The Construction of Gothic Cathedrals

The Construction of Gothic Cathedrals

Author: John Fitchen

Publisher: University of Chicago Press

Published: 1981

Total Pages: 371

ISBN-13: 0226252035

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"This study enables us to appreciate more fully the technical expertise and improvements which enabled the creative spirit of the day to find such splendid embodiment". -- James Lingwood, Oxford Art Journal Copyright © Libri GmbH. All rights reserved.


Late Gothic Architecture

Late Gothic Architecture

Author: Robert Odell Bork

Publisher: Brepols Publishers

Published: 2018

Total Pages: 0

ISBN-13: 9782503568942

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In this book, Robert Bork offers a sweeping reassessment of late Gothic architecture and its fate in the Renaissance. In a chronologically organized narrative covering the whole of western and central Europe, he demonstrates that the Gothic design tradition remained inherently vital throughout the fourteenth and fifteenth centuries, creating spectacular monuments in a wide variety of national and regional styles. Bork argues that the displacement of this Gothic tradition from its long-standing position of artistic leadership in the years around 1500 reflected the impact of three main external forces: the rise of a rival architectural culture that championed the use of classical forms with a new theoretical sophistication; the appropriation of that architectural language by patrons who wished to associate themselves with papal and imperial Rome; and the chaos of the Reformation, which disrupted the circumstances of church construction on which the Gothic tradition had formerly depended. Bork further argues that art historians have much to gain from considering the character and fate of late Gothic architecture, not only because the monuments in question are intrinsically fascinating, but also because examination of the way their story has been told-and left untold, in many accounts of the Northern Renaissance-can reveal a great deal about schemes of categorization and prioritization that continue to shape the discipline even in the twenty-first century.


Gothic Architecture

Gothic Architecture

Author: Paul Frankl

Publisher: Yale University Press

Published: 2000-01-01

Total Pages: 420

ISBN-13: 9780300087994

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This magisterial study of Gothic architecture traces the meaning and development of the Gothic style through medieval churches across Europe. Ranging geographically from Poland to Portugal and from Sicily to Scotland and chronologically from 1093 to 1530, the book analyzes changes from Romanesque to Gothic as well as the evolution within the Gothic style and places these changes in the context of the creative spirit of the Middle Ages. In its breadth of outlook, its command of detail, and its theoretical enterprise, Frankl's book has few equals in the ambitious Pelican History of Art series. It is single-minded in its pursuit of the general principles that informed all aspects of Gothic architecture and its culture. In this edition Paul Crossley has revised the original text to take into account the proliferation of recent literature--books, reviews, exhibition catalogues, and periodicals--that have emerged in a variety of languages. New illustrations have also been included.


The Analysis of Gothic Architecture

The Analysis of Gothic Architecture

Author:

Publisher: BRILL

Published: 2022-12-05

Total Pages: 310

ISBN-13: 9004529330

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The essays in this volume reflect on and build on the remarkable legacies of Robert Mark and Andrew Tallon, who pioneered the application of high-technology research methods to the study of Gothic architecture.


Experiments in Gothic Structure

Experiments in Gothic Structure

Author: Robert Mark

Publisher: Mit Press

Published: 1984-01

Total Pages: 135

ISBN-13: 9780262630955

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This fascinating study of the structural elements of Gothic cathedrals is written by an engineer who has spent the last 15 years applying analytical techniques of structural mechanics to Gothic buildings. Like a detective, he uses these techniques to solve continuing historical arguments about whether flying buttresses hold the roof up or are merely decorative, whether ornate pinnacles atop piers are structurally necessary or purely aesthetic, whether the ribs of the vaults hold up the ceiling as is generally believed, whether the cathedral at Chartres deserves its place in history as the height of innovative medieval design.


The Geometry of Creation

The Geometry of Creation

Author: Robert Bork

Publisher: Routledge

Published: 2016-12-05

Total Pages: 783

ISBN-13: 1351888978

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The flowering of Gothic architecture depended to a striking extent on the use of drawing as a tool of design. By drawing precise "blueprints" with simple tools such as the compass and straightedge, Gothic draftsmen were able to develop a linearized architecture of unprecedented complexity and sophistication. Examination of their surviving drawings can provide valuable and remarkably intimate information about the Gothic design process. Gothic drawings include compass pricks, uninked construction lines, and other telltale traces of the draftsman's geometrically based working method. The proportions of the drawings, moreover, are those actually intended by the designer, uncompromised by errors introduced in the construction process. All of these features make these drawings ideal subjects for the study of Gothic design practice, but their geometry has to date received little systematic attention. This book offers a new perspective on Gothic architectural creativity. It shows, in a series of rigorous geometrical case studies, how Gothic design evolved over time, in two senses: in the hours of the draftsman's labor, and across the centuries of the late Middle Ages. In each case study, a series of computer graphics show in unprecedented detail how a medieval designer could have developed his architectural concept step by step, using only basic geometrical operations. Taken together, these analyses demonstrate both remarkable methodological continuity across the Gothic era, and the progressive development of new and sophisticated permutations on venerable design themes. This rich tradition ultimately gave way in the Renaissance not because of any inherent problem with Gothic architecture, but because the visual language of Classicism appealed more directly to the pretensions of Humanist princes than the more abstract geometrical order of Gothic design, as the book's final chapter demonstrates.