Ashrafi and Bilal are orphaned siblings stranded and defined by the troubles in Kashmir. 18 year old Bilal is the pride of the region, part of a teenage football team set for great heights, and pushed to the limits by the violence around them. Haunted by hope, his sister is caught in the past, and Bilal is torn between escaping the myths of war and the cycles of resistance. Interweaving true stories and testimonies with Islamic storytelling, the play paints a magical portrait of a generation of radicalised kids, and a beautiful landscape lost to conflict.
Included in NPR’s Favorite Sci-Fi And Fantasy Books Of The Past Decade (2011-2021) A Nebula Award Winner A Ignyte Award Winner A Compton Crook Award for Best New Novel Winner A Locus First Novel Award Winner A RUSA Reading List: Fantasy Winner A Hugo Award Finalist A World Fantasy Award Finalist A NEIBA Book Award Finalist A Mythopoeic Award Finalist A Dragon Award Finalist A Best of 2021 Pick in SFF for Amazon A Best of 2021 Pick in SFF for Kobo Nebula, Locus, and Alex Award-winner P. Djèlí Clark goes full-length for the first time in his dazzling debut novel Cairo, 1912: Though Fatma el-Sha’arawi is the youngest woman working for the Ministry of Alchemy, Enchantments and Supernatural Entities, she’s certainly not a rookie, especially after preventing the destruction of the universe last summer. So when someone murders a secret brotherhood dedicated to one of the most famous men in history, al-Jahiz, Agent Fatma is called onto the case. Al-Jahiz transformed the world forty years ago when he opened up the veil between the magical and mundane realms, before vanishing into the unknown. This murderer claims to be al-Jahiz, returned to condemn the modern age for its social oppressions. His dangerous magical abilities instigate unrest in the streets of Cairo that threaten to spill over onto the global stage. Alongside her Ministry colleagues and a familiar person from her past, Agent Fatma must unravel the mystery behind this imposter to restore peace to the city—or face the possibility he could be exactly who he seems... Novellas by P. Djèlí Clark The Black God's Drums The Haunting of Tram Car 015 Ring Shout The Dead Djinn Universe contains stories set primarily in Clark's fantasy alternate Cairo, and can be enjoyed in any order. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Imagining vampires at the heart of the social struggles of 1920s, Moonshine blends a tempestuous romance with dramatic historical fiction, populated by a lively mythology inhabiting the gritty New York City streets Zephyr Hollis is an underfed, overzealous social activist who teaches night school to the underprivileged of the Lower East Side. Strapped for cash, Zephyr agrees to help a student, the mysterious Amir, who proposes she use her charity worker cover to bring down a notorious vampire mob boss. What he doesn’t tell her is why. Soon enough she’s tutoring a child criminal with an angelic voice, dodging vampires high on a new blood-based street drug, and trying to determine the real reason behind Amir’s request—not to mention attempting to resist his dark, inhuman charm.
Was the Earth uninhabited before the descent of Adam and Eve? Are we really alone? The world governments certainly don't seem to think so! They spend enormous amounts of money searching for extraterrestrials a million light years away, yet forget to look in their own backyard. Who are the beings that can enable a layman to communicate in foreign languages and scare a sitting President out of office? Who are these beings that can make a dead woman scream for help in Latin America while enabling another to sing from within the grave in Asia? The answers lie within The World of the Unseen. The author's years of research resulted in The World of the Unseen, on the subject of Jinn and how their world is inter-linked with ours. It is a compilation of real-life cases of Jinn possessions as well as a comprehensive study of unexplainable and mysterious events occurring around the world, from the valleys of Afghanistan to the deserts of the United States.
