introductions to women painters, graphic artists, and sculptors, all of whom achieved recognition as depictors of Western subjects between the 1840s and 1980. Their styles range from representationalism to early modernism, while their works depict everything from bold landscapes and scenes of intensive action to studies of Native Americans, pioneers, ranchers, farmers, wildlife, and flora. Each entry in the encyclopedia features the salient facts of the artist's life and career, with attention to her work with Western subject matter. Many of the entries also contain a selected list of the artist's exhibitions, current locations of her work in public collections, pertinent references, and a black-and-white example of her work. An overview of the history of women in western art complements the biographical entries.
Profiles more than 150 women artists of the nineteenth and twentieth centuries from the American West, offers fifteen interpretive essays, and includes nearly three hundred reproductions of their works.
Click ′Additional Materials′ for downloadable samples "This is a sound purchase for college and university libraries with women′s studies or American West programs as well as for large public libraries." --BOOKLIST "This is the first encyclopedia to focus on this neglected group. . . . There is a clear need for this encyclopedia . . . recommended for academic and public libraries and all libraries with a special interest in the western region and women′s studies." --LIBRARY JOURNAL "A highly educational and enlightening resource, the Encyclopedia of Women in the American West is a core recommendation for academic and public library American Western History Studies and Women′s Studies reference collections, as well as an invaluable resource for writers and non-specialist general readers with an interest in studying women′s experiences and contributions to American society and culture." --THE MIDWEST BOOK REVIEW Unites the American West and Women′s History American women have followed their "manifest destiny" since the 1800′s, moving West to homestead, found businesses, author novels and write poetry, practice medicine and law, preach and perform missionary work, become educators, artists, judges, civil rights activists, and many other important roles spurred on by their strength, spirit, and determination. Encyclopedia of Women of the American West captures the lives of more than 150 women who made their mark from the mid-1800s to the present, contextualizing their experiences and contributions to American society. Including many women profiled for the first time, the encyclopedia offers immense value and interest to practicing historians as well as students and the lay public. Multidisciplinary and Multicultural Cowgirls, ranchers, authors, poets, artists, judges, doctors, educators, and reformers--although these women took many different paths, they are united in their role in history, fighting not only for women′s rights, but equal rights for all in this rich and promised land. The Encyclopedia of Women in the American West chronicles the work of Native American activists such as Mildred Imach Cleghorn, and Sarah Winnemucca, the champion of rights of indigenous peoples who established Nevada′s first school for Native Americans in 1884. The encyclopedia also explores the stories of early ranchers. Among them is Freda Ehmann, who founded the California Ripe Olive Association where, according to her grandson, "science and chemical exactness failed, the experience and care of a skillful and conscientious housewife succeeded." Women in the American West have long thrived in the arts. This is evidenced by the work of authors such as Pulitzer Prize winner Willa Cather, Amy Tan, and Linda Hasselstrom, poets such as Hildegarde Flanner, and journalist Molly Ivins. All are profiled in this comprehensive work. The arts are used to address both aesthetic and serious societal issues such as Maxine Hong Kingston′s The Woman Warrior, the story of a woman′s struggle with identity as a minority in American culture. Academics will appreciate a study of Ruth Underhill′s Autobiography of a Papago Woman, which deals with the role of feminist ideology in changing the discipline of anthropology during the first part of the twentieth century. Women in the American West have also achieved many "firsts" such as Utah′s Ivy Baker Priest, the first woman to hold the office of Treasurer of the United States, and Georgia Bullock, the first woman judge in the State of California. The Many Roles of Women in the American West The Encyclopedia of Women in the American West covers nine diverse topical categories: Agriculture/Ranching Arts and Letters Education Entrepreneurs Law Pioneers Public Performance Religion Women′s organizations The West is often portrayed as a rough and tumble man′s world, but behind these men--and often independently--were women with the dreams, strength, and determination to make a difference. The Encyclopedia of Women in the American West is a tribute to their independence, intelligence, courage, spirit, perseverance, and daring. Key Features Authoritative and in-depth articles on a wide range of salient issues in women′s history Suggested readings and interpretive materials for every entry Bridges two perennially popular areas of academic and lay interest: the American West and women′s history Developed and priced to appeal to high school and public libraries as well as academic libraries Recommended Libraries Public, school, academic, special, and private/corporate
Told in a unique first-person creative nonfiction narrative, Women Artists of the West profiles five important women artists who lived, worked, and created in the early years of the twentieth century—Georgia O'Keeffe, Maria Martinez, Dorothea Lange, Laura Gilpin, Mary-Russell Colton.
