With the imagination of an artist and the precision of a scientist, Tatiana Proskouriakoff has captured in pictures thirty-six restorations of magnificent Maya buildings as their builders saw the scenes more than a thousand years ago. Facing her painting of each structure is a documented text of archaeological findings and a line drawing of the existing remains. First issued by the Carnegie Institution of Washington in 1946, this important volume is returned to print in a new format by the University of Oklahoma Press.
These articles mark a significant stage in the study of Maya architecture and the society that built it. They represent advances in our understandings of the past, point toward avenues for further studies, and note the distance yet to travel in fully appreciating and understanding this ancient American culture and its material remains.
Most people recognize at a glance the extraordinarily graceful proportions of classical-style buildings such as London's Syon House and Athenaeum Club and the Banqueting Hall at Whitehall. Few, however, appreciate the underlying geometrical principles that lend these buildings their elegant unity of expression. Form and Design in Classic Architecture explains in simple, direct terms — and with numerous photographic plates and line illustrations — the ways in which the relationship of exterior and interior elements creates that unity and sense of completeness. Dozens of edifices by Inigo Jones, the Adam Brothers, Sir Christopher Wren, and other renowned architects appear here, in images accompanied by detailed analyses. The author presents a chapter-by-chapter view of buildings in a variety of shapes, with separate treatments of vestibules, corridors, domed and vaulted ceilings, pavilions, loggias, interior and exterior staircases, porticoes, and colonnades. The informative, readable text and handsome illustrations — as well as the sheer beauty of the buildings themselves — make this volume appealing, not only to architects and architectural historians but also to anyone with even a casual interest in architecture and design.
This comprehensive and accessible reference explores the greatest and most mysterious of civilizations, hailed for its contributions to science, mathematics, and technology. Each chapter is supplemented by an extensive bibliography as well as photos, original line drawings, and maps.
Extensively illustrated with detailed site plans and photographs, this architectural history of the Mexican plaza reveals why this central public space has been the heart of the community from ancient Mesoamerican times until the present.
Archaeology’s Visual Culture explores archaeology through the lens of visual culture theory. The insistent visuality of archaeology is a key stimulus for the imaginative and creative interpretation of our encounters with the past. Balm investigates the nature of this projection of the visual, revealing an embedded subjectivity in the imagery of archaeology and acknowledging the multiplicity of meanings that cohere around artifacts, archaeological sites and museum displays. Using a wide range of case studies, the book highlights how archaeologists can view objects and the consequences that ensue from these ways of seeing. Throughout the book Balm considers the potential for documentary images and visual material held in archives to perform cultural work within and between groups of specialists. With primary sources ranging from the mid-nineteenth to the early twenty-first century, this volume also maps the intellectual and social connections between archaeologists and their peers. Geographical settings include Britain, Cyprus, Mesoamerica, the Middle East and the United States, and the sites of visual encounter are no less diverse, ranging from excavation reports in salvage archaeology to instrumentally derived data-sets and remote-sensing imagery. By forensically examining selected visual records from published accounts and archival sources, enduring tropes of representation become apparent that transcend issues of style and reflect fundamental visual sensibilities within the discipline of archaeology.
Take a visual tour through salons, war rooms, and ballrooms in this illustrated survey, with decorative elements from doors, walls, fireplaces, cabinets, consoles, and friezes. 61 color and 100 black-and-white illustrations.
The primary theoretical question addressed in this book focuses on the lingering concern of how the ancient Maya in the northern Petén Basin were able to sustain large populations in the midst of a tropical forest environment during the Late Classic period. This book asks how agricultural intensification was achieved and how essential resources, such as water and forest products, were managed in both upland areas and seasonal wetlands, or bajos. All of these activities were essential components of an initially sustainable land use strategy that eventually failed to meet the demands of an escalating population. This spiraling disconnect with sound ecological principles undoubtedly contributed to the Maya collapse. The book's findings provide insights that broaden the understanding of the rise of social complexity - the expansion of the political economy, specifically - and, in general terms, the trajectory of cultural evolution of the ancient Maya civilization.
