Wombs with a View

Wombs with a View

Author: Lawrence D. Longo

Publisher: Springer

Published: 2016-05-12

Total Pages: 397

ISBN-13: 3319235672

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The volume provides an archive of some of the most beautiful illustrations ever made of the gravid uterus with fetus and placenta, which will serve future generations of investigators, educators, and students of reproduction. The approximately two hundred figures from over one hundred volumes included are from the late fifteenth through the nineteenth century. For each author whose work is depicted in this volume, we have used the first edition or first illustrated edition. In the commentary, each volume and illustration is placed in its historical perspective, noting both the significance of that image, but also some background on the life and work of the author. For most of the works cited, there are additional references for the reader who may wish to explore these in greater depth. This volume is a unique collection not only of these historical images, but also their place in the development of scientific study.


Blake, Lavater, and Physiognomy

Blake, Lavater, and Physiognomy

Author: Sibylle Erle

Publisher: Routledge

Published: 2017-12-02

Total Pages: 276

ISBN-13: 1351193694

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"William Blake never travelled to the continent, yet his creation myth is far more European than has ever been acknowledged. The painter Henry Fuseli introduced Blake to traditional European thinking, and Blake responded to late 18th century body-theory in his Urizen books (1794-95), which emerged from his professional work as a copy-engraver on Henry Hunter's translation of Johann Caspar Lavater's Essays on Physiognomy (1789-98). Lavater's work contains hundreds of portraits and their physiognomical readings. Blake, Fuseli, Joshua Reynolds and their contemporaries took a keen interest in the ideas behind physiognomy in their search for the right balance between good likeness and type in portraits. Blake, Lavater, and Physiognomy demonstrates how the problems occurring during the production of the Hunter translation resonate in Blake's treatment of the Genesis story. Blake takes us back to the creation of the human body, and interrogates the idea that 'God created man after his own likeness.' He introduces the 'Net of Religion', a device which presses the human form into material shape, giving it personality and identity. As Erle shows, Blake's startlingly original take on the creation myth is informed by Lavater's pursuit of physiognomy: the search for divine likeness, traced in the faces of their contemporary men."