With the wildling Signar in tow, Tzarik and Sybal track Tarkan to Alika only to find he’s in a race to the mythical Mahit’Nomicon against the would-be sorcerer Abigor Sharar. Now on the hunt for two of the most dangerous sentients to have ever existed, the Runers come closer to finding out that their paths might not have crossed with Sharar’s entirely by chance and the hunters may have in fact been the hunted. After two decades of study, Sharar finally believes he knows the resting place of the Mahit’Onomicon. Just before he’s sure, an old nemesis appears, stronger and more vengeful than ever before. Armed with the djinn he enslaved long ago, protected by a sell-sword Runer, and informed by a traitorous necromancer, Sharar sees no way he can possibly fall to the revenge-bent Necro’Khan. He will be a sorcerer before the winter cools the desert sands of Alika. Tarkan is gathering not only Apostles to his side but also unearthing spells and magic that Ishmael began to create one thousand years ago–long before Tarkan thought his father even existed. The more powerful the Necro’Khan becomes, the less he fears Sharar. In fact, Sharar as a sorcerer might be the missing piece he needs to become truly free and enthrone himself as the most powerful sentient on the map.
Talib, a sixteen-year-old Palestinian, miraculously survives the Cave of the Patriarchs massacre, a travesty that kills his father. Escaping the conflict in the Middle East, Talib is offered solace in the luxury of a wealthy familys mansion home where he meets two enigmatic sisters, Kate and Fiona. Despite their beauty, innocence, and sophistication, these sisters are not at all what Talib imagined. Their occult practices and devotion to a mission handed down to them by the Enlightened Titans, a fraternal secret society, throw Talib into a conflict between his Islamic upbringing and the cosmological possibility that there is more to the universe than what a religious text offers. If this is not enough, Talib learns that he has more to offer, and the two sisters may take it unless he volunteers it.
According to the Qur’an, God created two parallel species, man and the jinn, the former from clay and the latter from fire. Beliefs regarding the jinn are deeply integrated into Muslim culture and religion, and have a constant presence in legends, myths, poetry, and literature. In Islam, Arabs, and the Intelligent World of the Jinn, Amira El-Zein explores the integral role these mythological figures play, revealing that the concept of jinn is fundamental to understanding Muslim culture and tradition.
Azad's debut YA fantasy is set in a city along the Silk Road that is a refuge for those of all faiths, where a young woman is threatened by the war between two clans of powerful djinn. Fatima lives in the city of Noor, a thriving stop along the Silk Road. There the music of myriad languages fills the air, and people of all faiths weave their lives together. However, the city bears scars of its recent past, when the chaotic tribe of Shayateen djinn slaughtered its entire population -- except for Fatima and two other humans. Now ruled by a new maharajah, Noor is protected from the Shayateen by the Ifrit, djinn of order and reason, and by their commander, Zulfikar.But when one of the most potent of the Ifrit dies, Fatima is changed in ways she cannot fathom, ways that scare even those who love her. Oud in hand, Fatima is drawn into the intrigues of the maharajah and his sister, the affairs of Zulfikar and the djinn, and the dangers of a magical battlefield.In this William C. Morris YA Debut Award finalist novel, Nafiza Azad weaves an immersive tale of magic and the importance of names; fiercely independent women; and, perhaps most importantly, the work for harmony within a city of a thousand cultures and cadences.
Islam in Performance brings together six contemporary plays from Bangladesh, India, and Pakistan that highlight the political performance of Islam in South Asia, especially since the 1947 partition of the subcontinent. The plays invite comparison with one another, engaging with the issue from perspectives of the three countries concerned: Hindutva politics in India othering the Muslim population for electoral gains, radical Islamization of Pakistan paralyzing political governance and encouraging jihadi violence, and the ever-increasing Islamist threat to Bangladesh's founding secular ethos. Finally, this anthology focuses on the suffering such exclusionary politics of religious nationalism has piled upon minorities across the region. Widely performed but largely unpublished, the plays with their geographic and stylistic range provide a good spectrum of some of the best writing in contemporary South Asian drama. The editor's scholarly introduction offers a framework for studying the plays as both texts and performance pieces.