An Active Instrument for Propaganda
An Active Instrument for Propaganda

Author: Wayne A. Wiegand

Publisher: Praeger

Published: 1989-04-26

Total Pages: 216

ISBN-13:

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A comprehensive introduction provides an overview of public library history prior to World War I, touching on such topics as the growth of the public library from the genteel, early nineteenth-century social libraries of New England and the Mid-Atlantic states and the founding of the American Library Association in 1876.

Propaganda
Propaganda

Author: Jacques Ellul

Publisher: Knopf Books for Young Readers

Published: 1965

Total Pages: 0

ISBN-13: 9780394441580

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'The theme of Propaganda is quite simply. . . that when our new technology encompasses any culture or society, the result is propaganda. . . . Ellul has made many splendid contributions in this book.' -Robert R. Kirsch, The Los Angeles Times

Organising the Propaganda Instrument: The British Experience
Organising the Propaganda Instrument: The British Experience

Author: J.B. Black

Publisher: Springer Science & Business Media

Published: 2012-12-06

Total Pages: 124

ISBN-13: 9401016402

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The systematic use of propaganda is very much a phenomenon of the 20th century. Through the years, kings, political leaders, and statesmen have often made use of what might now be called "propaganda tech niques" but it is only within the present century that the use of pro paganda has been developed as a systematic instrument of national and foreign policy. Nonetheless, since World War II propaganda has become a regular peacetime instrument of foreign policy for most states, be they large or small. While some considerable attention has been given to the propaganda organisations and activities of the United States and certain Com munist nations, especially the U.S.S.R., relatively little has been done on the British approach to propaganda. The present study attempts to at least partially fill that vacuum. A history of the overseas Informa tion Services is not undertaken and I will leave that important task to future scholars. Instead I have examined the British approach to the organisation of propaganda and the mechanics they have developed to utilize this instrument of foreign policy.

Total Propaganda
Total Propaganda

Author: Alex S. Edelstein

Publisher: Routledge

Published: 2013-11-05

Total Pages: 390

ISBN-13: 1136691189

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Total Propaganda moves the study of propaganda out of the exclusive realm of world politics into the more inclusive study of popular culture, media, and politics. All the participatory functioning elements of the society are aspects of membership in the popular culture. Thus, the values of popular music, media, politics, debates over social issues, and even international trade become everyday propaganda to which everyone may relate. To emphasize the necessity for new thinking about propaganda, Edelstein creates the concepts of the new propaganda and the old, and he devises a language of "uninyms" to convey their meanings more quickly. "Oldprop" is characteristic of mass cultures and utilizes totalitarian methods of conflict, hegemony, minimization, demonization, and exclusiveness to achieve its goals. By contrast, "newprop" is created by members of the popular culture to allow them to engage in accomodation, enhance the individual, and promote inclusiveness. Shifts in the old and the new propaganda are tracked across social issues such as race, religion, sexuality, gender, gun control, and the environment, as well as in fashion, politics, advertising, sports, media, and politics. Central to the concept of total propaganda is that it is not simply additive; it is the product of new energies that are produced by the fusing of propaganda in such related forums as music, art, advertising, sports and politics. It is these synergies, and their production of new energies, that make total propaganda greater than the sum of its parts. Edelstein concludes that the most important distinction that should be drawn between mass culture and popular culture is its text; i.e., its propaganda. In a popular culture, everyone creates and consumes propaganda; in a mass culture almost everyone consumes it but only a few create it. This formulation offers new ways to discuss power and ideology in media texts. As an example, where once the least informed and the least educated were the most subject to propaganda, now the most informed and most educated often are the first to create propaganda and the first to consume it.

Propaganda
Propaganda

Author: Jacques Ellul

Publisher: Vintage

Published: 1965

Total Pages: 360

ISBN-13:

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From one of the greatest French philosophers of the 20th century, comes a seminal study and critique of propaganda. Taking not only a psychological approach, but a sociological approach as well, Ellul's book outlines the taxonomy for propaganda, and ultimately, it's destructive nature towards democracy. Drawing from his own experiences fighting for the French resistance against the Vichy regime, Ellul offers a unique insight into the propaganda machine. "A far more frightening work than any of the nightmare novels of George Orwell. With the logic which is the great instrument of French thought, Ellul] explores and attempts to prove the thesis that propaganda, whether its ends are demonstrably good or bad, is not only destructive to democracy, it is perhaps the most serious threat to humanity operating in the modern world."--Los Angeles "The theme of Propaganda is quite simply . . . that when our new technology encompasses any culture or society, the result is propaganda . . . Ellul has made many splendid contributions in this book."--Book Week