Based on the new hit play taking Texas audiences by storm, AMON! The Ultimate Texan is a part comedy, part drama about Amon Carter, who ran Fort Worth for half a century. The book and the play are by Dallas Morning News Watchdog columnist Dave Lieber. More info at https://www.amonplay.com. Purchase at https://davelieber.org/product/amon/.
A newspaper columnist investigates the shenanigans of a small-town police department then pays a price. At a local restaurant one day, he orders his misbehaving son, 11, to walk home. When the father returns, police are waiting. The dad is arrested and charged with two felonies. The world weighs in about whether he's a bad dad. A true-story thriller.
From one of America's last crusading newspaper columnists, Dave Lieber¿s Watchdog Nation shares tips, tools and strategies to bite back when businesses and scammers do you wrong. Save time, money and aggravation. Learn how you can overcome the pickpockets that call themselves the electric company, the phone company, debt collectors, banks, scammers, e-mail spammers, door-to-door salesmen and countless others who want to harm you and your family. This book contains real stories about real people ¿ by the ultimate authority on the subject. Dave Lieber is The Watchdog investigative columnist for The Fort Worth Star-Telegram in Texas. He has helped countless folks stand up for themselves, understand their rights, fight back and win. Consumers will understand how they can take advantage of laws, regulations and other methods that will help them overcome stubborn and uncaring customer service representatives on the other side of the world, companies large and small who ignore their complaints and the growing group of hard-core criminals who take advantage of modern technology to hurt you.
In 1955, Frank X. Tolbert, a well-known columnist for the Dallas Morning News, circumnavigated Texas with his nine-year-old-son in a Willis Jeep. The column he phoned in to the newspaper about his adventures, "Tolbert's Texas," was a staple of Walt Davis's childhood. Fifty years later, Walt and his wife, Isabel, have re-explored portions of Tolbert’s trek along the boundaries of Texas. The border of Texas is longer than the Amazon River, running through ten distinct ecological zones as it outlines one of the most familiar shapes in geography. According to the Davises, "Driving its every twist and turn would be like driving from Miami to Los Angeles by way of New York." Each of this book’s sixteen chapters opens with an original drawing by Walt, representing a segment of the Texas border where the authors selected a special place—a national park, a stretch of river, a mountain range, or an archeological site. Using a firsthand account of that place written by a previous visitor (artist, explorer, naturalist, or archeologist), they then identified a contemporary voice (whether biologist, rancher, river-runner, or paleontologist) to serve as a modern-day guide for their journey of rediscovery. This dual perspective allows the authors to attach personal stories to the places they visited, to connect the past with the present, and to compare Texas then with Texas now. Whether retracing botanist Charles Wright's 600-mile walk to El Paso in 1849 or paddling Houston's Buffalo Bayou, where John James Audubon saw ivory-billed woodpeckers in 1837, the Davises seek to remind readers that passionate and determined people wrote the state's natural history. Anyone interested in Texas or its rich natural heritage will find deep enjoyment in Exploring the Edges of Texas. Publication of this book is generously supported by a memorial gift in honor of Mary Frances "Chan" Driscoll, a founding member of the Advisory Council of Texas A&M University Press, by her sons Henry B. Paup '70 and T. Edgar Paup '74.
INTERNATIONAL BESTSELLER A thrilling fantasy debut—a high-stakes heist novel set in a gritty world of magic and malice, and perfect for fans of Six of Crows! In just over a year’s time, Ryia Cautella has already earned herself a reputation as the quickest, deadliest blade in the dockside city of Carrowwick—not to mention the sharpest tongue. But Ryia Cautella is not her real name. For the past six years, a deadly secret has kept her in hiding, running from town to town, doing whatever it takes to stay one step ahead of the formidable Guildmaster—the sovereign ruler of the five kingdoms of Thamorr. No matter how far or fast she travels, his servants never fail to track her down...but even the most powerful men can be defeated. Ryia’s path now leads directly into the heart of the Guildmaster’s stronghold, and against every instinct she has, it’s not a path she can walk alone. Forced to team up with a crew of assorted miscreants, smugglers, and thieves, Ryia must plan her next moves very carefully. If she succeeds, her freedom is won once and for all…but unfortunately for Ryia, her new allies are nearly as selfish as she is, and they all have plans of their own.
CIA operative Steve Conway sets out to steal an advanced combat uniform that renders a soldier virtually invisible but finds himself targeted by sinister forces that may come from inside the CIA itself.
Capturing the world in color was one of photography’s greatest aspirations from the very beginnings of the medium. When color photography became a reality with the introduction of the Autochrome in 1907, prominent photographers such as Alfred Stieglitz were overjoyed. But they quickly came to reject color photography as too aligned with human sight. It took decades for artists to come to understand the creative potential of color, and only in 1976, when John Szarkowski showed William Eggleston’s photographs at the Museum of Modern Art, did the art world embrace color. By accepting color’s flexibility and emotional transcendence, Szarkowski and Eggleston transformed photography, giving the medium equal artistic stature with painting, but also initiating its demise as an independent art. The catalogue of a major exhibition at the Amon Carter Museum of American Art, which holds one of the premier collections of American photography, Color tells, for the first time, the fascinating story of color’s integration into American fine art photography and how its acceptance revolutionized the practice of art. Tracing the development of color photography from the first color photograph in 1851 to digital photography, John Rohrbach describes photographers’ initial rejection of color, their decades-long debates over what color brings to photography, and how their gradual acceptance of color released photography from its status as a second-tier art form. He shows how this absorption of color instigated wide acceptance of a fundamentally new definition of photography, one that blends photography’s documentary foundations with the creative flexibility of painting. Sylvie Pénichon offers a succinct survey of the technological advances that made color in photography a reality and have since marked its multifaceted development. These texts, illuminated by seventy-five full-page plates and more than eighty illustrations, make this book a groundbreaking contribution to photographic studies.
SOLDIERS OF $$ Privateers, contract killers, corporate warriors. Contract soldiers go by many names, but they all have one thing in common: They fight for money and plunder rather than liberty, God, or country. Now acclaimed author and war vet Michael Lee Lanning traces the compelling history of these fighting machines–from the “Sea Peoples” who fought for the pharaohs’ greater glory to today’s soldiers for hire from private military companies (PMCs) in Iraq and Afghanistan. What emerges is a fascinating account of the men who fight other people’s wars–the Greeks who built an empire for Alexander the Great, the Nubians who accompanied Hannibal across the Alps, the Irish who became the first to go global in their search for work. Soldiers of fortune have always had the power to change the course of war, and Lanning examines their pivotal roles in individual battles and in the rise and fall of empires. As the employment of contract soldiers spreads in Iraq and America’s War on Terrorism–the U.S. paid $30 billion to PMCs in 2003 alone–Mercenaries offers a valuable inside look at a system that appears embedded in our nation’s future. Includes eight pages of photographs
In the 1960's, Nancy Powell became Tammi True,the burlesque headliner at Jack Ruby's Carousel Club. She lived a double life, PTA mom by day and stripper by night. Then Jack Ruby shot Lee Harvey Oswald and everything changed. From Catholic school to the juvenile court system, from a noisy club in Dallas to a quiet farm in the country, Nancy's life is wondrous and wayward, hilarious and heartfelt. Here it is, her world in her own words--in and out of the spotlight, and ready for an encore. [backcover]