Amity, as you know, means friendship. Ahoy, maties and welcome aboard! AMITY 6 TO BASE is the first ever book written about Universal Studios Florida's JAWS RIDE, beginning with its troublesome debut in 1990 and concluding with its unfortunate closure in 2012. Packed with rare images and insider trivia, AMITY 6 TO BASE dishes details on everything from the ride story to the mechanical sharks to the Skippers that manned the attraction. It may finally be July 5th in Amity, but that doesn't mean it's finally safe to go swimming. Check out AMITY 6 TO BASE today before it swims up and bites you in the ***!
. Renewal of Life by Transmission. The most notable distinction between living and inanimate things is that the former maintain themselves by renewal. A stone when struck resists. If its resistance is greater than the force of the blow struck, it remains outwardly unchanged. Otherwise, it is shattered into smaller bits. Never does the stone attempt to react in such a way that it may maintain itself against the blow, much less so as to render the blow a contributing factor to its own continued action. While the living thing may easily be crushed by superior force, it none the less tries to turn the energies which act upon it into means of its own further existence. If it cannot do so, it does not just split into smaller pieces (at least in the higher forms of life), but loses its identity as a living thing. As long as it endures, it struggles to use surrounding energies in its own behalf. It uses light, air, moisture, and the material of soil. To say that it uses them is to say that it turns them into means of its own conservation. As long as it is growing, the energy it expends in thus turning the environment to account is more than compensated for by the return it gets: it grows. Understanding the word "control" in this sense, it may be said that a living being is one that subjugates and controls for its own continued activity the energies that would otherwise use it up. Life is a self-renewing process through action upon the environment.
A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squireathough he sometimes succumbs to the charms of the local girls. When Tom is banished to make his own fortune and Sophia follows him to London to escape an arranged marriage, the adventure begins. A vivid Hogarthian panorama of eighteenth-century life, spiced with danger and intrigue, bawdy exuberance and good-natured authorial interjections, "Tom Jones" is one of the greatest and most ambitious comic novels in English literature.
A special edition of Jaws by Peter Benchley reissued with a bright retro design to celebrate Pan's 70th anniversary. It was just another day in the life of a small Atlantic resort until the terror from the deep came to prey on unwary holiday makers. The first sign of trouble - a warning of what was to come - took the form of a young woman's body, or what was left of it, washed up on the long, white stretch of beach . . . A summer of terror had begun. Peter Benchley's Jaws first appeared in 1974. It has sold over twenty million copies around the world, creating a legend that refuses to die - it's never safe to go back in the water . . .
Something even more dangerous than the observed sixteen-foot pregnant great white shark has risen from the depths and is feeding in the waters off the coast of Connecticut.
Carl Gottlieb's account of the making of Steven Spielberg's classic shocker is a compelling insider's story of the making of a film phenomenon. Jaws grossed $100 million, won 3 Oscars and launched its 26-year-old director. Screenwriter Carl Gottlieb was on board throughout the production process, and chronicled his year-long adventure: a riveting portrait of a famously arduous shoot, complicated by clashing creative temperaments, pressures from the studio, bad weather - and sharks.
Michel de Certeau considers the uses to which social representation and modes of social behavior are put by individuals and groups, describing the tactics available to the common man for reclaiming his own autonomy from the all-pervasive forces of commerce, politics, and culture. In exploring the public meaning of ingeniously defended private meanings, de Certeau draws on an immense theoretical literature in analytic philosophy, linguistics, sociology, semiology, and anthropology--to speak of an apposite use of imaginative literature.
After being transported to a strange alternate Earth, Matt Reddy and the crew of the USS Walker have learned desperate times call for desperate measures, in the return to the New York Times bestselling Destroyermen series. Time is running out for the Grand Human and Lemurian Alliance. The longer they take to prepare for their confrontations with the reptilian Grik, the Holy Dominion, and the League of Tripoli, the stronger their enemies become. Ready or not, they have to move--or the price in blood will break them. Matt Reddy and his battered old destroyer USS Walker lead the greatest army the humans and their Lemurian allies have ever assembled up the Zambezi toward the ancient Grik capital city. Standing against them is the largest, most dangerous force of Grik yet gathered. On the far side of the world, General Shinya and his Army of the Sisters are finally prepared for their long-expected assault on the mysterious El Paso del Fuego. Not only is the dreaded Dominion ready and waiting for them; they've formed closer, more sinister ties with the fascist League of Tripoli. Everything is on the line in both complex, grueling campaigns, and the Grand Alliance is stretched to its breaking point. Victory is the only option, whatever the cost, because there can be no second chances.
