This remarkable collection of maps, photographs, engravings and paintings from the early ages to modern day provides a stunning new look at the world as defined by our struggles and alliances with the monsters and supernatural creatures that have defined our existence. Learn how a mechanical man helped write America’s Declaration of Independence. Track the course of the Living Dead virus from Africa to Europe and on to the New World. View artifacts from our uneasy alliance with the Martian race, or simply delight in the vibrant colors and illustrations from a bygone age. More than 100 full-color images and insightful essays make this book an essential addition to the libraries of dedicated historians as well as casual fans of monsters and mayhem.
Such was the wisdom of the Pittsburgh Daily Gazette and Advertiser in 1866 when describing a railway boss's threat to decapitate a former employee. Pittsburgh has many such stories of strange but mostly true events. Local author Thomas White delves into these lost tales, from Lewis and Clark's inauspicious start involving an intoxicated boat builder to the death ray of inventor Nikola Tesla. A 1907 lion attack at Luna Park, death by spontaneous combustion, Jack the Ripper's rumored visit to the city and an umpire who was rescued from an angry crowd by Pirates players are all part of the forgotten history of the Steel City.
Chatham Village, located in the heart of Pittsburgh, is an urban oasis that combines Georgian colonial revival architecture with generous greenspaces, recreation facilities, surrounding woodlands, and many other elements that make living there a unique experience. Founded in 1932, it has gained international recognition as an outstanding example of the American Garden City planning movement and was named a National Historic Landmark in 2005. Chatham Village was the brainchild of Charles F. Lewis, then director of the Buhl Foundation, a Pittsburgh-based charitable trust. Lewis sought an alternative to the substandard housing that plagued low-income families in the city. He hired the New York-based team of Clarence S. Stein and Henry Wright, followers of Ebenezer Howard's utopian Garden City movement, which sought to combine the best of urban and suburban living environments by connecting individuals to each other and to nature. Angelique Bamberg provides the first book-length study of Chatham Village, in which she establishes its historical significance to urban planning and reveals the complex development process, social significance, and breakthrough construction and landscaping techniques that shaped this idyllic community. She also relates the design of Chatham Village to the work of other pioneers in urban planning, including Frederick Law Olmsted Sr., landscape architect John Nolen, and the Regional Planning Association of America, and considers the different ways that Chatham Village and the later New Urbanist movement address a common set of issues. Above all, Bamberg finds that Chatham Village's continued viability and vibrance confirms its distinction as a model for planned housing and urban-based community living.
Ed Simon tells the story of Pittsburgh through this exploration of its hidden histories--the LA Review of Books calls it an "epic, atomic history of the Steel City." The land surrounding the confluence of the
Pittsburgh has a rich history of social consciousness in calls for justice and equity. Today, the movement for more sustainable practices is rising in Pittsburgh. Against a backdrop of Marcellus shale gas development, initiatives emerge for a sustainable and resilient response to the climate change and pollution challenges of the twenty-first century. People, institutions, communities, and corporations in Pittsburgh are leading the way to a more sustainable future. Examining the experience of a single city, with vast social and political complexities and a long industrial history, allows a deeper understanding of the challenges and opportunities inherent in adapting to change throughout the world. The case studies in this book respond to ethical challenges and give specific examples of successful ways forward. Choices include transforming the energy system, restoring infertile ground, and preventing pollution through green chemistry. Inspired by the pioneering voice of Rachel Carson, this is a book about empowerment and hope.
The Schenley Experiment is the story of Pittsburgh’s first public high school, a social incubator in a largely segregated city that was highly—even improbably—successful throughout its 156-year existence. Established in 1855 as Central High School and reorganized in 1916, Schenley High School was a model of innovative public education and an ongoing experiment in diversity. Its graduates include Andy Warhol, actor Bill Nunn, and jazz virtuoso Earl Hines, and its prestigious academic program (and pensions) lured such teachers as future Pulitzer Prize winner Willa Cather. The subject of investment as well as destructive neglect, the school reflects the history of the city of Pittsburgh and provides a study in both the best and worst of urban public education practices there and across the Rust Belt. Integrated decades before Brown v. Board of Education, Schenley succumbed to default segregation during the “white flight” of the 1970s; it rose again to prominence in the late 1980s, when parents camped out in six-day-long lines to enroll their children in visionary superintendent Richard C. Wallace’s reinvigorated school. Although the historic triangular building was a cornerstone of its North Oakland neighborhood and a showpiece for the city of Pittsburgh, officials closed the school in 2008, citing over $50 million in necessary renovations—a controversial event that captured national attention. Schenley alumnus Jake Oresick tells this story through interviews, historical documents, and hundreds of first-person accounts drawn from a community indelibly tied to the school. A memorable, important work of local and educational history, his book is a case study of desegregation, magnet education, and the changing nature and legacies of America’s oldest public schools.
Pittsburgh Jazz documents the almost forgotten magic created in the city of Pittsburgh by a host of artists, uptown inner city streets, and jazz joints that served patrons from a menu packed full of delightful music. The magical improvised songs, compositions, and unique styles of hundreds of those who were born, raised, or influenced by what occurred in the smoke filled clubs, bars, restaurants, and theaters is difficult to comprehend. And yet, every jazz artist in the world was attracted here to "stand the test" waiting in the Steel City. This book is committed to connecting Pittsburghstyle jazz as the synthesis that resulted in the art form called bebop. This photographic presentation was captured by Pittsburgh Courier photographers between the 1930s and 1980s.
In Local Histories, the contributors seek to challenge the widely held belief that the origin of American composition as a distinguishable discipline can be traced to a small number of elite colleges such as Harvard, Yale, and Michigan in the mid- to late nineteenth century. Through extensive archival research at liberal arts colleges, normal schools, historically black colleges, and junior colleges, the contributors ascertain that many of these practices were actually in use prior to this time and were not the sole province of elite universities. Though not discounting the elites' influence, the findings conclude that composition developed in many locales concurrently. Individual chapters reflect on student responses to curricula, the influence of particular instructors or pedagogies in the context of compositional history, and the difficulties inherent in archival research. What emerges is an original and significant study of the developmental diversity within the discipline of composition that opens the door to further examination of local histories as guideposts to the origins of composition studies.
Imagining the Modern explores Pittsburgh's ambitious modern architecture and urban renewal program that made it a gem of American postwar cities, and set the stage for its stature today. In the 1950s and '60s an ambitious program of urban revitalization transformed Pittsburgh and became a model for other American cities. Billed as the Pittsburgh Renaissance, this era of superlatives--the city claimed the tallest aluminum clad building, the world's largest retractable dome, the tallest steel structure--developed through visionary mayors and business leaders, powerful urban planning authorities, and architects and urban designers of international renown, including Frank Lloyd Wright, I.M. Pei, Mies van der Rohe, SOM, and Harrison & Abramovitz. These leaders, civic groups, and architects worked together to reconceive the city through local and federal initiatives that aimed to address the problems that confronted Pittsburgh's postwar development. Initiated as an award-winning exhibition at the Carnegie Museum of Art in 2014, Imagining the Modern untangles this complicated relationship with modern architecture and planning through a history of Pittsburgh's major sites, protagonists, and voices of intervention. Through original documentation, photographs and drawings, as well as essays, analytical drawings, and interviews with participants, this book provides a nuanced view of this crucial moment in Pittsburgh's evolution. Addressing both positive and negative impacts of the era, Imagining the Modern examines what took place during the city's urban renewal era, what was gained and lost, and what these histories might suggest for the city's future.
