Examines the ways design teams can take a more creative approach to the design and expression of both active and passive environmental control systems. Case Studies from around the world, including many award-winning buildings.
The energy used to build and operate buildings is a significant source of greenhouse gas emissions. While it is possible to reduce emissions through low-carbon design, many architects are not trained to do this. Filling an urgent need for a design reference in this emerging field, this book describes how to reduce building-related greenhouse gas emissions through appropriate design techniques. It presents strategies to achieve CO2 reductions, with an emphasis on control of energy flows through the building envelope and passive cooling and heating strategies. This new, revised edition is updated throughout and includes a new section on embodied carbon and new chapters on daylighting and nature-based cooling. Features: Adds new chapters on daylighting and nature-based cooling with numerous updates throughout the rest of the chapters Presents strategies, illustrated with examples, for new construction and existing buildings to reduce energy consumption and reduce emissions Explains the origins of CO2 emissions associated with the operation and fabrication of buildings: supplying water, disposing of waste from the building, and proposes strategies to reduce them Covers carbon calculations, thermal comfort, indigenous technology, climate‐responsive design, passive cooling and heating, solar design, air flow analysis, daylighting, building simulation and microclimate design with abundant examples Examines siting/location to design buildings that adapt and mitigate their effect on climate change
Reyner Banham was a pioneer in arguing that technology, human needs, and environmental concerns must be considered an integral part of architecture. No historian before him had so systematically explored the impact of environmental engineering on the design of buildings and on the minds of architects. In this revision of his classic work, Banham has added considerable new material on the use of energy, particularly solar energy, in human environments. Included in the new material are discussions of Indian pueblos and solar architecture, the Centre Pompidou and other high-tech buildings, and the environmental wisdom of many current architectural vernaculars.
Seen through the distilling lens of the architectural model, Architecture’s Model Environments is a novel and far-reaching exploration of the many dialogues buildings have with their environmental surroundings. Expanding on histories of building technology, the book sheds new light on how physical models conventionally understood as engineering experimentation devices enable architectural design speculation. The book begins with a catalogue of ten original model prototypes – of wind tunnels, water tables and filling boxes – and is the first of its kind to establish an architectural approach to fabricating such environmental models. Subsequent chapters feature three precedent models that have been largely overlooked within the wider oeuvres of their authors: French polymath Étienne-Jules Marey’s 1900-2 wind tunnels, Hungarian-American architects Victor and Aladár Olgyay’s 1955-63 thermoheliodon, and Scottish chemist and building ventilation expert David Boswell ‘The Ventilator’ Reid’s 1844 test tube convection experiments. Moving between historic moments and the present day, between case studies and original prototypes, the book reveals the potent ability for models, as both physical artefacts and mental ideals, to reflect prevailing cultural views about the world and to even reshape those views. Fundamentally, Architecture’s Model Environments illustrates how environmental models reveal design insights across scales from the seam (that leaks) to the body (that feels) to the building (that mediates) to the world (that immerses).