Addressing everything from the details of everyday life to recreation and warfare, this two-volume work examines the social, political, intellectual, and material culture of the American "Old West," from the California Gold Rush of 1849 to the end of the 19th century. What was life really like for ordinary people in the Old West? What did they eat, wear, and think? How did they raise their children? How did they interact with government? What did they do for fun? This encyclopedia provides readers with an engaging and detailed portrayal of the Old West through the examination of social, cultural, and material history. Supported by the most current research, the multivolume set explores various aspects of social history—family, politics, religion, economics, and recreation—to illuminate aspects of a society's emotional life, interactions, opinions, views, beliefs, intimate relationships, and connections between the individual and the greater world. Readers will be exposed to both objective reality and subjective views of a particular culture; as a result, they can create a cohesive, accurate impression of life in the Old West during the second half of the 1800s.
First Published in 1997. North American Women Artists of the Twentieth Century: A Biographical Dictionary was created to fill a gap of there being a comprehensive reference work like this available, even though the bibliography in English on various aspects of the history of women artists has grown exponentially during the past ten years. As researchers, the editors have been frustrated many times by being unable to locate basic information about many of the artists included in this volume—especially those working outside the United States. This leads directly to another reason for producing this particular kind of reference book—to try and create a better understanding between and among the artists and art audiences in these countries.
This book depicts a group of Chicago patrons who sought to shape the city's identity and foster a uniquely American style, by supporting local artists who depicted the West.
In The Other American Moderns, ShiPu Wang analyzes the works of four early twentieth-century American artists who engaged with the concept of “Americanness”: Frank Matsura, Eitarō Ishigaki, Hideo Noda, and Miki Hayakawa. In so doing, he recasts notions of minority artists’ contributions to modernism and American culture. Wang presents comparative studies of these four artists’ figurative works that feature Native Americans, African Americans, and other racial and ethnic minorities, including Matsura and Susan Timento Pose at Studio (ca. 1912), The Bonus March (1932), Scottsboro Boys (1933), and Portrait of a Negro (ca. 1926). Rather than creating art that reflected “Asian aesthetics,” Matsura, Ishigaki, Noda, and Hayakawa deployed “imagery of the Other by the Other” as their means of exploring, understanding, and contesting conditions of diaspora and notions of what it meant to be American in an age of anti-immigrant sentiment and legislation. Based on a decade-long excavation of previously unexamined collections in the United States and Japan, The Other American Moderns is more than a rediscovery of “forgotten” minority artists: it reconceives American modernism by illuminating these artists’ active role in the shaping of a multicultural and cosmopolitan culture. This nuanced analysis of their deliberate engagement with the ideological complexities of American identity contributes a new vision to our understanding of non-European identity in modernism and American art.
"In the past, histories of American art have traditionally highlighted the work of a familiar roster of artists, often white and male. Over time the achievements of others worthy of attention, including numerous women and artists of color, as well as white men, have gone uncelebrated and fallen into obscurity. In this collection of essays, sixty-three scholars from various institutions, specialties, and locales respond to the challenge to nominate one maker deserving remembrance and detail the reasons for their choice. The collection is headed by a preface from editor Charles C. Eldredge, explaining the genesis of the anthology, and an introduction by Dr. Kirsten Pai Buick, promoting the value of recovered reputations and oeuvres in the training of future art experts and audiences"--
